Good Times

The best parts of this movie are Cher singing, Cher berating future U.S. Congressman Sonny ("Why don't you take off that hat...you look like an idiot."), and Cher in a jungle suit lying on a tree (Great Gams, Sonnyman!).

This movie is about Sonny and Cher making a movie. The script is awful -- both of them. And the "satirical" situations are ridiculous. Watch this, if you must, as a period piece of the freewheeling '60s. (Was the scriptwriter on LSD?)

If you like stupid humor, then this movie's for you. Otherwise, this is a movie you can "watch" from another room with your ears.

I recommend that you fast forward through all the dialog scenes and watch only the musical numbers, which are quite good (and the reason I bumped my rating up a point). Or buy the soundtrack, if you can find it, and listen to that while you do housework or something else productive.

This is the starring debut for Sonny and Cher (their screen debut being WILD ON THE BEACH). It is a hodge-podge of Sonny's fantasies of a movie-star career and Cher's not wanting to have any part of it (a carry-over from real life... ironic, huh?) It has one of their best songs DON'T TALK TO STRANGERS, and Sonny's comedy timing is surprisingly good. They could have done a lot better with a real script, I feel, but it WAS 1967...

The puppy, the monkeys, the elephants, the crocodile, the lions, the tiger and the horses in this film are all natural so, I would say that they all are playing well. I do not know if I can say the same about Sonny & Cher. Cher's luck is that she looks very good. And both of them, Sonny & Cher, they are singing beautiful songs, very entertaining. George Sanders is George Sanders, big ego, big personality. It is one of the first films of the great William Friedkin. Just a musical without great expectations. The third episode, in which Sonny is a detective, is much more funny than the first two. Watch it only if you don't have anything better to do.

I don't own a single Sonny & Cher album, but I thought this film was fantastic. What's not to love about this movie? It's a time capsule to the outrageous 60s where comedy didn't have to make sense to be funny, singers didn't have to be on pitch to sound great, and plots didn't have to be fairytale-simple in order to entertain.

Indeed, the plot of this movie revolves around Sonny & Cher's contract to make a movie and their apprehension to the screenwriter's sappy story. Rather than go along with a lame Hollywood regurgitation of a "sure thing", they take us on a series of trippy brainstorms, showing us how *they* would make a movie. It's weird, it's wacky, at times it's incomprehensible, but it is undoubtedly unique.

This film is basically 3 stories within a story. The first is a western, the second is a jungle flick, and the third is a film noir detective story (in brilliant colour, no less). The comedy is hilarious if it's your style. It's sort of a madcap, deadpan, surrealistic sense of humour a lot like The Monkees TV show (or the Monkees film "Head"), a bit of Gilligan's Island with its intelligent slapstick, and toward the end it's a lot like "Airplane" with its utterly bizarre, over-the-top satire. Definitely stick around for the detective story which is my favourite of the lot. Anyone who's a fan of the Zucker-Abraham-Zucker films ("Airplane", "Naked Gun", "Top Secret", "Hot Shots") should get a kick out of that sequence.

The tunes (again, I know nothing about Sonny & Cher except for "Babe I Got You Babe" from the movie Groundhog Day) are thoroughly entertaining even when they're rough around the edges. Apparently Sonny Bono was sort of a Bob Dylan kinda guy who didn't have the most impeccable voice but knew how to deliver a lyric. Cher belts out those notes like she's a cannon, and that might shock those of you who are used to today's more demure, sultry vocal style. But as we see toward the end, Cher has tremendous versatility in her voice, and she is just as capable of a soft ballad as she is a throat wrencher. To me, the payoff is "I Got You Babe" acoustic version which is delivered at the end in a very subdued & classy way (not the version from Groundhog Day) which immediately clinched it: I'm a Sonny & Cher fan.

Oh, a quick word about the film quality & directing style: magnificent. The DVD I got is the MGM version released in 2004, and although there are no bonus features, the picture is as crisp and vivid as anything done today (perhaps it's been digitally remastered). The director William Freidkin who did, of all things "The Exorcist", throws in some nice artistic touches and creative shots that should be of interest to any cinema geeks in the audience; if nothing else, it's weird to think the same director would, 5 years later, be filming demon girls vomiting pea soup and telling priests nasty things about their mothers. All around, this is a great film which truly deserves a cult following, if only more people knew it existed. Snatch it up if you get a chance.

If you enjoy off the wall humor, and have a fondness for 60's nostalgia, you will like this movie (in my opinion). I found the film to be good-natured, a bit silly in spots, and touched with a slightly warped sense of humor that held my attention for the relatively short run-time. I just wish that Cher had a larger role in this one, but, I guess (at the time), Sonny was considered the real "talent." Granted, Sonny can't sing very well (especially so when compared to Cher), however, he seems to be having a "good time" making the movies within the movie. The Western spoof is especially entertaining.

This is a guilty pleasure movie. It amused me, made me smile a few times, and that is enough for me to recommend it!