M.15 demande protection

... based on a book by John Le Carre, directed by Sidney Lumet. Charles Dobbs (James Mason) is an aging agent with the British Home Office. He knows his wife (Harriet Andersson) is having an affair, but he has more pressing matters at hand: a politician has committed suicide shortly after being questioned by Dobbs about his college-era communist leanings. The higher-ups don't think it was suicide, so Dobbs, with the assistance of a retired Scotland Yard inspector (Harry Andrews), is ordered to look into it.

Also featuring Simone Signoret as the dead man's widow, Maximilian Schell as an old friend of Dobbs', Kenneth Haigh, Roy Kinnear, Max Adrian, Lynn Redgrave, Corin Redgrave, and David Warner. This was another of Le Carre's George Smiley books, but due to rights issues the names were changed. Director Lumet presents a drab, gray London that perhaps fits the dour tone of the story but doesn't invite much audience enthusiasm. I was very impressed with Andrews as the tough cop, and Signoret as the Holocaust-surviving widow. The Quincy Jones soundtrack jars badly against the onscreen action.

James Mason, Maximillian Schell, and Simone Signoret star in "The Deadly Affair," a 1966 Sidney Lumet film based on the John LeCarre novel, "Call for the Dead." It's a George Smiley story, but the character names are changed because of rights issues.

James Mason is Charles Dobbs, a British agent who wants to know why a government employee committed suicide after he received security clearance. The government had received an anonymous letter about him having ties to Communism. Dobbs interviews him and learns that the man was interested in Communism as a young man only and gives him clearance. He then learns the man committed suicide. Not satisfied with the verdict, Dobbs leaves his job in order to investigate further. Meanwhile, he has problems at home with his sex addict wife (Harriet Andersson), who is involved in an affair with an old friend from the war (Schell).

This is a very dark drama set in England, which looks mighty bleak in this film. Mason plays the world-weary Dobbs very well. Signoret is excellent as the victim's wife, a concentration camp survivor. She's an intriguing character, but in the end, it's not a very big role.

Mason is ably supported by Harry Andrews, Kenneth Haigh, and Robert Flemyng. The climax of the film takes place at a strong performance of Edward II, in which Lynn Redgrave has a role. Corin Redgrave also appears in the movie.

Good drama - if I had more familiarity with George Smiley, I could say more. I don't. I can't.

Glum London backdrops and washed-out color match British secret agent Charles Dobbs' (James Mason) despair at the infidelity of his nymphomaniac wife, and the possible murder of a likable and idealistic Foreign Office civil servant.

Slightly dated yet still exciting cold war spy thriller combines the talents of James Mason, Sidney Lumet, and a fine supporting cast, though John LeCarre might wonder what happened to the novel the movie is based on.

There isn't a hint of 'Swinging London'; the relationships and a gay subtext, played out on several levels, are handled maturely and without an invitation to snicker.

It is surprising that a film made in London during the late 60s wouldn't expose at least a part of the swinging town it was.In fact it exposes a dark, terribly somber atmosphere. Mr. Freddie Francis' wonderful photography and Lumet's masterful direction of the terrific cast makes this adaptation of the John Le Carre novel both interesting and thoughtful. It succeeds in showing, as Lumet aimed, life's disappointments... it seems that bitterness, vengeance and discontent are the motivations to all characters.

It's a simple plot that unravels with so much complexity, you will be amazed. A British Intelligence Agent tries to solve the mystery involved behind one of his colleagues' apparent suicide. Soon his wife comes along and... well, you really don't want me to tell you... :)

It also features one of the greatest soundtracks in film history, with a smooth use of Quincy Jones' bossa nova theme song, which Astrud Gilberto sings in the movie's most fierce love (?) scene.

The only reason I have cable is for Turner Classic Movies, and the chance to see, uncut, unedited, uninterrupted; flicks like this. The film is as stated very leisurely paced, but good (bordering on great) performances, a taut, very adult script, and an absolute joy of a soundtrack by the great Quincy Jones keep you watching. Makes this a leisurely stroll you enjoy taking. Listen to the music in the scenes between James Mason and his erstwhile wife [I won't even tell you what's going on between those two, it's just one of the most understated treatments of this subject, and that understatement gives it an outrageous power, as you are just completely agape at James Mason's... restraint] , Quincy is doing magical things. A movie where the parts, make the sum worth watching. Recommended.