[go: up one dir, main page]

    Calendrier de parutionsTop 250 des filmsFilms les plus regardésRechercher des films par genreSommet du box-officeHoraires et ticketsActualités du cinémaFilms indiens en vedette
    À la télé et en streamingTop 250 des sériesSéries les plus populairesParcourir les séries TV par genreActualités TV
    Que regarderDernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbFamily Entertainment GuidePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideBest Of So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestivalsTous les événements
    Nés aujourd’huiCélébrités les plus populairesActualités des célébrités
    Centre d’aideZone des contributeursSondages
Pour les professionnels du secteur
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

La mariée était en noir

  • 1968
  • Tous publics
  • 1h 47min
NOTE IMDb
7,2/10
11 k
MA NOTE
La mariée était en noir (1968)
Home Video Trailer from MGM
Lire trailer1:50
1 Video
47 photos
Serial KillerCrimeDramaMystery

La mère de Julie Kohler l'empêche de se suicider. Julie quitte la ville. Elle va traquer, charmer et tuer cinq hommes qui ne la connaissent pas. Quel est son but? Quel est son objectif?La mère de Julie Kohler l'empêche de se suicider. Julie quitte la ville. Elle va traquer, charmer et tuer cinq hommes qui ne la connaissent pas. Quel est son but? Quel est son objectif?La mère de Julie Kohler l'empêche de se suicider. Julie quitte la ville. Elle va traquer, charmer et tuer cinq hommes qui ne la connaissent pas. Quel est son but? Quel est son objectif?

  • Réalisation
    • François Truffaut
  • Scénario
    • Cornell Woolrich
    • François Truffaut
    • Jean-Louis Richard
  • Casting principal
    • Jeanne Moreau
    • Jean-Claude Brialy
    • Michel Bouquet
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    11 k
    MA NOTE
    • Réalisation
      • François Truffaut
    • Scénario
      • Cornell Woolrich
      • François Truffaut
      • Jean-Louis Richard
    • Casting principal
      • Jeanne Moreau
      • Jean-Claude Brialy
      • Michel Bouquet
    • 70avis d'utilisateurs
    • 68avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 5 nominations au total

    Vidéos1

    The Bride Wore Black
    Trailer 1:50
    The Bride Wore Black

    Photos47

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 41
    Voir l'affiche

    Rôles principaux28

    Modifier
    Jeanne Moreau
    Jeanne Moreau
    • Julie Kohler
    Jean-Claude Brialy
    Jean-Claude Brialy
    • Corey
    Michel Bouquet
    Michel Bouquet
    • Robert Coral
    Charles Denner
    Charles Denner
    • Fergus
    Claude Rich
    Claude Rich
    • Bliss
    Michael Lonsdale
    Michael Lonsdale
    • Rene Morane
    • (as Michel Lonsdale)
    Daniel Boulanger
    • Delvaux
    Alexandra Stewart
    Alexandra Stewart
    • Mlle Becker
    Sylvine Delannoy
    • Madame Morane
    Luce Fabiole
    • La mère de Julie
    Michèle Montfort
    • Le modèle de Fergus
    Jacqueline Rouillard
    • La logeuse de Coral
    Paul Pavel
    • Le mécanicien de Delvaux
    Gilles Quéant
    • Le juge d'instruction
    • (as Gilles Queant)
    Serge Rousseau
    • David Kohler
    Van Doude
    Van Doude
    • L'inspecteur de police
    Christophe Bruno
    • Cookie Morane
    Marcel Berbert
    Marcel Berbert
    • Le policier
    • (non crédité)
    • Réalisation
      • François Truffaut
    • Scénario
      • Cornell Woolrich
      • François Truffaut
      • Jean-Louis Richard
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs70

    7,211K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    8elo-equipamentos

    Fingerprints of the master!!!

