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This motion picture is based on the Pulitzer-winning novel by A. B. Guthrie. It starts in Independence, Missouri, 1843, senator William(Kirk Douglas) asks volunteers to unite themselves towards Oregon. Among them find the Evans family, formed by Lije(Richard Widmark) his wife Rebecca(Lola Albright) and their son Brownnie; the justly married Johnnie and Amanda Mack and various traders from Independence. Kirk Douglas join forces with Robert Mitchum, as a taciturn explorer, he's a supreme hero in a performance that epitomises the spirit of the early West at least as Hollywood saw it.

The American West has a turbulent and mighty history , some of which is told in story and folk songs . Here is a panoramic view of the American West, concerning on the dangers, hazards, travels and tribulations of pioneers set against the background of breathtaking landscapes and risked deeds, including Indians attack and one deeply cliff. Particularly impressive for its notable cast list and expansive Western setting. Any Western that play stars such as Kirk Douglas, Robert Mitchum, Richard Widmark and Sally Field -film debut- is at least worth a glimpse. Furthermore a magnificent secondary casting, as Jack Elam, Stubby Kaye, John Agar, John Mitchum, among others. Sadly this epic Western doesn't hold up that well on TV set because was released on the great screen and much of the grandeur of the original version is lost. But Shootém-up and spectacular scenarios fans won't want to miss a chance to see many of the genre's greats in one movie. This is an epic movie , photographed in gorgeous Technicolor by William Clothier- John Ford's usual cameraman-, adding lustre on the groundbreaking sweep, along with an emotive musical score by Branislaw Kaper. The film is splendidly filmed on locations in America's National forests and professionally directed by Andrew W McLagen.

This film begins with a prominent former U. S. Senator by the name of "William J. Tadlock" (Kirk Douglas) trying to persuade a trapper and scout named "Dick Summers" (Robert Mitchum) to help lead a caravan full of settlers in Missouri through hostile Indian country on the way to Oregon. Although Dick Summers is initially reluctant due to his continued grieving over the death of his wife two years earlier, he eventually gets worn down and accepts the job. And although he figures he will have to deal with different personalities in this particular wagon train, what he doesn't realize is just how difficult it will be to accomplish to work with a man as mean and tyrannical as William J. Tadlock making all of the decisions. Now rather than reveal any more I will just say that this film started off as one of those fairly standard Westerns but turned out to be quite entertaining due in large part to the presence of some of top-notch actors along with a couple of surprising developments along the way. One specific situation included a promiscuous young woman named "Mercy McBee" (Sally Field) and her interaction with a newlywed man named "Johnnie Mack" (Michael Whitney) and his frigid bride "Amanda Mack" (Katherine Justice) which then creates all kinds of drama along the way. Be that as it may, I have always enjoyed old-fashioned Westerns and I thought that this was one of the better ones during this particular period of time.

An attempt at an epic old-style Western from a journeyman director - he made a better stab at it later with Chisum. Perhaps its the lack of John Wayne and the rest of the John Ford rep but this is a film of striking set-pieces separated by far too much time! Douglas and Widmark both do some stirring scenery-chewing but this is a melodrama so that is allowed. Mitchum is laid-back and laconic as only Mitchum could be - and looks wonderful as ever. Not sure why others were surprised to see him in a Western - Mitchum made his share and some very good ones too (El Dorado, Five Card Stud and Bandido are all favourites of mine). The Fort Hall sequence is fun - just as a reminder that the Sioux and the French weren't the only folks that got there before the Americans! ;-)

This western is very unusual in that it features three top leading men--Kirk Douglas, Robert Mitchum and Richard Widmark. Now you'd think with all this high-octane masculinity and acting that this would be a terrific film, well, you'd be wrong. While it isn't a bad film, it does suffer from a thoroughly adequate script--one that never seems to deliver the goods.

Douglas plays an ex-senator bent on starting the first white colony in Oregon in 1848. The problem is that he's not exactly 'Mr. Personality'--and his abrasive and autocratic ways rub everyone in the wagon train wrong. Can he get them all to his promised land or will the folks ditch him and make for California? Tune in and see.

