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IMDbPro

The Shooting ou La Mort Tragique de Leland Drum

Titre original : The Shooting
  • 1966
  • Tous publics
  • 1h 22min
NOTE IMDb
6,4/10
7 k
MA NOTE
Jack Nicholson and Millie Perkins in The Shooting ou La Mort Tragique de Leland Drum (1966)
Theatrical Trailer from Continental Distributing
Lire trailer2:49
1 Video
99+ photos
TragedyDramaWestern

Ajouter une intrigue dans votre langueA mysterious woman persuades two cowboys to help her in a revenge scheme.A mysterious woman persuades two cowboys to help her in a revenge scheme.A mysterious woman persuades two cowboys to help her in a revenge scheme.

  • Réalisation
    • Monte Hellman
  • Scénario
    • Carole Eastman
  • Casting principal
    • Millie Perkins
    • Jack Nicholson
    • Will Hutchins
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    7 k
    MA NOTE
    • Réalisation
      • Monte Hellman
    • Scénario
      • Carole Eastman
    • Casting principal
      • Millie Perkins
      • Jack Nicholson
      • Will Hutchins
    • 83avis d'utilisateurs
    • 62avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    The Shooting
    Trailer 2:49
    The Shooting

    Photos157

    Voir l'affiche
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    + 151
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    Rôles principaux11

    Modifier
    Millie Perkins
    Millie Perkins
    • Woman
    Jack Nicholson
    Jack Nicholson
    • Billy Spear
    Will Hutchins
    Will Hutchins
    • Coley
    Warren Oates
    Warren Oates
    • Willett Gashade
    Charles Eastman
    • Bearded Man
    Guy El Tsosie
    • Indian
    Brandon Carroll
    • Sheriff
    B.J. Merholz
    • Leland Drum
    Wally K. Berns
    • Deputy
    • (as Wally Moon)
    William Mackleprang
    • Cross Tree Townsman
    James Campbell
    James Campbell
    • Cross Tree Townsman
    • Réalisation
      • Monte Hellman
    • Scénario
      • Carole Eastman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs83

    6,46.9K
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    Avis à la une

    6jonathan-577

    Perkins has got to go

    One of Hellman's 'existential' genre flicks from the 60s-70s cusp. Warren Oates and his skittish cohort Will Hutchins are hired by Millie Perkins (the star of "The Diary of Anne Frank") to help her navigate the desert to the next urban centre, or so she says. Soon she is joined by sharpshooter Jack Nicholson, who keeps the boys in line until the surprise ending. There are a lot of neat twists on western convention here - the woman is urbane and sickly, Hutchins is completely incompetent, and as they battle each other everyone is battling the desert as it grinds em down. Unfortunately, several rock solid performances are arrayed around the stilted and extremely irritating Perkins, who is so unappealing that you don't know what everybody sees in her. It's quite majestic for such a tiny-scaled movie, with some truly memorable images, but I also found it more portentous than the content justified, ultimately. The ending is pretty abrupt. Admittedly the sound on my VHS is atrocious which didn't help. Still pretty far out for a low budget western, and enough rewards to at least mitigate the drags.
    cfisanick

    Difficult, complex existential western that is ultimately enthralling

    Most casual film viewers will find Monte Hellman's "The Shooting" to be slow, boring, and pretentious. But serious fans of cinema will be amazed at how terrific this existential morality play really is. Hellman's version of the old West is at once depressing and beautiful, and the rickety production values on display actually enhance the atmosphere. And of course, who can forget that inscrutable ending with echoes to the Zapruder film? This is fascinating stuff for the patient, thoughtful film student.
    6theognis-80821

    Artiness For Artiness's Sake

    Hollywood, in the 1960s was a locale rife with young visionaries, sometimes stoned, wandering about like starets in Tsarist Russia. But Roger Corman always had an eye out for serious, energetic, responsible young filmmakers, like Monte Hellman, who could put a movie together on the cheap. "The Shooting" has a great virtue: the unique talent of Warren Oates, who could project simultaneously, and with seeming ease, both strength and anxiety. The props, costumes and desert scenery of Kanab all serve this western well, even if its dramaturgy is weak. It seems more like an "idea," stretched out to 82 minutes, than an involving, logical plot.
    Lechuguilla