    Once l'd read somewhere that Truffaut gave a interview where he explained how remarkable were Hitch's works, curiously in that time the master of the suspence for many reasons wasn't had a propper respect from american critics, after that point everyone stayed astonished over such Truffaut's valuable comments, loud and clear, therefore all critics change of mindset about Hitch, in this picture was well designed around such bright fingerprints of the master, even an older Jeanne Moreau she was in great shape to the role of a revengeful woman, the plot is plenty acceptable in many ways, l would like to say that Truffaut wasn't my favorite director neither, however it's hard don't recognize a fine picture like that over such suspicious of the great Alfred Hitchcock!!

    Resume:

    First watch: 2018 / How many: 1 / Source: DVD / Rating: 8
    eibon09

    Melancholic

    La Mariee Etait En Noir/The Bride Wore Black(1967) is more a study of lost love and revenge than a film of Hitchcockian proportions. Based on the novel by Cornell Woorich, The Bride Wore Black(1967) is a sad story that has an Edgar Allen Poe quality to it. Jeanne Moreau tops her performance from Jules & Jim(1961) with her role as the death obsessed Julie Kohler. Fits in with the two themes of Francois Truffaut in life and death. Films that belong with the theme of life are The 400 Blows(1959), The Wild Child(1969), and Day for Night(1972). The movies that goes with the theme of death are The Bride Wore Black(1967), Jules & Jim(1961) and The Story of Adele H(1975).

    The performance of Jeanne Moreau is as heart wretching to watch as the performance given by Isabelle Adjani in The Story of Adele H(1975). The film score by Bernard Herrmann is hauntedly macabre. The scenes depicting Julie planning her revenge are chilling and well planned. The Bride Wore Black(1967) showed the big respect Francois Truffaut had for the techniques of Alfred Hitchcock. Another movie that has its tragic elements is the Terence Fisher film, Frankenstein Created Woman(1966). The only difference between the film and the novel is the omission of the twist ending from the motion picture.
    teadm

    Moreau's show

    Interesting take on Hitchcock territory, although it lacks the suspense and capacity to involve the viewer as The Master's films always did. The true wonder here is Jeanne Moreau, as cool as a cucumber, going about her revenge business with clockwork accuracy, exuding class and talent equivalent to five of today's stars. Bernard Herrman's passionate score seems slightly out of place against the film's emotional detachment, and most of the time things fall just a little bit too perfectly in place, but overall, this is a satisfying film, of interest to genre fans.
    jaykay-10

    As for the picture itself...

    Set aside the place of the picture in Truffaut's oeuvre, along with the extent of Hitchcock's influence and the literary antecedents of the story; in other words, take a blindfold test, so to speak, on the movie itself. If created by J. Doe from a story by R. Roe, this film would generate lukewarm praise at best - none for the credibility of the plot or main character. The narrative, presented in a naturalistic, matter-of-fact manner, is in fact completely contrived to serve the purposes of a bizarre story. The leading character, whether to be viewed as suicidal or homicidal (or both), is presented not as psychotic, but as in total emotional control of herself - as self-composed and methodical as she could possibly be.

    It just doesn't work. The stories Hitchcock used were developed from simple, seemingly random everyday encounters, the kinds of mishaps or minor aberrations that might touch any of us. Such an approach here might have made the picture more worthy of serious appraisal.
    Michael_Elliott

    The Bride Wore Black

    Bride Wore Black, The (1968)

