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Adam-12

  • Série télévisée
  • 1968–1975
  • TV-PG
  • 30min
NOTE IMDb
7,7/10
5,3 k
MA NOTE
POPULARITÉ
2 401
385
Kent McCord and Martin Milner in Adam-12 (1968)
Trailer for Adam-12: Season Two
Lire trailer1:04
4 Videos
99+ photos
Cop DramaPolice ProceduralCrimeDrama

Deux agents de police ordinaires patrouillent à Los Angeles.Deux agents de police ordinaires patrouillent à Los Angeles.Deux agents de police ordinaires patrouillent à Los Angeles.

  • Création
    • Robert A. Cinader
    • Jack Webb
  • Casting principal
    • Martin Milner
    • Kent McCord
    • Shaaron Claridge
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,7/10
    5,3 k
    MA NOTE
    POPULARITÉ
    2 401
    385
    • Création
      • Robert A. Cinader
      • Jack Webb
    • Casting principal
      • Martin Milner
      • Kent McCord
      • Shaaron Claridge
    • 42avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Primetime Emmy
      • 5 nominations au total

    Épisodes174

    Parcourir les épisodes
    HautLes mieux notés

    Vidéos4

    Adam-12: Season Six
    Clip 2:33
    Adam-12: Season Six
    Adam-12: Clip 1
    Clip 1:38
    Adam-12: Clip 1
    Adam-12: Clip 1
    Clip 1:38
    Adam-12: Clip 1
    Adam-12: Season Two
    Trailer 1:04
    Adam-12: Season Two
    Adam-12: Season 2
    Trailer 1:04
    Adam-12: Season 2

    Photos2763

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 2,8 k
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    Rôles principaux99+

    Modifier
    Martin Milner
    Martin Milner
    • Officer Pete Malloy
    • 1968–1975
    Kent McCord
    Kent McCord
    • Officer Jim Reed…
    • 1968–1975
    Shaaron Claridge
    • Dispatcher…
    • 1968–1975
    William Boyett
    William Boyett
    • Sgt. MacDonald
    • 1968–1975
    Fred Stromsoe
    • Officer Jerry Woods…
    • 1971–1975
    Gary Crosby
    Gary Crosby
    • Officer Ed Wells
    • 1969–1975
    Claude Johnson
    Claude Johnson
    • Officer Brinkman…
    • 1968–1974
    Art Gilmore
    Art Gilmore
    • Lt. Moore…
    • 1968–1974
    William Stevens
    • Off. Jerry Walters…
    • 1968–1974
    Marco Lopez
    • Officer Sanchez…
    • 1968–1971
    Robert Patten
    Robert Patten
    • Det. Sgt. Stone…
    • 1969–1972
    Rick Warick
    • Police Officer…
    • 1968–1971
    Jack Hogan
    Jack Hogan
    • Sgt. Jerry Miller…
    • 1968–1974
    Kenneth Washington
    Kenneth Washington
    • Officer Miller…
    • 1968–1969
    Chuck Bowman
    Chuck Bowman
    • Det. Cole Edwards…
    • 1969–1975
    William Elliott
    William Elliott
    • Officer Grant…
    • 1971–1975
    Robert Rothwell
    Robert Rothwell
    • Off. Russo…
    • 1968–1969
    Raymond Mayo
    Raymond Mayo
    • Suspect…
    • 1970–1974
    • Création
      • Robert A. Cinader
      • Jack Webb
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs42

    7,75.3K
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    Avis à la une

    Tarlonniel

    Best show on TV

    This has got to be the best TV series I've ever seen. It has clean drama, humor, and action, and best of all, everything *really happened.* It's a superb look at a policeman's life, and after every episode I have even more respect for those who risk their lives to keep us safe.
    Mister-UHF

    Still the best.

    Around 1975, I heard a police officer call Adam-12 the most realistic police show ever. In 1999, I heard a recently retired police officer say the same thing. It's hard to top those reviews.

    All I'll add is that it had the best casting of any TV show I've seen.
    8AlsExGal

    Between Dragnet and Emergency!...

    ... is this unfairly forgotten TV series that actually lasted longer than either series that chronicles the professional lives of two LA police officers as they patrol the streets.

    This was one of several successful TV series that Jack Webb produced. From the start it dealt with modern topics while sticking with that buddy cop formula that Webb did so well. Also like Dragnet, one cop is single and one is married. This time, however, it is the rookie patrolman who is married and starting a family when the series premieres, and it is the older cop who is as close to a confirmed bachelor as you could be in 1968 without raising middle class eyebrows. There is usually one personal issue that the two cops discuss while on patrol as well as the following of a few cases that they encounter while on the job. You'll notice that the format is very similar to that of Emergency!

