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Ajouter une intrigue dans votre langueScientists investigating an unusual meteor shower in a rural field are possessed by an alien force bent on an ulterior purpose.Scientists investigating an unusual meteor shower in a rural field are possessed by an alien force bent on an ulterior purpose.Scientists investigating an unusual meteor shower in a rural field are possessed by an alien force bent on an ulterior purpose.
- Réalisation
- Scénario
- Casting principal
Hedger Wallace
- Alan Mullane
- (as Geoffrey Wallace)
Avis à la une
Throughout the mid 60s and early 70s Amicus Productions churned out a series of wonderful little horror anthologies including my favorite, TALES FROM THE CRYPT.
But, before launching into the more-profitable horror genre, where low-budgets were more easily forgiven, Amicus produced some full-length features, including THEY CAME FROM BEYOND SPACE.
However, the music is overbearing; and, distracting. The acting is good; but, not outstanding. The special effects are okay, some even good. The launch of the moon rocket even looked plausible. And, who dressed these people anyway?
Well, that's the bad; but, the good is the sets are quite striking. The cinematography, as with other Amicus Products, was beautiful. And, I thought the plot moved along nicely.
However, the reason for my comment is the number of films and stories that this movie seems to have inspired (based on the book The Gods Hate Kansas, so not sure if it's the book or this film that's the inspiration).
Some think that Stephen King may have been inspired by this one. My thinking is that perhaps even the new series "V" may have been inspired by this. Especially the creepy comment by the security officer that the work would result in "saving" the planet, or all mankind. And, WHAT do they need all the bodies for -- both V and these moon creatures?!?
Amicus really defined the horror anthology genre for me. But it is good to see they had a fairly decent feature film before launching those. Next up: THE DEADLY BEES!
But, before launching into the more-profitable horror genre, where low-budgets were more easily forgiven, Amicus produced some full-length features, including THEY CAME FROM BEYOND SPACE.
However, the music is overbearing; and, distracting. The acting is good; but, not outstanding. The special effects are okay, some even good. The launch of the moon rocket even looked plausible. And, who dressed these people anyway?
Well, that's the bad; but, the good is the sets are quite striking. The cinematography, as with other Amicus Products, was beautiful. And, I thought the plot moved along nicely.
However, the reason for my comment is the number of films and stories that this movie seems to have inspired (based on the book The Gods Hate Kansas, so not sure if it's the book or this film that's the inspiration).
Some think that Stephen King may have been inspired by this one. My thinking is that perhaps even the new series "V" may have been inspired by this. Especially the creepy comment by the security officer that the work would result in "saving" the planet, or all mankind. And, WHAT do they need all the bodies for -- both V and these moon creatures?!?
Amicus really defined the horror anthology genre for me. But it is good to see they had a fairly decent feature film before launching those. Next up: THE DEADLY BEES!
In looking at this movie, it seemed to me that this was pretty close in concept to It Came from Outer Space, the sci-fi classic starring Richard Carlson and Barbara Rush. It was later remade as Night Slaves, a TV movie in 1990.
However, it was good seeing Robert Hutton, a perennial favorite in sci-fi films.
On the negative side, the editing seemed rather haphazard, with cuts and clips not blending together to add coherence and continuity. Also, the film lacked any of the background characters who were so good in what have turned out to be sci-fi classics. Made in England, They Came from Beyond Space has the location, but not the interest of the Quatermass movies.
However, it was good seeing Robert Hutton, a perennial favorite in sci-fi films.
On the negative side, the editing seemed rather haphazard, with cuts and clips not blending together to add coherence and continuity. Also, the film lacked any of the background characters who were so good in what have turned out to be sci-fi classics. Made in England, They Came from Beyond Space has the location, but not the interest of the Quatermass movies.
This movie is passable at best. It has an interesting plot: some aliens are trying to find a way to survive by building a base on earth. They are seen as hostile because, for heaven's sake they take over people's brains and use them to construct their stuff. A scientist who has had brain surgery and has a silver plate in his head, is immune to this. Later, a buddy of his puts a colander on his head with a silver plate and is able to infiltrate the "evil forces." Along the way, our hero, who suffered his initial brain damage in a car accident, drives around in a classic roadster (he must be trying not to be conspicuous) which he is always parking somewhere and setting the hand brake. He flies in the faces of the aliens who seem to tolerate him a lot more than they should. His girlfriend, who finished in third place in the Lucille Ball look-alike contest is a scientist who is carrying the soul of an alien around with her. There is so much coming and going, we never quite understand what the heck they're doing. Only that they seem to make frequent trips to the moon. The ending is full of emotion and good will and, yes, overacting. Captain Kirk would have been proud. Sometimes you see a film that has a good skeleton plot and with a few bucks and a little imagination, it could have been OK. What is lacks is the human element.
"It Came From Outer/Beyond Space" Could this be the Brits' version of a pretty cool old movie? Hmmmm. Similar story but nowhere near the level of "...Outer Space".
Now "...Beyond Space" isn't really that bad. I got a kick out of it. It reminded me a bit of the Quatermass movies with set styles along the lines of Dr. Who. It's a little disjointed from time to time, but the story was decent with plausible details and kept me interested. And generally the acting wasn't all that bad either. There is a little too much "spying" going on however. Every other scene has our hero peeping thru the bushes, following baddies, sneaking in and out of places, etc. Avengers style. Unfortunately, the ending was a little goofy too.