For the most part, this is a pretty ordinary drama about settling the West. As for Douglas, he overacts more than usual (and what's with that whipping scene?!?!). Widmark's character is inconsistent and underwritten. The only lead who comes off well is Mitchum--as a weary Kit Carson-type. Aside from being pretty ordinary and predictable, the film did have a few pluses. There was nice cinematography and as a history teacher, I appreciated how they showed lots of mules, oxen and cows pulling the wagons--whereas most films only show horses (a mistake). But this isn't enough to raise it above mediocrity.

This film is fairly anachronistic for 1967. It's attitudes are much more set in 1957 or earlier, although considering our cynical world, some of those attitudes, especially the ones about young and old love are quite charming.

The film is astounding for its three stars and the cinematography is stunning. This film has that old Hollywood top film stock quality, which shows in the brilliant compositions and frequently amazing scenery. So despite the tragedy, you get the impact and drama of the untouched nature that the first settlers must have felt.

There's also a good deal of tragedy along the way, which makes the film have veritas more akin to the late 60s or 70s. The treatment of Native Americans is actually quite reasonable, even beautiful, in parts, minus a terrible throwback scene of drunken Natives requesting alcohol for a toll, but don't let that one offense put you off the picture entirely. Fact is, it's probably not even possible to get a favorable film made now of Western settlers in the American West, which is a shame, because it is an incredible story, despite its now well-documented genocidal effects on the indigenous nations of what was to become the USA.

I'm not surprised I haven't heard of the film, because one could take this as a whitewash, but I was surprised by some modern scenes it includes. I'm a bit disappointed it's not better known, because it's pretty solid, if also at times uneven and unrealistic. I wouldn't brand it as severely cliched as some others have though. It's a hybrid of a sanitized Western with something considerably deeper and rougher. Widmark, Mitchum, and Douglas all play to their types, but Douglas actually ventures into less heroic territory than is his usual assignment. Mitchum phones it in a bit, but remains charismatic as always, and his role makes a fair amount of sense.

The impact of all three of these great actors can't be overstated, not to mention an excellent supporting cast, including some who are quite effective at reminding one of a time when people actually spoke and regaled each other with stories, and didn't barely move and mutter after too much internet and video games. There's a lot in this movie to remind you of times we are so far removed from, that you're really left what happened to the reward and simplicity of human existence before modern technology.

You're also left with some sense of the true tragedy and loss that many of these early settlers endured, though the struggles here are more interpersonal, and not so much against the elements, which is a bit of an oversight, though you are given a sense of the dramatic terrain that had to be conquered. There really aren't many Westerns that focus on the settlers, without gunslingers, so this movie is uniquely worth seeing in that regard.

The Way West is an epic western, but unlike another epic western How the West Was Won, it isn't a very good film. The main problem here is that the script writers and the director have got carried away, and have tried to cram far too many events and subplots into the two hour running time.

The main plot thread follows an ambitious and cruel visionary named William Tadlock (Kirk Douglas), who dreams of taking hundreds of people into the vast, unexplored wilderness of the Wild West and starting up a new town. His ambition is an obsession. It drives him and dictates his every move. Even his own family come second in his list of priorities. During the journey, his behaviour towards the other pioneers becomes increasingly irrational and unsympathetic, and in the end he loses the respect of his fellow travellers.

There are some good moments in the film. The climax is really surprising, with a twist that few viewers will predict. Sally Field has some interesting scenes as a young girl who undergoes a sexual awakening during the trip. There's also a well done scene in which a man who has killed an Indian child by accident is hanged. However, the abundance of plot threads, characters and subplots is a big drawback. The makers should have concentrated on a few elements and done them really thoroughly, instead of cramming in so much and only dealing with the themes in a shallow and all-too-brief fashion. This is not bad, I suppose, but it could have been oh so much better.

The three leading roles Kirk Douglas, Robert Mitchum and Richard Widmark pay the picture itself, added with a fine supporting casting as still beauty Lola Albright, the funny Harry Carey Jr., the younger fiery Sally Field and Stefan Arngrim who after this picture was casting for Irwin's Allen's Land of the Giants series, a supposed story about a caravan between Missouri to Oregon, almost shot along the long journey, across great lowlands, deserts, forest and deepest canyon, in the meantime followed by angry Indians, disagreement over the route, betrayal, hanging and love, Mitchum maybe was the most interesting character, draught, wise, alone and friendy, Kirk Douglas is quite a opposite guy unyielding and dreamer, Widmark a brute force, summarizing the picture let it see easily, apart the final scenes at canyon!!!