    Jack Webb stays with the formula that served him so well - keep production costs down, use a core group of actors for supporting roles, have some entertaining conversational interplay between teammates, and keep the focus on the situation of the week. If you like Dragnet or Emergency! Give this old series a try.
    Sargebri

    The Greatest Show About The Average Policeman

    This is one show that still holds up over thirty years after it premiered. Not only do you get a true life look at the day to day operations of a typical patrolman, but you also see the evolution of the relationship between two officers. When Reed is first teamed with Malloy he is the subordinate young officer who keeps calling Malloy sir and makes a few mistakes along the way, but by the end of the series, Malloy treats Reed as an equal and the two even call each other by their first names. In fact, in either the first or second season, Reed names Malloy the Godfather to his son. This show definitely proves that Jack Webb was a genius.
    johnfuen

    A Jack Webb Junkie born January named John

    The title is my attempt to honor the classic Johnny Carson "Claude Cooper copper clappers" bit with Jack Webb. As a kid I tried to never miss an episode of any Jack Webb series. Adam 12 being one of them. I really enjoyed how the relationship between Reed and Malloy developed throughout out the seasons. From the beginning when Malloy was a bit distant from his partner but still very mother hen-like to the later years when the two were comfortable with each other and taking little jabs at each other between calls.

    One of my favorites was the episode when Reed's wife was pregnant, and the Reeds, Malloy, and his girl friend were trapped in a ghost town by a motorcycle gang. That episode still stands out in my mind. I enjoyed how the series dealt with more day to day stuff than the impossible situations shown in many other cop shows. It was amazing how a day's work could be squeezed into a 30 min show (22 w/o commercials).

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The dispatcher's voice was that of Shaaron Claridge, a real Los Angeles dispatcher. Jack Webb thought using a real dispatcher for the voice-overs would lend authenticity to the program.
    • Gaffes
      Whenever there is an insert of either the radio, the "hot sheet" (list of stolen cars), or when Reed is jotting down information on the pad, the visuals almost never match the continuity of the scene. Example: It can be daytime in the scene, but when the insert of the radio or the hot sheet is shown, they appear, due to the lighting, that the inserts are from nighttime. Also, the same insert of Reed writing on the pad is used whenever he writes info down. As with the errors with the radio not matching the scene, there are times when Reed is wearing the short-sleeve uniform, yet when he's writing info down, we see the cuff of a long-sleeve shirt.
    • Citations

      Pete Malloy: You know what this is?

      Jim Reed: Yes sir, it's a police car.

      Pete Malloy: This black and white patrol car has an overhead valve V8 engine. It develops 325 horsepower at 4800 RPM's. It accelerates from 0 to 60 in seven seconds; it has a top speed of 120 miles an hour. It's equipped with a multi-channeled DFE radio and an electronic siren capable of emitting three variables: wail, yelp, and alert. It also serves as an outside radio speaker and public address system. The automobile has two shotgun racks: one attached to the bottom portion of the front seat, one in the vehicle trunk. Attached to the middle of the dash, illuminated by a single bulb is a hot sheet desk, fastened to which you will always make sure is the latest one off the teletype before you ever roll.

      Jim Reed: Yes sir.

      Pete Malloy: It's your life insurance and mine. You take care of it and it'll take care of you.

      Jim Reed: Yes sir. You want me to drive?

    • Crédits fous
      The episode "Elegy for a Pig" was broadcast without the usual opening credits sequence. Instead, the voice of series creator Jack Webb can be heard reading the credits.
    • Connexions
      Featured in Prime Times (1983)

    Meilleurs choix

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    FAQ24

    • How many seasons does Adam-12 have?Alimenté par Alexa
    • Did Reed ever get to drive the patrol car?
    • What is the background for beginning some episode titles with "Log ##"?
    • Why don't these police officers carry a 'Walkie-talkie' two-way radio transceiverto contact the precinct when they are out of the police car?.

    Détails

    Modifier
    • Date de sortie
      • 21 septembre 1968 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Área 12
    • Lieux de tournage
      • Union Street, Los Angeles, Californie, États-Unis(opening credits)
    • Société de production
      • Mark VII Ltd.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      30 minutes
    • Couleur
      • Color

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    Kent McCord and Martin Milner in Adam-12 (1968)
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