Les douze salopards

This is one of the most entertaining action packed war films ever made with a tremendous cast playing unique characters. I first saw this film when I was about 8 year old and thought it was the best thing I'd seen on TV.

Lee Marvin heads the cast as an unorthadox, short on discipline rebellious Major during World War II whose given a suicidal mission by a bunch of Generals headed by the excellent Ernest Borgnine. He must take 12 convicts train them and take them on a mission behind enemy lines to destroy a large chateau and kill a large number of important German officers who'll be partying there that night.

The films explosive climax is fantastic as you know inevitably that not everyone will survive the mission and by now you've sort of chosen who your favourite characters are. The build up and the training scenes are also brilliant as you discover the backgrounds behind these violent criminals.

It's Marvin's show but John Cassavettes is superb as Victor Franco, in fact with a supporting cast featuring Robert Ryan, Charles Bronson, Telly Savalas, Donald Sutherland, George Kennedy and Clint Walker you know you're in for a great ride, nobody is wasted.

There's a lot of humour mixed with quite serious issues...you sometimes forget that this band of jokers are killers with only one chance to survive a mission they are hardly trained for.

This classic is on par with The Great Escape and Where Eagles Dare, Three inferior TV movies were made in the mid eighties which basically take the same idea from the original but they are obviously no match.

It's available on video and DVD and every home should have a copy. Flawless.

John Wayne who apparently was offered the part of Major Reisman probably wisely turned it down. Wayne would never have done in the part of the maverick major in charge of training the way Lee Marvin was so perfect in the role. In fact Marvin's and the performance of others in the cast helped The Dirty Dozen get over two very big improbable situations I have always found in this film.

The first one being the way the conflict between Robert Ryan and Lee Marvin is handled. I can certainly see why a spit and polish West Point graduate like Ryan would not like Marvin, why Marvin would rub him the wrong way. But I cannot understand why when the Dozen are transferred to his command for parachute training they don't tell him what's going on. I would think he would have a need to know. Then again a whole big part of the film wouldn't have occurred if Ryan had been let in on Marvin's mission.

The second thing is that granted these guys might be considered expendable to say the least with several of the dozen scheduled for a firing squad, but the army would want to make sure the mission had some chance of succeeding. There's no way, absolutely no bloody way, that a psychotic like Telly Savalas would have been allowed on the mission. And why Lee Marvin didn't scrub him when psychiatrist Ralph Meeker offered to is beyond me as well.

Those glaring holes in the story have always prevented me from giving The Dirty Dozen the top rating that most have given it. But it hasn't prevented me from enjoying the film.

The basic idea of the film appeals to me. An unorthodox major taking a group of nonconformists to say the least and making them a crack fighting outfit. Regular army training did not do it for this crew the first time around.

Charles Bronson is one of the dozen and this film certainly put him well on the way to top billing. A dozen years later in fact he'd have it over Lee Marvin in Death Hunt. Jim Brown also having just finished his football career began his movie career with a winning performance as another of the dozen. John Cassavetes was singled out for a Best Supporting Actor nomination. Also Donald Sutherland got his first real notice as yet another of the dozen.

A year later William Holden and Cliff Robertson did The Devil's Brigade which bore a lot of resemblance to The Dirty Dozen. It got slammed by critics for ripping off from The Dirty Dozen. The only problem was that Holden's film was based on a real outfit and The Dirty Dozen is pure fiction. Only in movieland.

Marvin's mission is to infiltrate and kill a lot of the German high command as they gather at a French château in the weeks before D-Day. How he does is something you have to watch The Dirty Dozen before. But I think you'll like seeing what happens.

Quentin Tarantino looks like he just might follow through with his threat to make the ultimate "guys on a mission movie" if he gets his 'Inglorious Bastards' on to the big screen, but he'll be pushed to equal 'The Dirty Dozen', the quintessential movie in the genre. 35 years on and it's still one of the best WW2 adventure movies, and a strong contender for the ultimate guys movie. It shouldn't be taken too seriously - I don't think anyone is going to argue it's a realistic depiction of war - but it's still one of the most entertaining movies around, and it's impressive collection of tough guys and character actors is really hard to beat. Director Aldrich had previously made the classic noir 'Kiss Me Deadly' (starring Ralph Meeker who reappears here in a supporting role) and the wonderfully creepy 'Whatever Happened To Baby Jane', but this is arguably going to be THE movie he's remembered for. Screen legend Lee Marvin ('Point Blank', 'The Killers') with the assistance of his Sgt (Richard Jaeckel), must train a motley collection of criminal and misfits (including John Cassavetes, Jim Brown, Telly Savalas, Charles Bronson, Clint Walker and Donald Sutherland), for a suicide mission behind enemy lines. Marvin is just great, extremely cool and charismatic, but also a fine actor, something which is often overlooked. The ensemble cast (which also includes George Kennedy, and two future stars of 'The Wild Bunch', Ernest Borgnine and Robert Ryan) are uniformly excellent, but Cassavetes is particularly outstanding, Sutherland is memorable as a half wit, and Savalas is unforgettable as the religious psychopath Maggott. 'The Dirty Dozen' is first class entertainment and highly recommended. It put 90% of today's "action movies" to shame!