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 7.5

You would think that a film that starred three of the biggest male film stars of the post World War II era would have become a classic. These three who also happen to be three favorites of mine, walk around in a daze, looking like they'd rather be any place, but there.

The sad thing is that The Way West definitely had some potential to be a classic. In these days of political correctness, a film about American pioneers and the travails of their westward migration is something not done now. It should have been better done back then.

Kirk Douglas is a former United States Senator who's heading a wagon train west to build a settlement in Oregon's Willamette Valley. Being he's an ex-politician, he rates above the hoi ploi he's leading. The script calls for him to have not only a covered wagon, but a carriage to lead the train.

You think that's ludicrous, you ought to see the whipping scene where Douglas orders his black servant, played by Roy Glenn to whip him. I won't spoil it by saying what causes Douglas to demand this of Glenn, but trust me, it's bad.

Robert Mitchum is the trail guide and of the three stars he looks the most bored. There was supposed to be considerable friction on the set between Widmark and Douglas, but Mitchum just saunters through the film above it all.

Maybe the friction helped somewhat because the movie calls for Douglas, a widower, to have an eye on Mrs. Widmark, played by Lola Albright. Now she's the best looking thing in the movie.

The film billing says introducing Sally Field. This was made in between her Gidget and her Flying Nun days. She plays a piece of white southern trash with the musical comedy name of Mercy McBee. We first see her in the movie sitting on the back of her parents wagon, legs akimbo and inviting. Of course she gets taken up on her invitation.

Her character is something like what's found in every trailer park in America and then again what was a wagon train, but one large trailer park on the move.

Despite this film, Sally Field went on to a two Oscar career. What that woman had to overcome.

Victor McLaglen's son Andrew directed this item and together with a lousy script turned this into a turgid mess. Shame on Andrew McLaglen, he's certainly done better in his career.

And so will you, unless you're a stargazer.

This is what you call a sprawling western with a vast array of big name stars, scenery, action, and characterization. There is never a dull moment. Its got tons of adventure and action mixed with important character points along the way. Widmark was best when he got away from his sadistic bad guy roles. Here, he plays a reluctant hero, and to be honest, the parts were well written and directed. The actors added their talent, and the results are a larger than life spectacular show. Douglas is very believable as the man who begins good and descends into a horrible human being. The way different characters handle revenge is stunningly poignant. The chief who lost his son could easily wipe out the whole band, but his love of justice makes his unseen presence totally visible. A monumental bit of writing to do this, to make such a character who practically never appears for all intents and purposes. The scenery is vivid and spell binding. Mitchum's role is one that any actor would covet, and he handles it with aplomb. Sally Field plays maybe her best role ever. he movie is never mentioned by critics, but is the unsung hero of westerns, and a great example of how superior they were before 1970.

Three hunky guys for the price of one - yes, please! I couldn't wait to watch The Way West, starring Kirk Douglas, Robert Mitchum, and Richard Widmark. Can they get any cuter? Bob has adorable shaggy hair and a carefree attitude as he leads the wagon train through difficult territory, Dick has his signature blond locks and crooked smile, and Kirk is orderly, wealthy, and knows what he wants.

Every wagon train movie is going to have its hurdles, like snakebites, Indians, water shortages, or sabotage. I won't tell you what happens in this movie, but it is very exciting with lots of twists and turns along the way. There are some moments that make you want to cringe as certain characters make mistakes, but your involvement is the sign that it's a good movie. Not everyone's going to get a happy ending, but it's realistic for that time period. When people decided to pack their covered wagon and head west, they didn't know what they'd find or if they would even make it there at all. As the saying goes, you find out what you're made of when the chips are down. When your wagon floods in the river and you lose all your supplies, when your spouse dies and you're frightened of making the journey alone, when Indians surround the train and aim their arrows, what will you do? To find out what these characters do, rent this entertaining adventure flick. There's more than enough eye candy to keep the girls happy, and guys will love the rough and tough surroundings. Plus, it's Sally Field's first movie, playing against type as a loose woman.

