Triple Cross: La fantastique histoire vraie d'Eddie Chapman

Triple Cross tells the story of professional thief Eddie Chapman who worked as a double agent for the Germans and the British during World War II. He's charmingly played by Christopher Plummer who was at the height of his career with The Sound of Music on the horizon for him.

Chapman was some piece of work and he was only able to accomplish this whole thing by dint of the fact that he was operating on the Channel islands when World War II broke out. By that time he'd eschewed opening safes by cracking combinations, he was using controlled amounts of gelignite in his work.

Sent to prison on the Isle of Jersey, Plummer is there when the Germans take over those islands and promptly offers his services to the Nazis. After taking him up on the offer despite the stern objections of Gert Frobe, Plummer gets an assignment back in the United Kingdom. Of course upon landing there he promptly offers his services to the British and they take him up on it as well.

I love to watch Christopher Plummer on screen. He's so suave and professional in everything he does whether it's the Duke of Wellington in the film Waterloo, to Baron Von Trapp in The Sound of Music, to even the villainous hypocritical reverend in Dragnet. He's never anything, but at his best for his audience.

His handlers at the British and German ends are Trevor Howard and Yul Brynner. Howard is in the stiff upper lip tradition of his country and Brynner provides an air of melancholia for his part. It ends in tragedy for him as he's part of the bomb plot to kill Hitler in 1944.

By the way it is just that somehow Plummer was conned biggest of all in the end. To see what I'm talking about by all means catch Triple Cross.

Quite right, it is definitely not a German plane. The aircraft is a 1946 French SNCAC Martinet.

This was enjoyable to watch on a quiet evening at home. It was particularly interesting for me because I knew nothing of Edward Chapman's charmed life and wartime exploits so now I would like to know more about him and I'll be tempted to read up a bit and do some research about him.

The film was well made with good production values and direction. My complaint is with the editing which was off kilter at times. The story line was abrupt and frequently resulted in too many fast changes. For instance we needed to see how Edward Chapman got passage on the vessel to Lisbon.

The film has an excellent true life story about Eddie Chapman. His exploits during World War Two are an excellent read and offer great potential for a film about his exploits.

Director Terence Young of 1960s James Bond films fame brings together an ensemble cast like a Bond alumni. Lead by Christopher Plummer who plays his role adequately but a pound shop Sean Connery from said Bond films.

The film drags in places and with better direction and casting could have been a great war film. As it is, what we have is a very average film of a story deserving a classic film. A shame because in places the story is suspenseful, makes you think as Chapman crosses the English to the Nazi's, then vice versa all for personal gain as well as for King and country? A film that is crying out to be remade?

Fascinating thriller of espionage and how to survive the most impossible circumstances by simply collaborating with any criminal and make him trust you, even if he doesn't. This is no James Bond entertainment but bloody war and a true one, and Eddie Chapman existed for real and managed to trick his way through the war by selling his soul to any devil that offered a price. He was doomed from the beginning and would have passed the entire war in jail for burglary on an advanced scale if he hadn't offered himself as a spy for the Germans. There it all began.

The main character of the drama however is not Chapman/Christopher Plummer but Yul Brunner as his main employer in Germany, the Baron von Grunen, who has no illusions about the war and admits defeat when there is one. Gert Frobe is another, an honest policeman who survives by his honesty and sticking to it, even when it could be argued away. Romy Schneider is the one woman of some realism who also admits defeat and recognizes a fatal farewell and accepts it even when there is one too many. All actors are good but none outstanding, because a complicated story like this admits no stars, and the grim reality and circumstances of the intrigue play of a war like this lets no star shine through. Only in the end, after the war, when Christopher Plummer finally is able to relax at a pub home in London there is finally room for an ego when it has got through it all alive and kicking after all, – but it took many difficult twists and turns to get there.

What seems sometimes like an incredible tale of how a con man easily convinces the British and the Germans that he's working for them during WWII, with very little effort, is given rather routine treatment under the direction of Terence Young.

Christopher Plummer, fresh from playing the Captain in "The Sound of Music," lends a polished air of humor and sarcasm to the role of Eddie Chapman, a safe cracker who makes himself useful to both the British and the German armies by acting as a go between who uses his skills to thwart Germany's war plans for bombing London. Based on a true story, I'm sure it embellishes the truth with lots of fictional twists and turns that serve the purpose of keeping a viewer tuned in to find out what happens next.

A shorter running time would have helped, but the performances are all on a good level with special nods to Yul Brynner, Trevor Howard, Gert Frobe and Romy Schneider. Much of the story seems unconvincing despite the fact that the basic ingredients are based on a true story.

Somehow, Plummer's casting seems slightly off for this kind of material. Gert Frobe is a standout as a doubting Nazi who suspects Plummer is not quite what he pretends to be. Brynner is more low key than usual as an anti-Nazi German officer who knows the end of the war is near. Romy Schneider is excellent as Plummer's love interest.

Could have been a much tighter, more suspenseful tale than it is.