The effects weren't good, but certainly not as hokey as some I've seen. The rocketship actually looked like one, and the lift device was realistic too (except for the yellow & black striped paint job). Sets were fair (especially for low budget) and had little extra touches (like the automated robot rolling around). I bet the actors tripped more than once on that railroad track thing tho.
Had there been more money and time available, I think this could have been changed from "mediocre" to "brilliant." It seems the talent, plot, and expertise were there just waiting to be brought out.
For a sci-fi fan this should fulfill one of those "night owl" sessions when you just don't want to go to bed. Definitely not an addition to my coaster collection.
Now "...Beyond Space" isn't really that bad. I got a kick out of it. It reminded me a bit of the Quatermass movies with set styles along the lines of Dr. Who. It's a little disjointed from time to time, but the story was decent with plausible details and kept me interested. And generally the acting wasn't all that bad either. There is a little too much "spying" going on however. Every other scene has our hero peeping thru the bushes, following baddies, sneaking in and out of places, etc. Avengers style. Unfortunately, the ending was a little goofy too.
The effects weren't good, but certainly not as hokey as some I've seen. The rocketship actually looked like one, and the lift device was realistic too (except for the yellow & black striped paint job). Sets were fair (especially for low budget) and had little extra touches (like the automated robot rolling around). I bet the actors tripped more than once on that railroad track thing tho.
Had there been more money and time available, I think this could have been changed from "mediocre" to "brilliant." It seems the talent, plot, and expertise were there just waiting to be brought out.
For a sci-fi fan this should fulfill one of those "night owl" sessions when you just don't want to go to bed. Definitely not an addition to my coaster collection.
Nine meteorites land in perfect formation in a field in Sussex, and in a plot device that bares no resemblance to Stephen King's The Tommyknockers, aliens take over the bodies of some scientists and some locals and start building a base in order to fire rockets into space. Only Britains top American scientist can stop them, as he's got a steel plate in his head that stops the alien frequencies taking over his body (told you – nothing like Tommyknockers).
This guy has got a special reason for trying to break through the alien's electric fence (which they acquired using taxpayers money!), his girlfriend's in there and she's all possessed by the aliens. Actually, the aliens are rather polite with the guy and frequently tell him to get off their property. They've also got these ray gun type things that knock the guy out. Turns out there's other government departments involved and they're all out to get into that compound and give those aliens a bally good thrashing, what.
Our top scientist is as persistent as an NPower salesman and gets into that compound, but not before a plague breaks out in the local village (in rather freaky fashion), so now he's got a girlfriend acting like a mysteron, people dropping dead everywhere, and a crazy sci-fi film set to run around. You'll have to watch the film to find out what happens next (and kick your television screen in depending on what you make of the ending).
Although tame and so very English in it's execution (it's charming in the formal way the aliens interact with our hero), the whole film is a lot of fun. It didn't take long for the aliens to set up their compound so it was nice to see how they could fill out the rest of the running time, which they do successfully, with gun fights, chase scenes and a funny bit where the scientist and his pal make their own versions of alien weapons.
So, if you like people wearing silver on their heads, cheesy alien stations and dodgy visual effects, this film is for you.
This guy has got a special reason for trying to break through the alien's electric fence (which they acquired using taxpayers money!), his girlfriend's in there and she's all possessed by the aliens. Actually, the aliens are rather polite with the guy and frequently tell him to get off their property. They've also got these ray gun type things that knock the guy out. Turns out there's other government departments involved and they're all out to get into that compound and give those aliens a bally good thrashing, what.
Our top scientist is as persistent as an NPower salesman and gets into that compound, but not before a plague breaks out in the local village (in rather freaky fashion), so now he's got a girlfriend acting like a mysteron, people dropping dead everywhere, and a crazy sci-fi film set to run around. You'll have to watch the film to find out what happens next (and kick your television screen in depending on what you make of the ending).
Although tame and so very English in it's execution (it's charming in the formal way the aliens interact with our hero), the whole film is a lot of fun. It didn't take long for the aliens to set up their compound so it was nice to see how they could fill out the rest of the running time, which they do successfully, with gun fights, chase scenes and a funny bit where the scientist and his pal make their own versions of alien weapons.
So, if you like people wearing silver on their heads, cheesy alien stations and dodgy visual effects, this film is for you.
Le saviez-vous
- AnecdotesTo save costs, the production used many sets and props from the Amicus movie Les Daleks envahissent la Terre (1966) filmed earlier.
- GaffesWhile Stillwell and Curtis are having their discussion in the jalopy, the blue screen background is reflected on the car making it appear as though the hood is transparent and the countryside is seen through it and Stillwell.
- Crédits fousIn the end credits, Kenneth Kendall's surname is spelled Kandall.
- Versions alternativesWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating. All cuts were waived in 2012 when the film was granted a 'PG' certificate for its premiere DVD release (actually released 17 October 2011).
- ConnexionsEdited into Cynful Movies: They Came From Beyond Space (2019)
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- How long is They Came from Beyond Space?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Sie kamen von jenseits des Weltraums
- Lieux de tournage
- Cookham, Berkshire, Angleterre, Royaume-Uni(street scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 25 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the French language plot outline for They Came from Beyond Space (1967)?
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