In 1843 Missouri, hot-headed senator Kirk Douglas leads a large group of chosen people across rugged terrain to start "a new Jerusalem" in Oregon; he picks a half-blind pioneer scout (mourning the death of his Indian wife!) to help lead them, but immediately clashes with a family man over incidental matters; meanwhile, a sex-starved teenage girl has a fling with a married man, resulting in personal tragedy and an Indian attack (don't ask). A small pox outbreak is falsely reported, there's a wedding, a frigid woman goes insane, and the trail comes to an end at the Grand Canyon. A.B. Guthrie, Jr.'s book becomes somewhat besotted western epic with star-names, mixing vulgar jokes and inanities with ripe old clichés. A voice-over narration and a patriotic song come clean out of nowhere, while snarling Douglas blames himself for a death and asks a servant to whip him. It's cheap and low-brow all the way, but most viewers in the mood for a picture such as this probably won't be disappointed. There are some solid elements worth mentioning: William H. Clothier's outdoor cinematography is fine in the old-fashioned sense; and, although Bronislau Kaper whips up a dusty frenzy with his ridiculous score, the pacing is jaunty throughout and the wagons roll along at a fast clip. Douglas and Richard Widmark manage to retain their movie star allure, though Robert Mitchum was looking haggard by this time (and his performance is intentionally forgettable--he cancels out all his interest in the proceedings with one heavy sigh). Sally Field makes an inauspicious movie debut which I'm fairly certain she'd rather forget, but Lola Albright has a pleasing smile and Michael Witney does well as the handsome married man who can't get his wife to submit...but why does he shoot blindly into a rustling bush at night when it could have been his wife spying on him? Perhaps he was hoping it was! **1/2 from ****

I enjoyed it. Despite some cliched elements

• the grizzled old scout who thinks they're fools for attempting to get to Oregon, but leads them any way because he thinks they'll die without him.

• the leader who pushes them hard and is determined to make the trek,no matter the cost
• the drunken preacher for comic relief

They do try to cram a lot of plot points in, but the acting is fine, it's a decent movie.

I've seen better westerns, but I've seen far more that were worse. If you're a fan of westerns, you will probably enjoy this movie.

Hard-driving Kirk Douglas organizes a wagon train to Oregon, hiring mountain man Robert Mitchum to lead the way and squaring off with Indians, the elements, and hostility among the settlers, particularly hard-headed farmer Richard Widmark.

Almost universally panned and patronized as director Andrew V. McLaglen's attempt to ape the style of his mentor John Ford, it's actually an innocuous, inoffensive adventure saga in the mold of How The West Was Won or Raoul Walsh's The Big Trail, though not as good as those films. It's still fairly watchable, except for the endless, obnoxious subplots featuring teenage Sally Field and her deflowering by a married, frustrated loser!

Douglas and especially Mitchum are excellent, as usual. However, Widmark falls a little short, thanks to a less than interesting character, though he's always a welcome presence in anything he's involved in.

If there's a better film that realistically depicts the movement of a wagon train and the sort of challenges they faced, overcame and at times failed, in blazing a trail through the wilderness, I'd like to know what it is. And The Way West looks good. In fact it looks great, even today, over 50 years since it was released. Many of the wide screen vistas are stunning and make the movie worth seeing, just for them alone.

It's just a shame then, that I have to agree with many others on this site, as well as critics of the time, when agreeing that the movie, when judged on its entirety just doesn't really work.

It's not really the fault of its all star cast. It's a hoot to see Sally Field in her film debut, playing a character light years away from The Flying Nun in behaviour. The big triumvirate of Douglas, Mitchum and Widmark, all give it their best shot, though at times I feel Douglas is guilty of over-acting and Mitchum's Dick Summers is a notably passive role, where surprisingly he rarely if ever dominates the screen. The supporting cast is diverse, with many having plenty of western experience.

For me the problem lies in the drama content of the story. There really isn't enough time spent with the major characters and the collective dynamic of the challenge of managing the wagon train. Instead we get too much time spent with the situation travails of the Mack family (fairly minor characters in the scheme of things) and later Mercy McBee. It results in a film with some justifiable claims to be an epic tale, ending up having all the dramatic punch of a typical weekly episode of the old TV series Wagon Train. The cheesy song that occasionally imposes itself on the soundtrack doesn't help intensify the drama quotient either.

