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Hombre

  • 1967
  • Tous publics
  • 1h 51min
NOTE IMDb
7,4/10
15 k
MA NOTE
Paul Newman in Hombre (1967)
Home Video Trailer from 20th Century Fox Home Entertainment
Lire trailer2:20
1 Video
98 photos
Classical WesternWestern EpicDramaWestern

Élevé par des Amérindiens John Russell est dédaigné par ses compagnons de diligence « respectables », mais devient leur seul espoir de survie lorsque survient une attaque par des hors-la-loi... Tout lireÉlevé par des Amérindiens John Russell est dédaigné par ses compagnons de diligence « respectables », mais devient leur seul espoir de survie lorsque survient une attaque par des hors-la-loi.Élevé par des Amérindiens John Russell est dédaigné par ses compagnons de diligence « respectables », mais devient leur seul espoir de survie lorsque survient une attaque par des hors-la-loi.

  • Réalisation
    • Martin Ritt
  • Scénario
    • Irving Ravetch
    • Harriet Frank Jr.
    • Elmore Leonard
  • Casting principal
    • Paul Newman
    • Fredric March
    • Richard Boone
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    15 k
    MA NOTE
    • Réalisation
      • Martin Ritt
    • Scénario
      • Irving Ravetch
      • Harriet Frank Jr.
      • Elmore Leonard
    • Casting principal
      • Paul Newman
      • Fredric March
      • Richard Boone
    • 138avis d'utilisateurs
    • 44avis des critiques
    • 80Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos1

    Hombre
    Trailer 2:20
    Hombre

    Photos98

    Voir l'affiche
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    + 92
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    Rôles principaux17

    Modifier
    Paul Newman
    Paul Newman
    • John Russell
    Fredric March
    Fredric March
    • Rev. Alex Favor
    Richard Boone
    Richard Boone
    • Cicero Grimes
    Diane Cilento
    Diane Cilento
    • Jessie Brown
    Cameron Mitchell
    Cameron Mitchell
    • Frank Braden
    Barbara Rush
    Barbara Rush
    • Audra Favor
    Peter Lazer
    Peter Lazer
    • Billy Lee Blake
    Margaret Blye
    Margaret Blye
    • Doris Blake
    Martin Balsam
    Martin Balsam
    • Henry Mendez
    Skip Ward
    Skip Ward
    • Steve Early
    Frank Silvera
    Frank Silvera
    • Mexican Bandit
    David Canary
    David Canary
    • Lamar Dean
    Val Avery
    Val Avery
    • Delgado
    Larry Ward
    Larry Ward
    • Soldier
    Linda Cordova
    • Mrs. Delgado
    • (non crédité)
    Pete Hernandez
    • Apache
    • (non crédité)
    Merrill C. Isbell
    • Apache
    • (non crédité)
    • Réalisation
      • Martin Ritt
    • Scénario
      • Irving Ravetch
      • Harriet Frank Jr.
      • Elmore Leonard
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs138

    7,415K
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    Avis à la une

    9bkoganbing

    "Cause I Can Cut It."

    Paul Newman did a whole bunch of films with Director Martin Ritt and Hombre, one lean and mean western ranks as one of the best.

    Newman is John Russell, the ultimate in the Stockholm Syndrome in the western film. He's a man who was kidnapped by the Apaches as a child, raised among them, and then when he was rescued from the Apaches, turned his back on his rescuers and went back to live among them. The opening of the film has some closeup shots of Newman as an Apache and he does look like a figure of interest with those baby blue eyes of his. The viewer is already involved, this is a person of interest, there's a story here, let's find out about him.

    Circumstance has put him on a coach with several other passengers, including the Indian agent at the San Carlos Reservation, Fredric March and his wife Barbara Rush. Unbeknownst to everyone else, March has embezzled a whole stash of money from the tribe and is on the run, like Berton Churchill in Stagecoach. Of course Churchill is not taking his young pretty wife along with him.

