Les enquêtes de l'escouade "Hawai 5-0", une brigade d'élite de la police d'État d'Hawai, qui répond du Gouverneur d'État, et menés par l'intrépide ex-Marine Steve McGarrett.Les enquêtes de l'escouade "Hawai 5-0", une brigade d'élite de la police d'État d'Hawai, qui répond du Gouverneur d'État, et menés par l'intrépide ex-Marine Steve McGarrett.Les enquêtes de l'escouade "Hawai 5-0", une brigade d'élite de la police d'État d'Hawai, qui répond du Gouverneur d'État, et menés par l'intrépide ex-Marine Steve McGarrett.
- Récompensé par 2 Primetime Emmys
- 4 victoires et 23 nominations au total
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Th e1970's was often called the age of tv cop shows. You had shows like, Police Story, Cannon, Columbo, Toma, Baretta, The Streets Of San Francisco and Joe Forrester. However, Hawaii Five O was the grandaddy of them all. This show ran longer then any other police show in tv history, from 1968 to 1980, we all watched Steve McGarret unmask the villian and solve the mystery (oh and also to bark "Book 'em Danno" at the end of every episode. I am going to tell you something about Jack Lord that is not generally well known, I learned this from one of Paul Harvey's "The Rest Of The Stories". Although his role as the hard hitting cop would suggest he was anything but sensitive, Jack Lord was really a very different man in real life. He was an artist and a very sucessful one as well and it wasn't because he was a tv star. Five of his paintings are in the famous Metropolitan Musuem of Art in New York City. People have paid fortunes for them! As a student Lord won numerous awards for his art and people have paid fortunes for even his simplist watercolors. Lord often quoted Sean O'Casey and said "Let us find a way to spin joy into every moment of tomorrow's day". As Steve McGarret Lord was almost like a modern day knight. All the tv cop shows since in a way owe their sucess to him. He set a standard that will never be equalled.
Can't believe I am the first one to put in some comments on this show! Great show! Loved the cast, the action, the scenery, one of my biggest childhood TV memories is watching the big wave curl over the name of the show. (McGarrett always looked like Elvis, by the way, didn't he? They were pals, if you didn't know..) I felt bad when Jack Lord died a couple years ago, he was much older than I would have guessed...77 was it?
Anyways, one of the better, more durable shows of the era, kind of think of Kojak or Cannon whenever this comes to mind; I hope to see it in reruns again sometime.
Anyways, one of the better, more durable shows of the era, kind of think of Kojak or Cannon whenever this comes to mind; I hope to see it in reruns again sometime.
Hawaii Five-O's successful 12-year run proved one thing: A drama doesn't have to be perfect or overly complex to succeed.
Hawaii Five-O's plots were straightforward and self-contained. They rarely had big surprises or twists, and the plot of one episode rarely carried over into future episodes. However, the stories were (for the most part) well written, intelligent, and often unique. For example, in the sixth season's "Draw Me a Killer", a young man "in love" with a female comic book character murders people who resemble her fictional adversaries. This sort of creativity resulted in interesting plots that didn't have to depend upon shocks or gimmicks to be watchable.
Hawaii Five-O was authentic. It was shot entirely on location in Hawaii. Most took place in Honolulu, but the show saw some time on the other islands, as well. Local actors were used to fill nearly every minor part in almost all episodes. While many of these actors were clearly amateurs, you didn't care. This actually added to the show's charm and authenticity. Some of these locals had recurring parts, being seen in different roles in as many as 14 episodes. That also wasn't a big deal, provided you didn't take the show too seriously.
Hawaii Five-O was nice to look at. The show went out of its way to create scenes with beautiful backdrops, allowing the viewer to feel he's on a Hawaiian vacation while in his own living room.
Hawaii Five-O featured one of the best opening theme songs and title sequences. It still holds up well 37 years later. Even the end title sequence, showcasing about 20 native Hawaiians paddling a boat through the ocean off Hawaii, fit in with the show's Hawaiian authenticity. A bit of trivia regarding the opening sequence: The famous wave at the beginning was NOT filmed for Hawaii Five-O, and was instead taken from some 1962 stock footage. This footage was so unimportant at the time that it is now unknown exactly where that wave video originated. Also, the 10-year-old boy shown on the beach was randomly selected and given $5 for allowing himself to be filmed. He didn't know he was in the opening titles until kids at school teased him about it! The first 7 seasons of the show were by far superior to the final 5. The show especially deteriorated by season 11. This was simply a case of a show that had run its course, and it honestly should have been canceled two years earlier.
Jack Lord did a superb job as Five-O head Steve McGarrett. We never got to learn too much about the lives of the other characters, but it was always clear that they were there to support McGarrett. The unity and dedication amongst the characters of the show was comforting to watch. While many cop shows (such as NYPD Blue) introduce conflict between the main characters, this had no place in Hawaii Five-O. This was a show about Five-O versus the criminal element of Hawaii.
Despite the repeated showcasing of Honolulu's crime, Hawaii Five-O actually did a lot to boost Hawaii tourism. You would think that episodes showing tourists as murder victims would put people off. Perhaps everyone felt protected by McGarrett and Five-O, even if both were just a work of fiction.
Hawaii Five-O's plots were straightforward and self-contained. They rarely had big surprises or twists, and the plot of one episode rarely carried over into future episodes. However, the stories were (for the most part) well written, intelligent, and often unique. For example, in the sixth season's "Draw Me a Killer", a young man "in love" with a female comic book character murders people who resemble her fictional adversaries. This sort of creativity resulted in interesting plots that didn't have to depend upon shocks or gimmicks to be watchable.
