Thunder Alley

Sure there were parts of this movie - almost all of it, the more I think of it, that made you laugh at it and not with it. The stock stock-car scenes from

Daytona and Darlington were real. The acting was bad and the plot was

sophomoric. If Fabian was really having those blackouts all of the time, then he should have been locked up for continuing to drive while having them. But maybe I'm putting too much thought into this. As someone who has covered NASCAR for newspapers, the off-the-track plot stuff was more than lame. Annette did a good job; I got a kick out of the announcer; and Diane McBain is always easy on the eyes, even if she doesn't take it easy on the eye shadow.

What impresses me about this picture is just how slick it is. The auto racing genre is a tough, gritty one. And American International Pictures was a small, scuffling outfit. Yet "Thunder Alley" looks slick. It isn't quite up to major studio production standards, but "Alley" give the impression of being machine tooled junk. Well, not exactly junk. It's a machine-tooled, formulaic genre exercise, with most of the grit and idiosyncrasy removed. Arkoff, Nicholson, Topper, and Rush apparently had this genre down to a science, so here they are content to present a "safe" genre exercise and leave it at that. Annette Funicello is good. (She really was an underrated actress, and it's a shame she didn't have a longer and more active career.) A Funicello-Avalon pairing would have been more fun, but Fabian Forte is effective as the male lead. (He had genuine talent as an actor, perhaps more talent than he had as a singer.) Monroe Askins' cinematography is professional, yet, as indicated earlier, not quite up to major studio standards. (This actually works in the film's favor, since the photography gives it a bit of the grit that it so sorely needs.) And Daniel Haller's art direction does give the film a bit of flare. All in all, "Alley" is an entertaining action flick. But if you're looking for grit, you'll have to settle for slickness instead.

Thunder Alley finds Fabian banned from NASCAR tracks after causing the death of another driver. Stanley Adams might want to put him on his team of racers, but the other drivers aren't for having him around.

Desperate for employment Fabian hooks up with an auto stunt show owner Jan Murray who's paying him peanuts and trying to capitalize on Fabian's bad rep. He's got to take it, but Annette Funicello who's Murray's daughter provides another reason to stick around.

The rest of the film is Fabian's struggle to get back to the NASCAR circuit while at the same time juggling both Annette and his current girl friend Diane McBain. Personally, I would have taken McBain, she has it all over Annette.

Thunder Alley is helped by location shooting at the southern NASCAR tracks and good film footage of NASCAR racing. Not helped by a rather silly story which delves into the real reason for Fabian's problems and his rather unrealistic recovery from same.

Still fans of NASCAR might go for this.

Considering this film contains several Nascar real races you may think a priori it is an enterrtaining movie - at least for a car race fan. But no: it is one of the most boring, dull and badly made car race films I have ever watched. Even Elvis' Spinout was much better, more enterrtaining and did include much better songs. Funicello's only song is bad and at any point interest takes off. Car races should had made it but neither they do it: they are announced, prepared and... suddenly they have already began without noticing; then a few boring laps and...suddenly race is over (you only notice it because you hear Race is over!) without any emotion, no thrilling no nothing. All an all a really boring film not only because of the performances but mainly because of the terrible edition: did best cuts end on the montage room floor? We will never know but I am afraid they did not.

Sure, the story is trite and Warren Berlinger is embarrassingly bad, but "Thunder Alley" manages to be a fairly decent flick. Credit Richard Rush ("The Stunt Man") for getting pretty good performances from Annette Funicello and Fabian. Diane McBain is always good, as is Jan Murray. Maureen Arthur gives the movie a poignant edge as the bubbleheaded "Babe," who can't really grasp the tragedy which has just taken place around her.

The stock racing scenes are pretty good, but never really integrate into the story, due to AIP's unwillingness to match the color and resolution.

Annette does a surprisingly good version of "What's a Girl to Do." Couldn't believe she could really sing. Annette also demonstrate some comedic skills which, sadly, neither AIP or Disney ever really put to full use.

This is one of AIP's better efforts. I saw it on FLIX, which, apparently has the extended version which includes Annette's song.