It's difficult when you approach an old movie to see it for the first time and you have to try and drop all the baggage associated with it from reviews and analysis over the years. The Dirty Dozen is such a movie. I just watched it for the first time last night on TV, clipped though it was for those smaller brained people among us who don't like to see dark bits at the top and bottom of their screens.

It's interesting that there are three real character acts to this movie. There's the dark opening and character introduction, the fun act where the characters meld together into a team, and the closing act where the mission, and the war, become a stark and deadly reality. That last act is dark too, although there a couple of accidental laughs in there for the worst character expression at a death ever, and one particularly bad death scene.

What does strike you about the opening is how really dark it all is. We're talking about murders who are looking at to be retrained. Indeed one is a rapist with a serious God complex who is bordering on utterly insane. They are about to be hanged for their crimes, but have one last chance. Poor Major John Reisman has no say in the matter, he has his band and has to make them work.

It's well filmed for the first two character acts, and the acting is very good. John Cassavetes and Telly Savalas are wonderful in their roles. In fact it's a surprise to see Savalas in such a role and shining so brightly. Donald Sutherland also shows he has some excellent character acting in him. The rest are far from bad, but you can see a lot of typecasting for them.

The movement from the dark opening to the more jovial training act is interesting to watch, as this is exactly how many of the characters are seeing it, as a bit of fun. What they aren't expecting is the third character act, that of the actual war itself, and for some this proves too much.

The difficulty I had with the final act is only in the filming. There are premature cuts, awkward angles and jumping storytelling. So much is missed by the camera, and it doesn't feel like it's there to let your imagination run, it seems like someone has cut the film deliberately, and quite badly. There are quite a few scene transitions that just don't work at all.

However, where it doesn't fail is bringing the characters to their ultimate journey, that of redemption and a renewed desire to fight for their Major, and their fellow men. They become soldiers, and indeed heroes.

It's a good war film to watch, very well structured and reflective of the characters journeys. It's just that final act for me which spoiled my enjoyment, and purely in the filming of it.

During World War II, Major Reisman is called to a high level meeting to discuss his next mission – to train a group of soldiers and prepare them for a mission behind enemy lines. However the `soldiers' that Reisman has been assigned are all sentenced to death or life in prison for their crimes. The mission is a suicide mission on a French chateau where German top brass will be, the aim being to kill as many as possible. But before the mission, the group must pass a training to be considered for pardoning.

Well known by all men everywhere, this is less a serious war movie and more an enjoyable ensemble romp through a training camp, with the final third being the mission itself. This is the film's strength – the training sections are very enjoyable and good fun to watch. The mission is punchy and dramatic and works very well as the conclusion to the film rather than the whole film itself (which other `mission' films have to do). The training is slick and enjoyable, not only it is occasionally quite funny but it is also consistently amusing and exciting at turns.

The film's main selling point (increasingly so) is the all star cast, all of whom do really good work. Marvin is tough in the lead and he is well supported by Borgnine, Kennedy, Ryan and Jaeckel playing the other officers. Of the prisoners Cassavetes steals the show with his cocky Franko although he is not short of famous support. Sutherland (although not well known at the time) is good comic relief, Savalas is a little too heavy for the film but adds menace, Bronson is good value, Brown is strong and is well known due to a weepy Billy Crystal! The rest of the dozen give good performances, but I'll be honest and say that the famous faces stuck in my mind more.

Overall this is not a wonderful film and, as a war movie it isn't the best `mission' movie you could find (simply cause the mission is quite short and straightforward. However it is a fun movie that never drags despite the slightly longer than normal running time for this type of movie. The training section and the mission itself combine to form an enjoyable film that is driven by a great cast playing good characters.