    The outlaws led by Richard Boone know about the loot and they ambush the coach, but the holdup is unsuccessful. Nevertheless the passengers are left afoot with the loot, but limited water on the Arizona desert.

    It falls to Newman to lead them to safety, a guy they had previously snubbed. Hombre gets deliciously ironic that way.

    Next to Newman, I'd say the best performance in the film is easily that of Diane Cilento, the very wise and earthy boarding house keeper. She's one experienced with life woman who if everyone heeded it would have been better all around.

    Why are they with Newman, cause he can cut it. And as a film, Hombre definitely cuts it.
    10Erik_Svinding_Olsen

    Elmore Leonard's wonderful anti-hero story

    Martin Ritt made a lot of good movies. This is one of his best. It deserves to be remembered and to live forever. Elmore Leonard wrote this wonderful western of a man who is no hero in the classical western-style. He is of white origin, brought up by Indians. He wants to live in peace with his fellow man, and faced with violence he withdraws, but when it comes to injustice or survival he turns out to be some sort of hero just the same. Paul Newman's leading role as Hombre is a performance as convincing as ever. And all other leading characters are played by wonderful actors too. Richard Boone's bullying criminal is almost to be smelled through the screen. Even in the smaller roles there are some real gems. See this movie again and again - and again!
    7slokes

    Antihero Actioner Rings True

    Paul Newman sure could cut it in 1967. Not only did he give the performance of the year as Cool Hand Luke, but embodied the role of action antihero in this gritty, downbeat western as the laconic part-Apache John Russell, reluctant helper of assorted, sordid white people.

    Russell has been living off the land with his Apache brethren when he is left a boarding house in a will. Russell sells the boarding house, which leaves its beautiful-but-weathered caretaker Jessie (Diane Cilento) on a long stage ride with Russell and a number of others with varied reasons for wanting to leave town. Unfortunately for everyone, one of them is a particularly ornery character named Cicero Grimes (Richard Boone).

    "Hombre" is a coming-out party of sorts for writer Elmore Leonard; he had works adapted for screen before, most notably "3:10 To Yuma," but "Hombre" brings out the quotability and toughness we associate with Leonard today. Credit Newman and director Martin Ritt, as well as cinematographer James Wong Howe, for giving the film the space and terse energy it needs to deliver the action without underselling the human drama. Russell doesn't want to stick his neck out for people, and you don't blame him, yet you understand why he helps them in the end.

    Screenwriters Harriet Frank and Irving Ravetch provide many memorable lines. A favorite, when a thief is being robbed at gunpoint: "It looks like you did good and we did better." But there's a tendency to overexposition, of people giving their life story at a drop of a hat. Everyone except Russell, who keeps it very cool throughout. Maybe it helps Newman look better.

    "Takes a lot to light a fire under you, don't it?" Jessie asks him.

    The story doesn't exactly hold together well upon reflection, and there are a number of what Hitchcock called "icebox scenes." One character walks around for days after being gutshot. Another is developed at length without having anything to do with the story except dying in it. But with "icebox scenes" you don't notice the incongruities until later. You are caught up with the energy and vitality, especially when things begin to happen in the second hour.

    Newman is working Eastwood/McQueen territory here, and working it quite well. An important conflict in the film pits him against Dr. Favor (Fredric March), a self-righteous Indian agent who looks down on Russell for his American Indian roots despite the fact Favor has done well off the Apaches. When Favor's jaded wife (Barbara Rush) scoffs at the Apaches for eating dogs, Russell tells her if she was as hungry as they were, "you'd eat it. You'd fight for the bones, too." Newman doesn't raise his voice, doesn't even lean forward, but his burning blues make his anger palpable.

    Rush's character is especially interesting, a reflection perhaps on the classic Leonard opportunistic female, or maybe even worse. I'm still not sure what she was playing at, but I enjoyed her character enormously. With Cilento, March, and especially Boone as well, you have performances that would provide engaging centers for other films, yet Newman towers over them without resorting to histrionics or even much in the way of humor (his wisecracks are few, however well-placed.)

