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IMDbPro

Mouchette

  • 1967
  • Tous publics
  • 1h 21min
NOTE IMDb
7,7/10
14 k
MA NOTE
Mouchette (1967)
Coming-of-AgeDrama

Une jeune fille dans la campagne française subit des outrages constants sous le joug de l'alcoolisme et de son mari.Une jeune fille dans la campagne française subit des outrages constants sous le joug de l'alcoolisme et de son mari.Une jeune fille dans la campagne française subit des outrages constants sous le joug de l'alcoolisme et de son mari.

  • Réalisation
    • Robert Bresson
  • Scénario
    • Georges Bernanos
    • Robert Bresson
  • Casting principal
    • Nadine Nortier
    • Jean-Claude Guilbert
    • Marie Cardinal
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,7/10
    14 k
    MA NOTE
    • Réalisation
      • Robert Bresson
    • Scénario
      • Georges Bernanos
      • Robert Bresson
    • Casting principal
      • Nadine Nortier
      • Jean-Claude Guilbert
      • Marie Cardinal
    • 54avis d'utilisateurs
    • 66avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 1 nomination au total

    Photos37

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    Rôles principaux10

    Modifier
    Nadine Nortier
    Nadine Nortier
    • Mouchette
    Jean-Claude Guilbert
    Jean-Claude Guilbert
    • Arsène
    Marie Cardinal
    Marie Cardinal
    • Mouchette's Mother
    Paul Hébert
    Paul Hébert
    • Mouchette's Father
    • (as Paul Hebert)
    Jean Vimenet
    • Mathieu - gamekeeper
    Marie Susini
    • Mathieu's wife
    Liliane Princet
    • Schoolteacher
    Suzanne Huguenin
    • Undertaker
    Marine Trichet
    • Luisa
    Raymonde Chabrun
    • Grocery Shop-owner
    • Réalisation
      • Robert Bresson
    • Scénario
      • Georges Bernanos
      • Robert Bresson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs54

    7,713.6K
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    Avis à la une

    8Xstal

    Poverty, Loneliness, Loss & Abuse...

    ... all suffered by a young girl and presented through the unique lens of Robert Bresson. A timeless story that could be replicated the world over today sadly, either we don't learn or we don't care and while that's the case, the Mouchettes of this world will be forever pulled under.
    8Sergeant_Tibbs

    Cathartic and powerful representation of the inevitable moral dilemmas and frustrations of life.

    Until now Robert Bresson has been one of those classic directors who have failed to connect with me. With Au Hasard Balthazar and Pickpocket, I've found his style over-simplified, bland and plodding. While Balthazar didn't work for me at all, Pickpocket had moments where it showed potential but then it was quickly squandered and taken in a different direction. Here with Mouchette, his style is finally working. It's a film utterly drenched in sorrow and pain. Through the protagonists' squirming and rebelling from her struggles, her actions are a catharsis from the frustrations of life and when she's punished for them, it digs deep. Although the storytelling techniques are similar to the films I didn't care much for, what elevates Mouchette is the passionate performances and the crisp photography. While I do regret that it's so brief, Mouchette is a brilliant portrayal of a truly tragic figure that faces the hardships and inevitable moral dilemmas of life. I'm very glad Bresson has warmed up to me as he's got many films I'm really looking forward to, such as A Man Escaped and Lancelot du Lac.

    8/10
    10B Benton-2

    A genius at his most beautiful

    Never before has cinema been this simple and honest. No one makes films with more emotion than Bresson and no one puts less emotion in their films than he. I could cite so many Bressonian cliches and talk of his uniquely personal style which by 1967 was firmly established, especially since he had abandoned the voice-over he used in the 50s. I will point out his use of sound and approach to acting which remain so distinctive and by now so familiar. There is nothing in Mouchette that is new, especially after Balthazar, what remains is the story of Mouchette, told with the utter grace and passion that makes this film a masterpiece that transcends technique, even cinema itself, and makes most cinema look frivolous in the process.

    Finally I must mention the films ending, which I rank with that of Balthazar as the most beautiful I have seen.
    10mflamman

    Sublime, Pure, Magnificent

    Sublime film from Robert Bresson!

