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Except for four songs being dropped and a slight altering of the original story's pacing, this is a flawless translation of a Broadway classic to the big screen, making great use of New York locations and retaining Robert Morse in the best role of his entire career as the ambitious window washer J. Pierrepoint Finch who climbs his way up the corporate ladder by every little trick in a book that the musical takes it's title from. Morse's timing and delivery is perfect and everyone who's played the part of Finch since on Broadway (most notably Matthew Broderick a few years back) have had to emulate his basic approach to the part.

Michele Lee is also perfect as the secretary Rosemary who is madly in love with Finch. Her sexy solo of "I Believe In You" (a vast improvement over the stage's "Happy To Keep His Dinner Warm") makes you wish she hadn't given up Broadway for TV success because she has one of the best singing voices you'll ever hear.

I saw this movie on a local PBS station for the first time since it originally came out in the movies. I was only 10 at the time so I didn't get it and I remember not being crazy about it. ALthough the song "I believe in you" was a favorite of mine. I actually looked at the TV schedule to see what else was on. And I vowed to change the channel at 12, the coming hour. But a funny thing happened, I forgot about the other movie and I remained glued to the screen and saw it to the end. The movie is about a window washer who pledges to become a CEO within a short time by reading a "How To Book", hence the title. How delightful to see Michelle Lee singing..what a voice. I didn't remember her singing I Believe in You. Then we have Robert Morse. I was never a big fan of the slap stick comedy ala Jim Carrey Chevy Chase and Robin Wiliams. Robert Morse could give them all a few lessons on playing broad comedy without going over board. Rudy Vallee and the man who played Big Deal in West Side Story (one of my favorite musicals) were hilarious. He was the nephew of the CEO Vallee so we all know what type of character he was playing. We also have the CEO's bimbo girlfriend who wants to get out of the Secretary pool. She actually is not as dumb as we are suppose to think she is. It was a very upbeat funny movie. And for some reason I believe a lot of people in the business world probably know even less then the Robert Morse character, a window washer Maybe they should read the same type of book he was reading. This musical actually would be good if it was just the story. The book could stand on its own. I felt the same way about Carousel. Which deals with very serious issues. The music adds to the story which IMO separates a OK musicals from a great musical. This is a great musical. Oh beware a few songs were cut for the film. The Broadway musical was almost 3 hours, as a lot are. They have intermissions on Broadway. So they cut musical numbers from movie musicals. They did that with Guys and Dolls, one of the great songs at that. HTSIBWRT they cut the Coffee break scene, a great scene. So just as a caution to people who look at movie versions of Broadway musicals. Don't expect to see/hear all of the songs. It's a dumb practice because there are movies made now which are running 3 hours which have a whole lot less going for them then a Broadway musical.

HOW TO Succeed IN BUSINESS WITHOUT REALLY TRYING is the 1967 film version of the Pulitzer Prize winning 1960 Broadway musical that broke Broadway box office records and made a star out of Robert Morse. Morse was thankfully allowed to recreate his Broadway role in this exuberant film version as J. Pierpont Finch, an ambitious young window washer who, through the aid of the title book, cleverly manages to work his way up the corporate ladder at World Wide Wickets, Inc. Morse lights up the screen in the best role of his career. He sadly never really got a role of this caliber again and I've never been able to figure out why. He gives a smart and brassy performance and is well-supported by 20's crooner Rudy Vallee, also reprising his Broadway role as company president JB Biggley and Michele Lee as devoted secretary/girlfriend Rosemary Pilkington. There is also standout work by Anthony Teague as company brown-noser Bud Frump and Maureen Arthur as Miss La Rue, Biggley's outspoken mistress whose physicals assets clearly outweigh her secretarial skills. David Swift's fast-paced direction is a plus as is Bob Fosse's inventive choreography. Sadly, the original score has been severely tampered with and several great songs from the stage show have been cut, but we still have "How to", "The Company Way", "A Secretary is not a Toy", "It's been a long day", and the show's most famous song, "I Believe in You." A clever and entertaining screen adaptation of a classic Broadway musical.

This is an interesting musical. Unlike many movies that were originally Broadway musicals, this film does little to try to make it look like a movie. Instead, it plays a lot like watching a play--complete with many musical and dancing numbers where you can easily see how it was performed on stage. Now this is NOT meant an a negative--just stating how it's almost like watching a filmed version of the play. And, because of this, the sets are often very surreal--like sets from a play that are easily moved and disassembled. And, if you are interested, this play is currently playing on Broadway--with Daniel Radcliff in the revival. I am not sure if tickets are now so expensive because of its star or because it's a darn good musical--but I suspect it's both.

The innocuous looking Robert Morse stars in the film (he played the same role on stage previously). He's a very, very cynical young man who used a book entitled "How To Succeed in Business"--and follows it for his meteoric rise through the ranks of a corporation. In fact, in only a matter of days, he moves from the mail room to a vice president...and his stock keeps on rising. Along the way are a lot of peppy and cynical songs--my favorite of which is "A Secretary is NOT a Toy" though "I Believe in You" has become a standard. And, to get ahead, he sucks up, manipulates and lies--all which the movie seems to heartily endorse, as in every case Morse is wildly successful! As a result, it's a funny comedy and ultimate movie for cynics! I thoroughly enjoyed it--and I really don't even like musicals all that much! Apart from good songs, a fun and goofy plot and good acting, the film manages to be entertaining and new. There just aren't any other films like it--and it's a bit surprising that it didn't make Morse a star, as he was very good here. Ironically, he's been brought back to the small screen for a recurring role on "Mad Men"--a drama that seems, at times, inspired by this film.

By the way, George Fenneman plays himself. If you wonder why his face is familiar, he was the announcer for the TV show "You Bet Your Life". Also, doesn't the boss' nephew look a LOT like a 1960s version of Napoleon Dynamite?! Look at him yourself--you'll see what I mean.

This was one of the rare Broadway musicals whose book is actually more interesting than its score. So while roughly a half-dozen Frank Loesser songs from the stage version are deleted, they're not really missed. What survives is a witty skewering of office politics, featuring much of the Broadway cast. And while such '60s business staples as rampant sexism and smoking now look quaintly offensive, the gleeful satirizing of backstabbing and skulduggery in business will always be relevant. David Swift, whose training was in TV, doesn't do much with the widescreen format (except for the ingenious ballet-mechanique in "A Secretary Is Not a Toy"), but he cuts cleverly away from the production numbers just as the musical-comedy silliness is on the verge of becoming embarrassing, and he splices in some delectable location shots of '60s New York. The color scheme is bright, the pacing brisk, the cast friendly, the production values refreshingly modest. At a time in movie history when so many adaptations of stage hits were overbudgeted and overlong, what a pleasure to see something to faithful to its source material -- and so unpretentious.