The film can be compared to an attractive postcard. The front may be great to look at, but the story on the back just amounts to some brief, sketchy lines.

What could possibly go wrong with a movie starring Kirk Douglas, Robert Mitchum, and Richard Widmark that is also based on a Pulitzer Prize winning novel? Quite a bit. For instance, there's routine direction by Andrew V. McGlaglen, who also directed some of John Wayne's most routine westerns in the 60s. Then there's a cliche-ridden script filled with plots and subplots leftover from a dozen daytime soaps. Still, I rather liked it when it was first released, and still find it entertaining because of its three stars. And, back in 1967, who would have ever believed that Sally Field, who was still best known as TV's "Gidget" when this film was released, had two Oscars in her future while the three legends heading the cast wouldn't even win one?

What catches my attention, for the most part, is the beautiful Oregon (pronounced Oragun) scenery. A pox on those who think that it's GONE! Seems that they couldn't get 2 actors to pronounce the name of the state correctly two times in a row. Me, I've lived in the state for over 60 years, so I'm a wee bit sensitive to it's proper pronunciation and it's not defined by those from without, but those from within.

Wagon train drama on route from Independence MO to Oregon in 1843. Stellar cast, accomplished director, striking cinematography. The script, alas, is pretty much paint-by-the-numbers western. Noteworthy, perhaps, for a worldview practically 100 percent at odds with current sensibilities (of the majority, at least). No chance of a "no animals harmed" declaration. Bob Mitchum in one of his more laconic and minimalist turns (which is saying something). Kirk Douglass and Richard Widmark more than adequate. Sally Field and Lola Albright shine, as might be expected. (Too bad the latter didn't do more movie work). Several much-employed character actors in good form (Jack Elam, Stubby Kaye, Harry Carey . . . ) as are others in the supporting cast.

The film gets an extra point here for the location shots. It would be worth watching if only for the spectacular scenery. {Extra credit for not taking the wagon train through Monument Valley.)

This film had all to come out as a fine western: big budget, top stars, impressive outdoor locations, great color photography, acceptable stories around the main plot, interesting characters, action scenes and so on. But its a fact it didn't make it and turned out as just an average product and in my opinion director Andrew MacLaglen has to do with it.

MacLaglen never was a very imaginative director. He just sort of pushed his films ahead following the scripts and taking no risks at all by including some personal touches or feelings; that's why it is hard to find really bad pictures in his filmography but you also won't find higher than average films either (other examples are "The Undefeated" with John Wayne and Rock Hudson; "The Last Hard Men" with Charton Heston, James Coburn and Barbara Hershey; "The Sea Wolves" with Gregory Peck, David Niven and Roger Moore). "The Way West" is a classical MacLaglen movie, just standard, average and light with no big flaws and no major highlights either.

Kirk Douglas, Richard Widmark and Robert Mitchum are good but wasted in the leading parts. Sally Field's early role as a young girl too avid for man's favors showed she had talent and a promising career she certainly fulfilled.

All in all, "The Way West" is just for western fans to spend a couple of hours without much expectations.

It's 1843 Independence, Missouri. Former U. S. Senator William J. Tadlock (Kirk Douglas) leads a wagon train of settlers for the Oregon trail and recruits weary guide Dick Summers (Robert Mitchum). Lije Evans (Richard Widmark) and his son Brownie are two of the settlers. Mercy McBee (Sally Field) is an alluring young thing. Newlywed Johnnie starts an affair with her and mistakenly shoots an Indian boy. The group faces various trials and tribulations along the way.

It's a big long old style western. It's got some epic. The landscape is vast. It has some big action. Non of the characters are that appealing. It does have some big names. Sally has her film debut. There are Indians. It's a long meandering journey and this movie feels it. The technical must be appreciated but one can't live on epic landscapes alone. It has a big story turn but somehow it lacks the emotional punch. I don't care about the dead man and I don't really care about the young romance. It may work better if the tension and paranoia is allowed to build. It's a melodrama where the drama isn't that compelling.