Combien de fois faut-il faire l'amour pour être un couple normal?

If you're bothering to read this review, you're either a Russ Meyer fan or curious about his films.

Common Law Cabin, although a bit of an obscurity when compared to Faster Pussycat Kill Kill or Beyond the Valley of the Dolls, is pretty typical, so if you're a fan, you won't be disappointed, & if you want to find out what Russ Meyer is all about, this has it all.

Oversexed chicks with big knockers, greedy white trash criminals, a simplistic B-grade story with dialogue to match, & narration that sounds like it was written for an historical epic, not a sleazy exploitation flick. Plus the obligatory misogyny, violence & disturbing hints at incestuous desires. Bad taste triumphing over, well, everything.

All in all, jolly good fun.

I very rarely hear anybody mention 'Common Law Cabin', which is a shame. While it obviously doesn't reach the heights of 'Faster Pussycat! Kill! Kill!' or 'Vixen!' it actually comes pretty damn close at times. Newcomers to Meyer will find it a bit of a shock, as it features his trademark flavour of almost innocent sleaziness, lots of buxom babes, hilariously stylized dialogue, and despite the kitschness, a darker, more disturbing undercurrent. One character (Hoople, played by Jack Moran who also wrote this and other Meyer movies) has forbidden incestuous desires, another (Rickert, played by Ken Swofford) is a misogynistic thug. The three chesty babes are all great to look at. Babette Bardot (great name!) plays a Kitten Natividad-ish free spirit, and Alaina Capri (the best looking of the three), a bitchy Eric Gavin type. The third actress, Adele Rein plays Hoople's sweet and uncorrupted teenage daughter. All three women allegedly have 42 inch chests and go-go dance for no apparent reason. The cast also includes Meyer regular Frank Bolger in one of his typical roles. Meyer fans will eat this baby up, others might find it a good starting point to his strange, twisted world which is quite unlike any other in movie history! 'Common Law Cabin' is quite possible Meyer's most underrated film, and should not be overlooked.

By the time he made Common Law Cabin, Russ Meyer had already found his feet with the likes of Lorna, Mudhoney and the fantastic Faster Pussycat! Kill! Kill! but hadn't yet found the popularity that he would find with his hit film Vixen! a year later. This was one of Meyer's first films in colour and could be described as a sort of practise run for later films such as Up and Supervixens as it features all the playful sleaze and buxom babes of Meyer's later work but it's a shorter and more concise film. The plot is a decent enough springboard for a sex flick and focuses on a criminal who has stolen a fortune in jewellery. He stumbles on a ranch in Arizona but when his attempts to buy the ranch from its owner are knocked back, he decides instead to seduce the ladies. The film features three of Meyer's chesty vixens; Alaina Capri, Babette Bardot and Adele Rain, and all are nice to look at as you would expect from a Russ Meyer flick. As usual with Meyer; it's not deep or particularly intelligent, although I'm sure that Meyer fans will enjoy it nonetheless. I do prefer most of Meyer's later stuff to this one; but Common Law Cabin is still worth a look.

While not a classic like some of his other films, this is still a fine Russ Meyer movie with all the things you would expect: great characters, wild dialogue and women that make you lick your lips. If you are a fan you won't be disappointed.

Common Law Cabin is one of the more obscure directorial efforts from exploitation legend Russ Meyer. This was one of the ones which came from his 'soap opera' period from the late 60's, in which he made a few over-the-top melodramas. This one is set at a dilapidated tourist trap up the Colorado River run by a depressed middle-aged man, his ex-stripper helper and his sexy daughter. An alcoholic boatman rounds up three suckers to pay money to holiday in this dump, an uptight doctor, his sexually aggressive wife and an ominous stranger. Needless to say, it doesn't take long before things start to get out of hand.

This one is a bit rougher round the edges than most Meyer movies, with less impressive photography and editing that we are used to seeing from him. Despite this, its unmistakably one of his movies and contains several elements common to many of his other films, such as married couples at war with one-and-other, violence, buxom women, hints of incest and all of it ultimately being played for laughs in a deadpan manner. The story is pretty lacking here it has to be said and it essentially boils down to a series of events. Like all Meyer movies, much of the success comes down to the women and in this case we have three, Babette Bardot, Adele Rein and Alaina Capri. They are all good value with Capri being the standout, although she was even better in Good Morning... and Goodbye! Which Meyer also released in the same year. It's probably worth pointing out that there isn't any actual nudity in this one, with the edits always cutting away before anything can be seen – so from an erotic standpoint this one is more about acres of cleavage and heaving bosoms. So, it's a relatively restrained affair I guess. It's certainly not in the upper bracket of the Meyer cannon but it's still an enjoyable enough romp nevertheless.