Gallery of Horror

I too originally caught this sometime between 1969-1971 on WPIX NY on Saturday night's "Chiller Theatre" as a youngster, where it played under one of it's alternate titles "Return From The Past".

The first time it aired that I recall was a few weeks before Xmas that year. Naturally, I had never heard of it-even being a big fan of horror movies and "Famous Monsters" magazine. At that young age I didn't notice the low budget sets and I did like the movie right off the bat, as well as already being familiar with John Carradine and Lon Chaney. Though I must say that there is something about this film I really enjoy still to this day, though it may be from my nostalgic memories of the time coloring my opinion. Now, this hasn't aired in this part of the country very much at all in the last 30-some odd years, so your chance of seeing it I guess is pretty slim. Yeah, there's no real action. Some of the acting is questionable. The castle used in all the tales is from a Roger Corman movie (as well as the horse drawn carriage scenes). The endings can sometimes be predictable (except perhaps the last twist of the last tale "Count Alucard"), but I still love it. "The Witch's Clock" tale which also has John Carradine starring,is actually a pretty good story (with the constant echoed tick-tocking of the old clock after it's re-started being very effective). This is certainly not for fans of newer post 70's films, but for us older fans perhaps horror from the 1940's to 1960's this can be enjoyable. I watch this film as if it's a stage play-the very minimal background sets certainly give off that feeling (especially in the Lon Chaney tale as well as the outdoor mob scenes in "King Vampire"). But, hell, it can be allot of fun if you're in the right frame of mind. I believe Lon Chaney only made one other movie after this-the truly awful "Dracula vs Frankenstein" by hack Al Adamson-if you think this THIS is bad, try watching that sometime (or any Adamson film, for that matter)! There's something odd about the mood of some of director David L Hewitt's better films that I quite like. "The Wizard Of Mars"-another film of his from around this same time with many of the same cast has a quite odd mood as well. I wish that would come to DVD. Hewitt's better know film-"Journey To The Center Of Time" looks a bit more like a mainstream movie, but I enjoy it less than these other 2 films of his. I wonder what ever happened to Mr Hewitt? Anybody out there know?

Anyway, my main reason for adding this at this time is because it's been announced that, yes, the DVD of this is finally being released Jan 17 2006, for those who care (and, yes, I have already pre-ordered my copy). I hope they use a good, restored print. I actually have 2 videocassette versions of this (one of them in widescreen that looks pretty decent). Certainly not a film for all. But for those who caught this in their youth and enjoyed it, quite a fun film.

I don't know how to rate this (see below). Certainly this is one of the all time bad movies. A the same time its also unintentionally funny (I least I think so, but I'm not sure since several actors seem to be laughing on screen). This is one of those movies thats so enjoyably bad as to make you wonder why Ed Wood is king of bad movies when there are others more deserving of the title.

This film is a collection of five short horror film introduced by John Carradine. Each one runs about the same amount of time and ends with a twist ending.

The first is The Witches Clock and concerns a clock left in a castle a young couple has just purchased. Carradine appears in this story as a traveler who shows up at the castle when the clock is restarted.

King Vampire is about a vampire on the loose in Victorian London thats hunted by the police.

Monster Raid concerns a man who was fed an immortality drug returning from the grave to get revenge.

Spark of Life has Lon Chaney as a doctor trying to return the dead to life.

Count Dracula is a fast retelling of the Dracula story with a twist ending.

They play as if EC comics Tales from the Crypt or Vault of Horror became bad TV shows. Worse are the twists that end every story since they come at point not where logic would dictate they should be, but rather where a strict running time demands they be.

The acting is uneven and bad, with only Carradine the only one turning in anything close to a performance. The sets are dreadful as is pretty much everything else. Best of all (?) the movie was recently released on DVD in full widescreen so that the film can now be seen in its full cinematic glory (and I use the term lightly).

If you like bad movies this is a film to search out. If you want an actual "good" movie then I suggest you look elsewhere.

