Le plus Heureux des milliardaires

Yes, "The Happiest Millionaire" was Walt Disney's last film. Yes, it was obviously made to top "Mary Poppins" and yes, like many late-sixties musicals, it flopped at the box office. But the fact remains that it is a glowing, beautifully made musical (with songs by the Sherman Brothers who were responsible for "Poppins") and it never got the recognition it truly deserved. The cast, headed by Disney Stalwart Fred MacMurray and legendary star Greer Garson (in her last film appearance) is excellent. The musical numbers are fun and engaging and the players do them well. Both Lesley Ann Warren and John Davidson were introduced in this film and proved an ideal pair of romantic leads. Warren, who became an overnight star courtesy of her delightful performance as Cinderella in the 1965 Rodgers and Hammerstein television musical, literally shines as Cordelia Drexel Biddle. Many scenes are stolen by Geraldine Page playing Davidson's haughty mother, and Tommy Steele can sing and dance with the best of them. There is also a grand performance from Gladys Cooper as the family matriarch. And, for "Poppins" fans, Hermione Baddely appears as the Irish housekeeper. There is also a brief bit by Joan Marshall, the star of William Castle's "Homicidal" (billed as Jean Arless) as a maid. The fact that this story is (loosely) based on the prominent Biddle family of Philadelphia, adds to the fun. Because the film was released after Disney's death and exhibitors complained about its long running time, it was drastically edited, shortening and removing several scenes, as well as one musical number ("It Won't Be Long Till Christmas"), and here is where the controversy comes in. Garson was originally cast as Mrs. Duke, after the part was turned down by several actresses, including Geraldine Page. Just before filming began however, Page changed her mind, and Greer ended up as Mrs. Biddle. (a part she was not anxious to play). She agreed to the switch when she heard the score--especially "It Won't Be Long Till Christmas" which was her one musical number. Indeed she COULD sing, and she did so in a few of her '40's films. Because her song was subsequently cut from the film (after it's Hollywood world premiere) she declined to attend any further premieres, though she had been at the Hollywood opening. Thanks to the newly restored roadshow edition, the song has been restored, and Garson and MacMurray perform it to perfection, truly the highlight of a warm and wonderful story that makes for perfect holiday viewing.

Despite a phenomenal cast, "The Happiest Millionaire" really never takes off.

This is probably because the star of the film should have been butler Tommy Steele who begins the picture on a high note with the clever tune Fortuosity. Steele is toothy and with that broad smile, he could easily captivate audiences. Unfortunately, he soon falls into a rather supporting role to an eccentric Biddle family.

Fred MacMurray is all right for the part but his monotone voice is annoying at times. As his wife, Greer Garson, is wonderful. She depicts that regal elegance that made her so famous through the years. She is just an older, elegant version of Mrs. Miniver and all the other great roles she had in the 1940s.

Gladys Cooper is a rather tame Auntie here. Cooper was always at her best when she was an upper class mean person. The upper class is certainly there but where is her usual nastiness? Ditto for Geraldine Page. Page as Lesley Ann Warren's prospective mother-in-law causes mayhem as she usually did in pictures. This being a musical comedy, her usual frustrations are missing and we could have used them there.

Enough with the alligator scenes already. MacMurray and family wear their bible shirts and practice boxing. MacMurray is anxious for the U.S. to be prepared for World War 1 and he urges President Wilson for this preparedness.

The big surprise of this film is that all our players could carry a tune. I thought that the argument scene between Cooper and Page would have been exacerbated.

The film falters as we have seen the bar-room brawls and social fights among the upper classes in society before.

A combination of desires- to top "Mary Poppins" and to capitilize on the then-current trend of big-budget, three-hour musical films playing to roadshow audiences- caused Walt Disney to make this film, the last he personally oversaw. He hired several of the same people to work on it that had worked on "Poppins", including the songwriting team of the Sherman brothers, the chereography team of Marc Breaux and Dee Dee Wood, and supporting cast member Hermoine Baddely in much the same role of the acerbic maid. In addition, he spent freely on costumes and production and hired an impressive cast, including Fred Macmurry, Greer Garson, Tommy Steele, Gladys Cooper, Geraldine Page, and in their film debuts, Lesley Ann Warren and John Davidson.

