Doris comédie

THE DORIS DAY SHOW (CBS, 1968-73), stars Doris Day in her only weekly comedy series. An actress whose screen career lasted twenty years (1948-1968), ranging from musicals, comedies and heavy dramas, at this point. By 1968, her career was virtually over, until finding herself working for the little screen called television.

THE DORIS DAY SHOW, premiering on CBS in September of 1968, opens with her signature theme song, "Que Sera Sera." The first season finds the widowed Doris Martin (Doris Day), living with her white haired, bearded father, Buck Webb (Denver Pyle) on the family ranch with her two blond-haired sons, Billy (Philip Brown) and Toby (Todd Starke), the little guy with a buck tooth. With similarities to the recent TV show, GREEN ACRES, Doris is a city girl now back on the farm. Supporting her father is the hired hand country boy, LeRoy B. Simpson (James Hampton). There's also a housekeeper, Aggie (Fran Ryan), and later Juanita (Naomi Stevens). The first season followed the tradition of other sit-coms of that time, sugar sweetness with country humor, never rising above the number one TV show of that time, THE ANDY GRIFFITH SHOW. The second season found Doris Martin still living on the farm, but now commuting to San Francisco and working as a secretary for Mr. Nicholson (MacLean Stevenson) at TODAY'S WORLD MAGAZINE. Also in support is Myrna Gibbons (Rose Marie, best known as Sally Rogers in THE DICK VAN DYKE SHOW). Rose Marie became an added plus in the show, although her character, a single woman always looking for the Mr. Right, was actually no different from her role on Van Dyke's show. Myrna and Doris were given a second banana character in the carnation of Ron Harvey (Paul Smith), a bachelor co-worker on the trail of beautiful female companionship. With this change, the show was slowly finding itself. For season three, Doris moves from her father's farm, taking her the boys and their sheepdog, Lord Nelson, to an apartment in San Francisco over an Italian restaurant run by Angie and Louie Palucci (Kaye Ballard and Bernie Kopell). Doris continues to work at TODAY'S WORLD MAGAZINE. Denver Pyle, no longer a series regular, appeared occasionally mostly in guest spots. While still working woman, Doris manages to find quality time with her boys. Up to this time, THE DORIS DAY SHOW improved, showing both humor and heart to the character and plots, but it was still trying to find itself.

As a youngster growing up during this period, I always enjoyed programs like this, especially whenever they included kids. The big change came with seasons four and five when Mrs. Doris Martin, still working at TODAY'S WORLD MAGAZINE and living in the same apartment on top of Palucci's Italian Restaurant, becomes Miss Doris Martin, a bachelor girl. The format shifted gears, eliminating the Martin boys, their dog, and contradicting everything from the previous seasons. Regardless, the show finally found itself. Of course there were occasional characters reprising their roles from the previous seasons, namely Kaye Ballard, Van Johnson and Billy DeWolfe (hilarious as Mr. Jarvis), so obviously this is the same character and same show with different format. Another difference, being true to life, is Doris now working as a staff writer for a new boss, Cy Bennett (the mustached John Dehner), supported by new co-worker pal, Jackie (Jackie Joseph). Changing her employer from a handsome and easy-going man to a stuffy middle-aged miser was a fine change, which found Doris at wits with her stingy boss. The final two seasons is the format that lasted the longest.

This new format would have worked had Doris Martin remained what she has been previously. Having the boys mentioned as being sent away to boarding school would have explained the emptiness of her apartment. It's surprising it wasn't renamed THE NEW DORIS DAY SHOW. What did happen was Doris Day succeeded in making this dramatic change work. For most, the working girl/family episodes from the second and third seasons are the best. The worst episodes are those with Doris as the only model in the annual fashion shows. A musical show showcasing Doris's fine singing voice would have been preferable, almost as nostalgic as the two Christmas episodes (1970 and 1971) which made them so enjoyable. One episode I remember most but like the least is "Young Love" from Season Three, where Doris appears in the opening segment, comforting a troubled teen named April (played by Meredith Baxter), who tells her story via flashback, taking up the entire episode. In Seasons Four and Five, Doris Martin found a romantic love interest, a middle-aged doctor, played by silver-haired Peter Lawford.

An episode, which I feel might be the one closest to Doris Day's heart, is the one in which she goes on trial for releasing a group of dogs locked in an automobile parked in the hot sun with shut windows. After being taken to court by the owner, she, of course, gets acquitted following her plea in the courtroom for the safety of dogs and other creatures, and her willingness to do what she did again even if it meant serving jail time. No doubt this could be Doris Day's personal favorite since it's more Doris Martin being Doris Day, an animal rights activist.

All episodes of THE DORIS DAY SHOW were produced on film and in color. Interestingly, seldom revived in syndication. Unseen on cable since the 1980s, all 128 episodes are currently available on DVD.