For Bad Movie lovers: 8 out of 10 For those who need good movies: 1 out of 10

What first began life in Sept. 1966 as "Dr. Terror's Gallery of Horror" evolved over the years with new titles for cinema ("The Blood Suckers") and television ("Return from the Past"), easily available today under the shortened title "Gallery of Horror." John Carradine had earlier garnered the title role in "The Wizard of Mars" for director/special effects maven David L. Hewitt, who here managed to corral Lon Chaney and Rochelle Hudson to add greater marquee value to what arguably appears to be his masterwork. Rather than science fiction, truly impossible on such chintzy budgets, we have traditional, old fashioned horror, an anthology film inspired (as one can guess by the title) by the 1964 Amicus feature "Dr. Terror's House of Horrors" (one character even named after Peter Cushing!). Conceived by CREEPY editor Russ Jones, an expert in short stories, Hewitt spent approximately $20,000 on a super fast 5 day schedule at Ray Dorn's Hollywood Stage that left the actors breathless, and audiences speechless (Al Adamson and John Carradine had just completed "Blood of Dracula's Castle" using the same studio facilities). Virtually all the stock footage is culled from AIP's Roger Corman Poe films (plus "The Terror"), its main musical theme cribbed from 1960's "The Hypnotic Eye." Carradine is the unnamed narrator, introducing on screen all five stories but only appearing in the opener, "The Witches Clock" (13 minutes), in which a young couple move into a New England castle that 300 years before housed a Salem witch, with an enchanted clock that revives the spirit of Carradine's Tristram Halbin (little characterization in just two scenes). Second, and perhaps weakest, is "King Vampire" (12 minutes), feebly depicting Scotland Yard's hunt for a vampire that supposedly has the face of a corpse, and how they've detained all suspects that fit that description! Next is another poorly executed story, "Monster Raid" (16 minutes), with Rochelle Hudson's adulterous wife getting her comeuppance from her dead husband, whose resurrection was made possible by his own curiously vague formula. Fourth, "Spark of Life" (15 minutes) casts top billed Lon Chaney as Dr. Mendell, the only mad scientist of his entire movie career, a colleague of Hamburg's Baron Erik Von Frankenstein, continuing experiments that involve bringing the dead back to life via electricity. His greatest mistake is in choosing the corpse of an executed murderer out for revenge, but Chaney really acts up a storm, running the gamut from elation to disappointment, deadly serious as he attempts to undo his success with predictable results. Last is "Count Dracula" (13 minutes), a seriously crippled rehash of "Dracula's Guest," featuring a woefully inadequate Mitch Evans in place of Carradine as Dracula. As bad as it undoubtedly is, this film remains ideal for younger audiences who favor harmless terror for late night viewing, which was how this monster kid saw it on Pittsburgh's Chiller Theater on four occasions between 1972 and 1978.

Okay, there's one thing about the 80's that I miss. At 4AM, one used to be able to see Grade Z gems like this on TV. Now it's nothing but those rotten Infomercials. You could say that Ted Turner killed film culture, but I would argue that it was Anthony Robbins. In fact, during that golden hour of the day/night, one could see many films unleashed by the maverick no-budget director David L. Hewitt. THE MIGHTY GORGA, WIZARD OF MARS and JOURNEY TO THE CENTER OF TIME used to tickle many a bad-film lover (or torture an unsuspecting insomniac) who tuned in.

This film, which I saw under the title RETURN FROM THE PAST, is a gloriously inept, amazingly miserable cash-in on the then-popular trend of horror anthology movies (in which a few short, separate tales of horrific irony are strung together by an onscreen narrator). All the hallmarks of Hewitt's unmistakable authorship are in abundance here.

First, there is the hiring of once-great, "anything for a buck" actors; in this case, John Carradine (naturally) and Lon Chaney Jr, in small roles which nonetheless gave the theater owners a name to put in the marquee. Secondly, Hewitt once again fills the cast with his oddball stock company of dreary, nasal-sounding "actors" (who is this Roger Gentry, anyway?). As well, the director's sterling use of half-finished sets, or plain black backgrounds (when there were none at all!) is such a feat that would even make Ed Wood blush if he worked under such insane conditions. Add to this, the surprisingly ambitious writing (for bargain-basement cinema, anyway) which paradoxes the miserable attempts at mise en scene. For such a bottom-of-the-barrel project as a Dave Hewitt film, one wonders why he bothered with such an adventurous screenplay (like WIZARD OF MARS or JOURNEY TO THE CENTER OF TIME, especially), when the insultingly bad production values would work against the ambition of the writing anyway. Thus, therein lies the strange dichotomy of Hewitt's work as a director. With a thrift-store budget, he really tried to make something out of nothing. Who can blame him if he didn't succeed?

Add some haphazard dubbing, some great juvenile cartoon blood dripping on the screen, and you have a truly beguiling piece of work. Anyone who insists on making tired, threadbare projects like this has to get a medal for bravery alone.

Of course "Dr. Terror's Gallery of Horrors" is no classic, but I'm fond of David Hewitt's films and everyone seems to be having fun here. John Carradine, in full evening wear, introduces five not-very-scary tales; he also stars in one, while Lon Chaney Jr. stars in another. Other familiar faces include Roger Gentry ("The Wizard of Mars", also directed by Hewitt and co-starring Carradine) and Joey Benson (Al Adamson's "Horror of the Blood Monsters" and "Blood of Ghastly Horror"). Among the highlights of the movie are Carradine's fantastic booming voice, the dreamy soundtrack, and the cheesy, $1.95 special effects. There are some unintentionally funny moments, too, like the extended scenes of a horse-drawn carriage barreling down a dirt road (very obviously taken from Roger Corman's "The Raven"), and the vampire who is trying his hardest to speak with a Hungarian accent but ends up sounding like a Mexican bandito from some cheap western. Every time I watch something like this, I can't help but wonder whatever became of the people who made all those no-budget horror flicks of the '60s and '70s. They worked under such primitive conditions, and I'm sure they would have been doing something else if they'd had their druthers, but they almost always turned out an entertaining product. Now they've disappeared. Mr. Hewitt, Mr. Gentry, Mr. Benson...where are you? :)