Hawaii Five-O was authentic. It was shot entirely on location in Hawaii. Most took place in Honolulu, but the show saw some time on the other islands, as well. Local actors were used to fill nearly every minor part in almost all episodes. While many of these actors were clearly amateurs, you didn't care. This actually added to the show's charm and authenticity. Some of these locals had recurring parts, being seen in different roles in as many as 14 episodes. That also wasn't a big deal, provided you didn't take the show too seriously.
Hawaii Five-O was nice to look at. The show went out of its way to create scenes with beautiful backdrops, allowing the viewer to feel he's on a Hawaiian vacation while in his own living room.
Hawaii Five-O featured one of the best opening theme songs and title sequences. It still holds up well 37 years later. Even the end title sequence, showcasing about 20 native Hawaiians paddling a boat through the ocean off Hawaii, fit in with the show's Hawaiian authenticity. A bit of trivia regarding the opening sequence: The famous wave at the beginning was NOT filmed for Hawaii Five-O, and was instead taken from some 1962 stock footage. This footage was so unimportant at the time that it is now unknown exactly where that wave video originated. Also, the 10-year-old boy shown on the beach was randomly selected and given $5 for allowing himself to be filmed. He didn't know he was in the opening titles until kids at school teased him about it! The first 7 seasons of the show were by far superior to the final 5. The show especially deteriorated by season 11. This was simply a case of a show that had run its course, and it honestly should have been canceled two years earlier.
Jack Lord did a superb job as Five-O head Steve McGarrett. We never got to learn too much about the lives of the other characters, but it was always clear that they were there to support McGarrett. The unity and dedication amongst the characters of the show was comforting to watch. While many cop shows (such as NYPD Blue) introduce conflict between the main characters, this had no place in Hawaii Five-O. This was a show about Five-O versus the criminal element of Hawaii.
Despite the repeated showcasing of Honolulu's crime, Hawaii Five-O actually did a lot to boost Hawaii tourism. You would think that episodes showing tourists as murder victims would put people off. Perhaps everyone felt protected by McGarrett and Five-O, even if both were just a work of fiction.
The longest-running cop show on American TV until "Law & Order"'s thirteenth season, "Hawaii Five-O" still has a long life in reruns and probably will continue in that vein long into the future.
Admittedly it did go downhill towards the end (the last season's episodes, ironically, seem even more dated than those from the '68 run) and no one can really claim that the acting was on a par with your Bochcos or your Levinsons, but it worked - yes, the scenery was a plus, along with Reza S. Badiyi's title sequence (still one of the all-time greats), but ultimately the glue that held it together was the late Jack Lord. He clearly thought the show revolved around him, and he was right - stiff, yes, but the man WAS Steve McGarrett; you never doubted for a second that he was in charge.
The show also had more than a few decent stories to go with the Hawaiian setting; that's the main reason this show was popular enough to run for more than 10 years (and more than twice that length in reruns). That and Morton Stevens's theme music, of course - all these years and that still hasn't worn thin yet either. I doubt "Miami Vice" will hold up so well.
The Stephen J. Cannell-backed pilot shot in '97 (and which brought back Chin Ho, killed off in "A Death In The Family") was judged so bad by CBS that to this day it hasn't aired, and probably never will. Like I'm weeping...
Admittedly it did go downhill towards the end (the last season's episodes, ironically, seem even more dated than those from the '68 run) and no one can really claim that the acting was on a par with your Bochcos or your Levinsons, but it worked - yes, the scenery was a plus, along with Reza S. Badiyi's title sequence (still one of the all-time greats), but ultimately the glue that held it together was the late Jack Lord. He clearly thought the show revolved around him, and he was right - stiff, yes, but the man WAS Steve McGarrett; you never doubted for a second that he was in charge.
The show also had more than a few decent stories to go with the Hawaiian setting; that's the main reason this show was popular enough to run for more than 10 years (and more than twice that length in reruns). That and Morton Stevens's theme music, of course - all these years and that still hasn't worn thin yet either. I doubt "Miami Vice" will hold up so well.
The Stephen J. Cannell-backed pilot shot in '97 (and which brought back Chin Ho, killed off in "A Death In The Family") was judged so bad by CBS that to this day it hasn't aired, and probably never will. Like I'm weeping...
I have been watching this show since I was 8 years old. I remember watching its final episode in 1980(when I was 14 years old). And its still on in syndication some 20 years later after it went off the air. For the astounding 13 seasons that it ran on CBS-TV(from 1968-1980),and again as a very short lived series called "McGarrett"(when Jack Lord's character leaves 5-O to become a private investigator),its no wonder why in point the shows still leaves viewers on the edge of their seats,and at the end its McGarrett telling his partner after he catches the bad guy or super villain to "book'em,Danno...murder one". This show set the standards today for all cop shows that were to follow it,and it still holds up. Kudos to the legendary Jack Lord(who died two years ago on his resort in Hawaii),and series creator Leonard Freeman who were the first to put Asian-Americans and other minorities in non-stereotypical roles(which followed the same format that producer Sheldon Leonard used when he put Bill Cosby as the first African-American in a starring role in "I Spy" four years earlier in 65). One of classic TV cop shows of the late 1960's and throughout the remainder of the 1970's,and it shows. Catch the reruns.
Le saviez-vous
- GaffesIn some early episodes, McGarrett leaves headquarters in a 1967 Mercury 2-door (coupe), and reaches his destination in a 1968 Mercury 4-door (sedan).
- Citations
[repeated line]
Det. Steve McGarrett: Book him, Danno. Murder one.
- ConnexionsEdited into Tremblement de terre (1974)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Hawaï, police d'état
- Lieux de tournage
- The Twin Towers - 2085 Ala Wai Blvd, Waikiki, Honolulu, O'ahu, Hawaï, États-Unis(Detective Lieutenant Steve McGarrett residence)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
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