La Reine des Vikings

When Don Chaffey directed the historically ludicrous and rather camp dinosaur epic One Million Years B.C., he cleverly distracted viewers from the film's sillier aspects through the use of stunning stop-motion creature effects, and Racquel Welch's even more stunning chest. The result was a completely daft, but thoroughly entertaining piece of schlock cinema.

With The Viking Queen, an equally silly and factually inaccurate sword and sandal movie, he once again uses 'big breast diversion tactics'—only this time with less successful results. Perhaps Chaffey should have thrown caution to the wind and chucked in a T-rex or two!

Beautiful, pillow-chested model Carina plays Celtic Queen (yes... Celtic!) Salina of the Iceni, who is forced to pick up a sword and fight the Romans, despite the fact that her lover, Justinian, is their leader. Carina sure is gorgeous, but even her breath-taking looks and marvellous physique are not enough to prevent one from noticing her wooden acting, the dreadful script, and plodding direction.

Stay the course, and you will be treated to a couple of unintentionally hilarious scenes (of which the lowering of Romans into a fiery pit was my favourite), a smattering of partial nudity (nipple tassles spoil the fun), and a silly battle with Boudicca-style warrior women in chariots (with blades on the wheels) attacking Romans with glee.

But even these enjoyably dumb moments cannot stop The Viking Queen from being a merely mediocre effort.

The title is somewhat misleading in this mash up of historical epic and violent action picture. The script is so silly one simply has to laugh at it, but I'll get to that in a moment. At least it follows in the tradition of Hammer and is exceptionally good looking, with decent battle scenes and lovely female cast members.

The "viking queen" of the title is Salina (played by Finnish beauty Carita, in one of only two film roles), a young Briton living under the rule of Roman conquerors in ancient times. Her father, King Priam (Wilfrid Lawson) is sure that his people can peacefully co-exist with the Romans and conveys this belief to Salina, who inherits the role of queen when he passes on. But there's more. These Britons are part of a group of Druids - who pray to the Greek god Zeus. Salina embarks on a romance with nice guy Roman governor general Justinian (Don Murray of "Bus Stop"), but their happiness will be short lived thanks to Justinians' hateful and power hungry second in command, Octavian (Andrew Keir), and the restlessness of the natives.

Carita looks stunning, so some viewers may not care if her performance isn't all that hot. Murray looks quite out of place, and the excellent supporting cast (Niall MacGinnis, Donald Houston, Adrienne Corri, Patrick Troughton, et al) helps to keep this watchable, although it's sluggish at times. It attempts to be funny with a chariot race that ends in falls into the drink. With Don Chaffey in the directors' seat, the film does serve up doses of sex, violence and sacrifice, enough to maintain our interest for a while. Gorgeous Irish scenery complements the physical charms of the actresses. While one couldn't take it seriously, it does have an endearing camp factor going for it.

In any event, we have to hand it to Hammer for making this kind of thing as we sure don't see much like it anymore. As long as people go in knowing it's absolutely no history lesson and just accept it as escapist entertainment, they can find it diverting enough.

Six out of 10.

Salina is the lovely daughter chosen by her dying Celtic father to succeed her as the royal ruler in Roman-occupied Britain, just after the time of Christ, because she would be the moderate one among his daughters--not too militant or to soft--she would have the best judgment in dealing with the Romans. This is immediately compromised because the Roman ruler Justinian (played by Don Murray) and she quickly fall in love. Her affections for him are partially stirred because issues involving Roman rule include religion, rites, and taxes, and Justinian is fairer than other less virtuous Romans in his orbit in being accommodating. The Celts also acknowledge the protection the Romans provide against bandits etc. However, the Celtic Druids will not allow the marriage of Salina and Justinian.

Trouble is instigated by the bad elements of the Romans and Celts--led by Roman honcho Octavian and Celtic merchants whose taxes have been raised while farmers with bad harvests have been given relief. This has been done to draw off Roman forces (including Justinian) from the seat of government and split them up to quell the scattered Celtic attacks, while the intrigues of Octavian and his schemers are orchestrated, and they turn the queen and her coterie against the Romans. (Note a principal Roman administrator is named Tiberian--do up the aura with those imperial nomenclatures.)

"The Viking Queen" has good visuals, and offers the viewer its attempt to portray the customs, dress, and Druid religious rites of the Celts. However, the title is a mystery--actually, maybe not--it is more dynamic than "Celtic Queen." Anyway, the women were sometimes dressed (or pictured) in ways just short of "revealing." The chief disappointment is the ending. Viewers want a certain type of ending in this type of movie, but it wasn't to be, and is a letdown as entertainment. However, recommended otherwise.

Although it has its quirks and is horribly mis-named (the Vikings entered the European scene 700 years after the movie's setting), this movie is a fun and engaging look at a much-overlooked historical stage. Some disbelief-suspension is required (the title character's accent, for example), but historical-fiction fans should find this film quite entertaining. While the costumes and characters (e.g. the sensational depiction of the Druids) might not be 100% believable, the plotline and settings more than make up for it. As a fan of both the old Hammer style and of Roman history, I was quite engrossed. I just wish they'd called it "Queen of the Celts"!

The Viking Queen is not an epic about the history of Romans in England. It is not a movie about romance (although there's a half-hearted attempt at it). This isn't, as the cover claims, a movie of action. Sit back, relax, and let your mind switch off. That's how to enjoy this film. In the inimitable style that brought us other pseudo-historical films, Hammer has ensured that our time and money is not wasted. It's certainly worth the wait to see the bladed chariot of death. Please don't try to praise this film, or even attempt to call it a classic. It's a joyful romp through the English countryside with an attractive blond, a wicked high priest, and a Machavellian second-in-command. Enjoy!