Doris Day, the number one female box-office attraction of all-time, smoothly segued into television in September of 1968. Although she had not planned to do a series, her late husband Marty Melcher had committed her to a deal with the eye network and as Day always said, "...a deal is a deal..." Despite stellar ratings the first week, the series faltered somewhat during the following weeks as viewers became frustrated at seeing Doris, who had achieved tremendous cinema success as a working, strong-minded woman, relegated to living on a farm. She was a delight as a widow with two young sons, a father, farm hand and housekeeper, but the scripts gave her little to do but smile. She took control of the show during the second season, had her character, Doris Martin get a job at a magazine in San Francisco, and ratings shot through the roof. The second through fifth seasons were certainly notable for many reasons. "The Doris Day Show" averaged 35-35 million viewers each Monday evening. It was largely due to Day's tremendous likeability and effortless skill as an actress and comic. The situations, while often uproariously funny, were never so slapstick that they bordered on caricature. She wisely surrounded herself with a wonderful supporting cast and guest stars that complimented her inherent skills. Maclean Stevenson, Rose Marie, Kaye Ballard, Bernie Kopell, Billy DeWolfe and others, were all given ample opportunity to shine, Day never feeling she wanted all the focus to be on her. There were wonderful guest stars and a look-see at the series will give you a chance to watch a young Jodie Foster and a venerable Estelle Winwood, well into her 80's at the time she appeared on the series several times. Henry Fonda, Day's "Midnight Lace" co-star John Gavin, Lew Ayres, Tony Bennett, Peter Lawford, and Patrick O'Neal are just a handful of those who graced the tube with the freckle-faced dynamo. Continuing her big-screen role as an independent woman who wouldn't take flack from anyone, instead building a successful career in what was often a man's world, prior to the so-called cutting edge "Mary Tyler Moore Show", Day was a woman of strength and determination although never submerging her femininity and becoming hard or cold. Occassionally Doris Day even let lose with a song or two, harmonizing with Bennett to "I Left My Heart in San Francisco", chirping with Larry Storch to "Harvest Moon" or singing a perfectly beautiful "Silver Bells" during a Christmas episode. Always garbed beautifully, Day had a great time sending up her own image as in an episode where her character, Doris Martin, won a Doris Day look-alike contest. While the show underwent some changes of cast and locale each season, her character continued her job at Today's World, and always maintained her integrity and sense of humor. In the Spring of 1973, following a successful five year run of almost 130 episodes, Day decided not to renew her contract for another season feeling that she had done what she could with the role. Offers continued to pour in for various series but Day felt the series stood on its own merits. A look at the show today shows that she was savvy in walking away when she did. It remains funny, charming, very watchable, and Day remains a surefire treat, the glue that keeps everything nicely together.

When I was a kid this was my first exposure to Doris Day. I was only two when this show first aired and I used to watch it every week. However, it was fairly confusing due to the fact that it changed situations almost every season. In the first season she was the typical widowed mom raising her two kids in an almost carbon copy of "Green Acres", but without the surrealism of that show. In the second season we see her become a writer for a magazine, which she would remain, with slight variations for the next few years. However, in the final season, the show pretty much becomes another version of "Mary Tyler Moore" with her now playing a single girl and without the kids that she had for the first few years. However, despite these changes Doris Day retained the charm and grace that made her one of the most popular stars in television.

Also, one thing that is quite ironic is the fact that this show was set in San Francisco, which was the same locale as her former co-star, and close friend, Rock Hudson's series "McMillan and Wife". That fact could have led to all sorts of guest star possibilities.

You all know the backdrop of this series so I won't bore you with it. I love this show and I too like the season 2 and 3 shows the best. As far as format changes go, I think they did a really good job going from season 1 to 2 to 3. It was a logical progression, Doris gets a job, then she moves the family into town etc. I hate the way they changed the format in season 4 and 5. Had I been around at that time to put my two cents in I would have done several things. 1. In season 4 I would have left things exactly as they were in season three and brought in the Peter Lawford character as Doris's serious love interest and possible step father for the boys. This along with the normal goings on would have brought yet another logical advancement. 2. In season 5 I would have Doris and Peter get engaged, Doris gets a new Boss and is promoted to a staff writer position at the magazine. The season finale would have been Doris and Peter's wedding with the entire cast from all the seasons in attendance. This could have been a huge ratings getter and a great way to end the series. I just don't know what they were thinking when they did 4 and 5. There are some episodes that are good but the show is missing the heart it had in 1,2, and 3. As was stated by another poster we cant go back and change history but thankfully there is enough good in seasons 1 2 and 3 that I watch them all the time. A must for Doris Fans.

I didn't watch much of the Doris Day Show when it was on, I hated the idea that America's top female movie star was forced to do TV. Because I'm a Doris Day collector, I purchased THE DORIS DAY SHOW First Season.

Now, I remember. I saw the first couple of shows and quit watching. Now watching the later shows from the first season, I can't believe how good this is! Leave it to Doris Day to make a silk purse out of a sow's ear. Her acting is incredible -- she doesn't miss a trick. As Jack Lemmon said about Day, "It was elevating to act with her." AND THAT BODY! Doris Day had the best figure in Hollywood. Don't get me wrong, I thought that Marilyn Monroe was voluptuous, but Doris' figure was perfect. She could wear anything and look terrific.

I'm looking forward to the rest of the seasons. On this collection, there are some fun extras, including Doris' two appearances on the TV classic, What's My Line?"

Looking back, Doris Day was robbed. She never got nominated as Best Actress in a comedy by the Emmys. Clearly, she was better than Lucille Ball in the messy and overplayed, "Here's Lucy" and as good or better than the actresses that WERE being nominated during this period. But I must point out, this series was done during the "I hate Doris Day" period in the USA. Everybody frowned on Day as being "too clean" and "a virgin." Of course all of that was nonsense and looks silly today, but that was the atmosphere in which Doris filmed this series.

The Emmys often ignored the best. Remember, the marvelous Esther Rolle was never nominated for her formidable work on "Good Times."