    *** (out of 4)

    Truffaut's homage to Hitchcock deals with a mysterious woman (Jeanne Moreau) who, after a failed suicide, decides to track down and kill the five men responsible for her husband's death on their wedding day. Needless to say, this film was pretty much remade by Quentin Tarantino in the two KILL BILL films but you can see the films influence go even further with various exploitation movies including Jess Franco's SHE KILLED IN ECSTACY as well as the notorious I SPIT ON YOUR GRAVE. I think this film works very well as a homage but doesn't work too good on its own. What I was shocked to find is that there's very little emotion of any kind here. There's really no drama, no one to really care for, no suspense and very little mystery. I'm really not sure what the point of the film was except perhaps for Truffaut to show his appreciation to Hitchcock and try to copy a film like the mystery master would have made. The movie has some very good stuff in it but again, I'm sure it could have been better had a few things been changed. The five murders are pretty much like separate short films and this is something I liked. I like how all five murders appear just like their own movies but this does lead to one of my complaints, which is the running time. It really seemed like the movie was padded with needless scenes and stuff that could have been handled in less time. I found all the murders to be quite fun in their own right and that includes the ending, which really worked even though I've read it was different than what was in the novel. Another major plus is the performance by Moreau who manages to be very believable in the role. I thought she came off perfect as the quiet assassin even though you could look into her eyes and see the pain she's feeling for her dead husband. The supporting players, mainly the five men, are quite good as well, although none of them really stick out as being great. The Bernard Hermann score does a good job at reminding us of his previous work with Hitchcock and there are plenty of nice references to the master's films.

    Vous aimerez aussi

    La sirène du Mississipi
    6,9
    La sirène du Mississipi
    L'homme qui aimait les femmes
    7,4
    L'homme qui aimait les femmes
    L'argent de poche
    7,6
    L'argent de poche
    L'histoire d'Adèle H.
    7,2
    L'histoire d'Adèle H.
    La Peau douce
    7,5
    La Peau douce
    L'enfant sauvage
    7,4
    L'enfant sauvage
    Les deux Anglaises et le continent
    7,2
    Les deux Anglaises et le continent
    Tirez sur le pianiste
    7,4
    Tirez sur le pianiste
    Baisers volés
    7,5
    Baisers volés
    Domicile conjugal
    7,4
    Domicile conjugal
    L'amour en fuite
    7,0
    L'amour en fuite
    Le Dernier Métro
    7,3
    Le Dernier Métro

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film is François Truffaut's homage to Alfred Hitchcock, made shortly after Truffaut had published a book of extensive interviews with Hitchcock. As part of his homage, Truffaut chose a novel written by Cornell Woolrich, on whose story Hitchcock's Fenêtre sur cour (1954) was based, and even chose long-time Hitchcock collaborator Bernard Herrmann to compose the score.
    • Gaffes
      When Coral shows his ticket at the theater, he is told that the performance had started three minutes ago, and is immediately shown to his box. When he gets inside the theater, the performers are in the middle of the second movement of the piece (Ludwig van Beethoven's Cello Sonata #3), implying that they had been playing for at least 10 minutes.
    • Citations

      Coral: Permit me to make an impossible wish?

      Julie Kohler: Why impossible?

      Coral: Because I'm a rather pessimist.

      Julie Kohler: I've heard it said: "There are no optimists or pessimists. There are only happy idiots or unhappy ones".

      Coral: [smiling] Yes, well. I'm an unhappy idiot then.

    • Connexions
      Featured in Introduction to Truffaut Season (1972)
    • Bandes originales
      Bridal Chorus
      (uncredited) (excerpts)

      From the opera "Lohengrin"

      Written by Richard Wagner

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ19

    • How long is The Bride Wore Black?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 avril 1968 (France)
    • Pays d’origine
      • France
      • Italie
    • Langue
      • Français
    • Aussi connu sous le nom de
      • La novia vestía de negro
    • Lieux de tournage
      • Eglise Saint-Lambert de Vaugirard, Paris 15, Paris, France(wedding church)
    • Sociétés de production
      • Les Films du Carrosse
      • Les Productions Artistes Associés
      • Dino de Laurentiis Cinematografica
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 747 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 45 075 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 11 206 $US
      • 25 avr. 1999
    • Montant brut mondial
      • 45 263 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 47 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    La mariée était en noir (1968)
    Lacune principale
    By what name was La mariée était en noir (1968) officially released in India in English?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.