Le dard mortel

This is an intellectual version of a killer bee movie. Instead of focusing on bee sting makeup and civilization-ending massive explosions, this film focuses on plot and mystery. Yes, there is a bit of bee sting make up and a couple of small fires, but mystery rules this film. In my opinion, it is the best of all the bee movies.

The Deadly Bees would be much more aptly titled were it called The Deadly Bore. Made by the company Amicus (a half-hearted sixties rival to Hammer) and directed by the usually reliable Freddie Francis, this is a truly terrible film.

Suzanna Leigh looks pretty but acts badly as a pop star suffering from exhaustion. Her agent sends her to Seagull Island to recover, and she finds herself lodging at a strange, isolated little farm run by Guy Doleman and his unhappy wife. Doleman breeds bees, as does nearby resident Frank Finlay, and things start to go wrong when a mutant breed of killer bee begins to attack and kill people and animals on the island. Finlay persuades Leigh that the bees responsible have been bred by Doleman, and solicits her help in gathering evidence to have him arrested.

The special effects are pitiful. The bee attacks look so unconvincing that they provoke humour rather than terror. All right, so it's a limited budget 60s film, so the effects are hardly likely to be the best, but surely they could've done better than this! Furthermore, the characters make no sense whatsoever. For instance, some of the events going on simply don't seem to perturb Doleman in the slightest; Leigh reacts strangely much of the time; and Finlay's character seems to be a different person from one scene to the next. Even the "shock" twist at the end is telegraphed miles in advance. I won't reveal the solution here, but as you're watching this film the likelihood is that you'll figure out what's going on long before the heroine does!

Killer bees don't always make for the best 'monsters' in the horror genre, but this British thriller is an exception.

Pop singer vacations on an island with a local bee keeper, while a mysterious swarm of bees has caused the death of a woman.

The Deadly Bees isn't as dull a film as some make it out to be. It has some nice high-powered shock sequences even though the bee FX aren't always convincing. The makeup FX aren't bad, namely the great work on an ill-fated Catherine Finn. The story is a decent mystery, based upon H.W. Herd's novel A Taste for Honey. The direction of Freddie Francis is pretty good, the sets are well constructed and the art direction is excellent. There's also a great dramatic music score to boot.

The cast is quite good. Suzanna Leigh is a decent heroine, but it's really leading actors Guy Doleman and Frank Finlay that turn in the best performances as some feuding, menacing bee keepers.

All around not bad. Certainly the best killer bee movie around and an underrated work.

*** out of ****

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Freddie Francis; Produced by Max J. Rosenberg and Milton Subotsky, for Amicus Productions. Released by Paramount Pictures. Screenplay by Robert Bloch and Anthony Marriott, from Gerald Heard's novel; Photography by John Wilcox; Edited by Oswald Hafenrichter; Music by Wilfred Josephs. Starring: Suzannah Leigh, Guy Doleman, Katherine Finn, Frank Finlay, Michael Ripper, John Harvey, Katy Wild and Tim Barrett.

Bees several times their normal size, and with potent stingersterrorize the folks and whip up some suspense and excitement in this British B movie.

"Psycho" author Bloch co-writes and the renowned director / cinematographer Francis directs this entry into killer bee cinema that predates the 1978 flicks "The Swarm" and "The Bees" by almost a dozen years. It may work for viewers if they approach it as a camp film but the truth is, it's too silly to be all that successful. The bee attack scenes really aren't bad (the actors certainly sell the hell out of the material), but they'd be better if the (not so) special effects weren't so hilariously unconvincing. The story, based on a novel by Gerald Heard, deals with a pop singer named Vicki Robbins (Suzanna Leigh), who suffers a mental breakdown and is sent to the idyllic, rustic community of Seagull Island for much needed R & R. Unfortunately, things there are going to get ugly as rival bee keepers engage in cutthroat competition. Bees are being sent to do some serious damage to various unlucky human victims. All in all, this viewer would consider this a lesser effort for Amicus Studios. The company always fared best with their omnibus features; their single story features were never quite as strong. Still, this is all fairly watchable regardless; sincere performances really help a lot. The pretty Leigh is engaging as a resourceful lead, but the show really belongs to Frank Finlay and Guy Doleman as the warring farmers, H.W. Manfred and Ralph Hargrove respectively. A fine supporting cast includes Catherine Finn as Hargroves' neglected wife, Hammer and Amicus regular Michael Ripper in a solid turn as part time barman and part time lawman David Hawkins, James Cossins as an investigating coroner, and the appealing Katy Wild as the helpful Doris Hawkins. There's also the chance to see a musical performance by rock group The Birds (not to be confused with American group The Byrds), featuring a young Ron Wood. The movie further benefits from a good score composed by Wilfred Josephs and a reasonably rousing and fiery finish. While it isn't particularly good, it isn't all that bad, delivering some fun moments and coming in at a short enough 84 minute running time. Five out of 10.