    Actually it was my first encounter with Bresson's work, five or six weeks ago. I was so eager to see it...Bresson's films ("Mouchette" and "Au hasard Balthazar") haven't disappointed me- to see the least!

    "Mouchette" is such a pure film, so sublime. So powerful. When I saw this film, it really blew me away totally. So overwhelming. But now, weeks after that experience (I saw that films more than once, btw) it's still beginning to gain more power and emotion.

    "Mouchette" has such overwhelming, graceful, brilliant images, shots and scenes. The opening scene may be the best ever: brilliant and pure, it tells everything you will see in the next hour and twenty minutes. The use of the music, sublime sounds of Monteverdi, is unique, powerful and brilliant. No more than- what is it?- ten seconds or so it can be heard. The opening scene is so short...

    That's the power of Bresson: images, sounds, scenes are presented in such a brilliant way. When we are beginning to be attached to them, other images and shots are already presented. As a viewer, you can't really be attached totally by them. That's way these images, shots, scenes will be in your mind long after the film: all things, all scenes and situations, and especially all emotions (if they are shown at all) are shown in actually too short a time, that you, as a viewer, will be forced to "finish" them. You are forced to locate the emotions not shown, to locate the situations and details which are only suggestively shown. Bresson's editing is just brilliant, bt it may take some time before you are aware of that.

    Some of the most brilliant scenes ever are presented here: Mouchette, forced to go into church by her father; Mouchette's brilliantly and superbly simple introduction to the viewer. Most notable for me, besides the ending scene of course, is the scene with Mouchette in the dodgem cars, having her only small feelings of joy and relieve. The expressions and emotions shown in this really magnificent scene, maybe the best and most emotional I've ever witnessed, are to diverse to even describe them. Just watch this scene...

    Nadine Nortier, playing Mouchette, blew me away with her magnificent acting. So pure, sublime, graceful and heartfelt. One of the most striking peaces of "acting" I've ever seen...!

    This superb film will be in my mind for ever, just like "Au hasard Balthazar". Nobody, not even the best like Dreyer, Ozu, Bergman and Tarkovsky, can present stories, images and "emotions" in such a superbly simple, transcendental and pure way as Bresson.

    Masterpiece!
    10marcosaguado

    The Face of Nadine Nortier

    Just like I remembered. The face of Nadine Nortier has not changed. The unbelievable "Mouchette" in this unforgettable Robert Bresson masterpiece. I hadn't seen the film since I was a teen ager. I saw it again last night and as if by magic it felt more contemporary today than it did then and then, let me tell you, it felt pretty real in its own rigorous lyrical style. What a shockingly wonderful effect a film like this could have on teen agers today. To stay with a character who takes us with nothing more than her naked truth through a landscape of absolute desolation. Her innocence intact, in spite of the outrage. Her ultimate act as breathtaking as anything we have ever seen on the screen, before or since. I tried to show the film to a group of twentysomethings, all of them walked away within the first fifteen minutes. All except one, a boy of 21, he had escaped Bosnia with his brother a few short years ago. As the film ended I looked at him. He was silent. He spoke without looking at me "can I see it again?" That's at the center of the experience that provides this film. "Mouchette" is meant for everyone, but it'll touch only some.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      It was rumored for years that the trailer for this film was by Jean-Luc Godard, and he has recently confirmed this by programming it in a self-curated retrospective of his work. The trailer is virtually a miniature essay on (or subversion of) the film, jarringly inter-cutting excerpts from it with a written commentary that calls it "Christian and sadistic."
    • Gaffes
      (at around 1 min) The canteen changes position after being dropped.
    • Citations

      Mouchette: [singing] Hope! Hope is dead, Three days, Columbus said to them, Pointing to the vast sky ahead, That stretched beyond the horizon...

    • Connexions
      Edited into Bande-annonce de 'Mouchette' (1967)
    • Bandes originales
      Magnificat
      Written by Claudio Monteverdi

      Performed by Les Chanteurs de St. Eustache

      Conducted by R.P. Émile Martin

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    FAQ17

    • How long is Mouchette?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 28 mars 1967 (France)
    • Pays d’origine
      • France
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Muset
    • Lieux de tournage
      • Apt, Vaucluse, France(landscape scenes)
    • Sociétés de production
      • Argos Films
      • Parc Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 21 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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