The result was a pleasent, somewhat entertaining but all-around silly and, for the most part, instantly forgettable confection. Yes, it's fine for the whole family, but it will be hard for the kiddies (and even the adults) to stay awake as the rather simple story is stretched to nearly three hours, with a series of plotlines connected by merely a shimmer all going on at once. Macmurry is at his least inspired, making the title character into a bumbling, blustering idiot; it's pretty hard not to cheer whenever someone shows him up, verbally or physically. The songs are nice enough, but only one or two really stick in the memory, and half of them are totally irrelevant. (I saw the restored roadshow edition; there are a variety of other editions that cut out several of the songs) Still, Tommy Steele is likable as the forever perky Irish butler (He gets a very hummable song to sing called "Fortuosity") and the chereography certainly is lively. The songs, for all the irrelevance of many of them, really move the picture along, as it slows down considerably whenever the screenplay takes over.

It's too bad Disney's last film couldn't have been better, but oh, well. That's life.

I just bought the DVD roadshow version of this film, as I had seen it as a teenager and thoroughly enjoyed it....this is the complete 3 hour version with prologue, intermission, and exit music; although it has been panned through the years, I have always thought highly of it...it is based on the memoirs of Cordie Biddle, who is the daughter of Anthony Biddle the highly conservative and inventive head of the Biddle household..there are some wonderful actors including Fred MacMurray as the patriarch, Greer Garson as his wife, Gladys Cooper (in I believe one of her last roles) as Cordie's grandmother, and of course Leslie Ann Warren, and John Davidson as the younger romantic interest....If there is a complaint, I would have to say there is too much time spent on the romance of the two younger players, and whatever happened to Paul Petersen, and Eddie Hodges, who are only in ONE scene as the brothers of Cordie....their scenes must have been left on the cutting room floor if they indeed had anymore!!! This is an early 20th century piece, with wonderful costumes, decor, and settings of the period, and lilting music for the most part...and as others have said Tommy Steele as the butler STEALS the show with his singing, dancing, and commentary on the goings on throughout the story. I have on order the movie "Half a Sixpence" which Tommy originated on the stage in London; am looking forward to this film also...I think we all miss the family oriented musicals, and movies of this time period; they are so easy to view and so enjoyable...One final comment; what a wonderful way to end the movie with Fred MacMurray and Greer Garson doing a duet on "Let them Go" a poignant ballad on their feelings of dealing with the empty nest syndrome...this was added for the roadshow version I believe, I don't recall it in the original version....Does anyone know whether Greer Garson's voice was used in this; I wasn't sure if she was a singer or not....at any rate I would recommend this film to any one...

I have always loved musicals, but I've never cared for the most popular ones from the 50s and 60s, such as "The Sound Of Music". However, "The Happiest Millionaire" scores on every level. The music is superb, and there's a ton of it. Tommy Steele does indeed steal the show as a new immigrant who shows up for an interview to become a butler, not quite realizing how wacky the Biddle family really is. His tunes are the most lively, particularly the bar scene. However, others such as Fred Macmurray and Leslie Anne Warren really shine here too. And who knew John Davidson had talents outside of being a game show host? This is a real diamond in the rough.

Some minor guidelines - the Roadshow edition has quite a bit of extra footage, and for those of us who know the standard edition by heart, it's great to find little bits and pieces (20 minutes worth, overall) that we've never seen, including parts of some of the songs. However, the standard edition is a tighter movie and keeps things moving more quickly - and since the standard edition is already over 2 hours and 20 minutes, I'd recommend it first. Then if you like it, the Roadshow gives you more of the best stuff.

This was Disney's last picture, and from all accounts he loved it, even though it was unsuccessful due to being released at just the wrong time. With 30 years distance, though, it is still so much fun that I'd love to see it made into an actual Broadway show. Oh, well, one can dream...