    "Hombre" is a near-classic Western that doesn't play by classic rules. But it makes its points well, keeps you involved, and allows you to relish one of Paul Newman's most indelible roles.
    8Artless_Dodger

    This is a vastly superior western.

    A tough, sun bleached western from Martin Ritt, this is well served by fine performances and some tremendous cinematography from James Wong Howe.

    John Russell (Newman) is a white man raised by the Apaches, who travels by stagecoach with a group of people whose lives aren't as simple as we first believe. Threatened by bandits, Russell unwillingly leads his fellow passengers towards safety. His moral code is sparse and unforgiving, but he is surrounded by others of a different persuasion, most notably Jessie, played by Diane Cilento. When the bandits hold a passengers wife hostage, Russell's moral code is challenged, and it's his unexpected attachment to Jessie that causes him to behave differently.

    Newman and Cilento are excellent. Richard Boone is the perfect counter weight as Cicero Grimes, the principal bandit. Martin Balsam (stagecoach driver) and Frederic March (an Indian agent) make an impression too, as does Frank Silvera (Mexican bandit).

    This is a vastly superior western. Superlative work from the stars and an intelligent script, added to the dusty Death Valley location work, create a tense, sparse western well worth watching.
    marko

    "I got one question. How you gonna get down that hill?"

    Superbly written and acted, Hombre is one of the two or three best end-of-the-West Westerns ever made.

    Based on the Elmore Leonard novel and starring Paul Newman, Hombre is the story of John Russell, a white man raised by Apaches forced by circumstances to be responsible for the lives of a group of people who despise him.

    Dr. Faver: You've learned something about white people. They stick together. John Russell: They better.

    Newman is sterling as Russell, whose sense of honor puts him into a no-win situation, and whose tenacity will not allow him to back off. Richard Boone was rarely better than as Cicero Grimes, who matches Russell, steely-eyed glare for steely-eyed glare. His performance here is on par with his portrayal of gang-leader John Fain in Big Jake, just a few years later.

    Grimes: Well, now. Now what do you suppose hell is gonna look like? Russell: We all die. It's just a question of when.

    Also outstanding are Diane Cilento, Barbara Rush, and Martin Balsam. A strong performance by character actor Frank Silvera as an unnamed Mexican bandit is one of the film's many gems.

    Russell: (after wounding the Bandit)I would have done better, but I think you moved. Bandit: You can be sure I moved!

    The magnificently desolate northern Arizona desert becomes an additional character in the film.

    If you are looking for the ultimate tough-guy film, you need look no further than Hombre.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Filming on this movie coincided with that year's Academy Awards. Co-star Martin Balsam was a Best Supporting Actor nominee for Des clowns par milliers (1965), but did not receive permission to leave the set. Balsam sneaked off to attend the ceremony; he won the Oscar.
    • Gaffes
      When John Russell is coming to Delgado to see Mendez, in the background are 3 or 4 farm vehicles working in the distance. The sun can be seen gleaming from one of them as it moves through a dust cloud it is making.
    • Citations

      Grimes: Mister, you've got alot of hard bark on you walkin' down here like this. Now, I owe you. You put two holes in me.

      John Russell: Usually enough for most of 'em.

      Grimes: Don't try it again, that Vaquero is more than a fair hand.

      Grimes: You got the money?

      John Russell: Guess I brought my dirty laundry down by mistake.

      Grimes: Let me see it.

      John Russell: Look for yourself.

      Grimes: [opens bag, pulls out a handful of clothes] Well now, what d'ya suppose hell's gonna look like?

      John Russell: We all die, just a question of when.

    • Connexions
      Featured in The 67th Annual Academy Awards (1995)

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    FAQ17

    • How long is Hombre?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 mai 1967 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Man nannte ihn Hombre
    • Lieux de tournage
      • Helvetia Mine, Pima County, Arizona, États-Unis(portions of this picture were filmed in the)
    • Sociétés de production
      • Twentieth Century Fox
      • Hombre Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 5 860 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 51 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.39 : 1

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