    Maddeningly Evasive

    Across a desert, two men and a mysterious woman make a mysterious journey. I'm not sure why. Explanations in this film are hard to come by. And the dialogue doesn't help. In one sequence one of the men inquires about a man whom the travelers come across just sitting on the ground in the desert: "Who is he?" Response: "Ask her". "You know him?" No response. "What does she mean to you?" Response: "She likes me". "You know anything about her?" Response: "Ask her".

    I don't recall a film wherein the dialogue was so ... evasive. It's not like the film contains some profound message that requires great insight to dig up. Rather, the story comes across as simply having no point. The two men and the woman have no real back-story. Characters are not well developed. From the film's start to its finish, I kept wondering: who are these people, what are their motivations, what do they hope to accomplish? I never arrived at a satisfactory answer to any of these questions.

    If the story is pointless, the desert scenery is hauntingly beautiful, especially toward the end. And the film's cinematography does a nice job of showing visual perspective, with tiny human figures set against huge, barren mountains.

    The film's acting is acceptable, although Will Hutchins does a really fine job in his performance. Millie Perkins is miscast. With her little girl face, she is totally not convincing as a hardened female gunslinger.

    "The Shooting" is a slow moving, low-key Western with some great visuals and a fine performance by Will Hutchins. But the story is pointless. It's the cinematic equivalent of a book wherein every other page is missing.
    Infofreak

    Absolutely fascinating viewing. A difficult movie but an unforgettable one!

    Monte Hellman has my vote for the most underrated and overlooked American director of all time. Like so many excellent film makers he got his first big break from legendary b-grade producer/director Roger Corman, and he co-directed (uncredited) Corman's 'The Terror' and edited his biker classic 'The Wild Angels'. Jack Nicholson starred in 'The Terror' and he an Hellman soon bonded together personally and professionally. Their greatest collaborations were the two 1960s westerns 'Ride In The Whirlwind' and 'The Shooting', filmed simultaneously, but released separately. Both are great movies but 'The Shooting' is the more interesting of the two, and along with Hellman's classic road movie 'Two-Lane Blacktop' his finest achievement. Both movies are close to being masterpieces, but rarely get mentioned except by other film makers, like Quentin Tarantino, who is a major fan, and enlisted Hellman's help in getting his debut 'Reservoir Dogs' to the big screen. 'The Shooting' is difficult viewing for most people. It requires you to pay close attention and fill in the blanks yourself. It isn't exactly a puzzle movie, but not everything is blatantly spelled out. The viewer has to work a little, but it's really worth it! The four main actors are all excellent. Not just Nicholson, and the legendary Warren Oates, but also Will Hutchins (of 50s TV western 'Sugarfoot'), and the beautiful Millie Perkins, who also appeared with Nicholson in 'Ride In The Whirlwind', though her role here is much more substantial and impressive. 'The Shooting' is one of the most original westerns I've ever seen, and easily one of the most underrated movies of the 1960s. I highly recommend it!

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      $10,000 of the $75,000 budget was spent on the salaries for the horse wranglers, who along with the cast, were the only union elements in the movie.
    • Gaffes
      During the fight between Willett Gashade and Billy Spear Billy's hat on the ground behind them alternates between being upside down originally and then right side up later. The canteen between the fighters and the hat also disappears in the final shots when the fight ends.
    • Citations

      Coley Boyard: I don't give a curly hair, yellow bear, double dog damn if ya did!

    • Connexions
      Featured in Warren Oates: Across the Border (1993)

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    FAQ

    • How long is The Shooting?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 12 juin 1968 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La mort tragique de Leland Drum
    • Lieux de tournage
      • Kanab, Utah, États-Unis
    • Sociétés de production
      • Santa Clara Productions
      • Proteus Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 75 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 22 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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