Tobrouk

A lot of the comments above seem to be focused on whether or not the film-makers got the tanks and trucks right, yet at the same time, the writers admit they loved the movie. Me too; and I don't give a damn about the equipment, so long as it's reasonably close to the real thing.

Here's the point: a war film that tackles the big issues which the war itself was partly fought over is such a rare bird – and especially one that's combined with some good character writing and knockout action sequences – that one should embrace it. The movie gives us spectacle, yes, but it does so in a thoughtful way, a remarkable achievement when one considers that the typical war movie of the era was more like "Where Eagles Dare" than this one, ie, a farrago of nonsense designed to showcase ludicrous special effects sequences.

"Tobruk" may not be the literal truth, but it shows people committed to and fighting for beliefs and ideas, and fully prepared to sacrifice their lives if necessary to achieve that greater good. Stirring stuff, and the editing in the final tank sequence is nothing short of amazing.

... and always has been. But still, this World War II action-adventure does have plenty of excitement, a cross and doublecross plot, and a great mixture of different nationalities, one of the best things about it I thought when I first saw it on television 20 or 25 years ago.

The actual battle of Tobruk plays no part in this story. It's about a complicated commando mission by the famous Long Range Desert Group. The LRDG, while being distinct from the even better known SAS, sometimes joined in combined operations with them at times during the desert campaign against the Afrika Korps. The LRDG mainly engaged in hit-and-run raids against German supply, dangerous enough even without the Hollywood plot elements which make this movie so entertaining.

The film's comic relief is provided by Norman Rossington who did the same job for the Beatles in "A Hard Day's Night".

That subgenre being the war movie about a small group of specialist soldiers - "commandos" - who pull off a daring raid, with lots of drama and personality conflicts - these days they're called "special operators." And it's the sort of war picture they sure don't make any more. Pity, in a way. In this screenplay it's the Long Range Desert Group, based on a legendary North Africa force, plus a bunch of German Jews out to confound the Nazis and use their contribution as leverage to achieve nationhood in Palestine -no, Israel!, as George Peppard brusquely corrects Rock Hudson. Which is what gives this movie a very interesting historical dimensions, bringing in as it does, along with Rommel and the Desert War, or course, the meddling of the Grand Mufti, Arab affinities for Nazism, and the struggle for Israel as the Holocaust goes on in Europe. Note the movie was made in '67 - Six-Day War anyone? The premise of the commandos masquerading as Afrika Korps I found a bit much, though. Also much mirth garnered by the use of all-American trucks and tanks (a lot of them post- WWII) for German, Italian, British - I noticed the California National Guard got a big credit at the end. The Grumman Goose was a cute touch, too. At least they got most of the guns right - but the P-40 was good, the right type for the time and place. Also a nice touch to have Rock Hudson play as a Canadian, not an American. And get a load of Dean Stockwell. And there was some pretty good camera work and some clever crane and dolly shots, too. For all its flaws and preposterous elements, and for being a bit of a period piece, it is a most entertaining picture, and lots of stuff blows up.

The Longest Day started a trend in Hollywood to have big all star cast productions showing with documentary accuracy good accounts of some of the major events of World War II. Other such films like this would be Patton, MacArthur, Midway, and A Bridge Too Far. Note I do not include The Battle of the Bulge in this list.

The seesaw struggle for Tobruk would make a great film as the key port city on the North African coast passes from Axis to Allied hands a few times over the 1940-1942 period. But if you're looking for a factional account of that story, this ain't it.

What it's about is an allied raid on the fuel bunkers at Tobruk that keep Rommel's panzers going. The idea is that a group of Jewish soldiers who like Paul Newman in Exodus fought in the British army and these are German Jews, led by George Peppard, with appropriate accents and language will disguise themselves as Nazi soldiers. They will escort British 'prisoners' into Tobruk led by Colonel Nigel Green who will blow up the fuel dumps along with a combined naval and air assault. Along for the ride is Rock Hudson, a Canadian major who dreamed up the idea.

Well at least they didn't make Rock an American since there no American soldiers in that part of Africa at all. But Canada has always been handy if you want to cast a name American movie star in a British locale. Fortunately it fits the plot situation here.

There's action enough for those who like that as I do. But the most interesting part about Tobruk is the relationships between the German Jews and the British. Hudson is the outsider here so he does see both points of view. There is some garden variety anti-Semitism among the British, but it's also tempered with the fact that as Nigel Green puts it, he and others served in Palestine before war in Europe broke out.

Nevertheless as Peppard puts it for the first time Jews are acting like a people since the days of Rome. They are going home to where they started post World War II, to Israel before that was a name of a nation. Anyone who wants to start trouble can find them there. Sad to say a whole lot of people have wanted to start trouble for their own reasons.

So much battle footage was filmed for Tobruk that four years later it got used in another vastly inferior film, Raid on Rommel.

Not a great film Tobruk, but entertaining enough. But hopefully the real whole story of Tobruk will be told.

The year is 1942 and Germany's famed 'Desert Fox' is winning the war in North Africa. His vaunted 'Afrika Korps' is nearly unstoppable and is only a short distance from all out victory. In this movie "Tobruk" comes the story of a last desperate attempt to stop Rommel at the port city of the same name. A small detachment of specialist troops called the SIG, join British commandos who will attempt to travel 800 miles through the vast, rugged and hostile Sahara desert and attack Rommel's secret oil reserves. In order to accomplish this nearly impossible mission, the British kidnapped a highly experienced but reluctant Canadian officer, Maj. Donald Craig (Rock Hudson) so that Nigel Green as Col. Harker and George Peppard as Capt. Kurt Bergman, can convince him it must be done. Other Hollywood greats like Guy Stockwell, Jack Watson as Sgt. Maj. Jack Tyne and Leo Gordon as Sgt. Krug are what make's this film completely memorable. Interestingly enough, the story itself was written by Leo Gordon and was so well conceived, it was used to enhance a nearly duplicate film called "Raid on Rommel" four years later. As for this movie, it is so packed with inner conflicts between characters that often, it's hard to tell who they are at war with. Nevertheless, the background world conflict is sufficient to view with admiration the soldiers who willingly gave so much for what they believed. A superior action-oriented film and one which has become a Classic in its own right. Highly recommended. ****