La casa de las mil muñecas

White slavery is not a topic that gets much play nowadays, but it gets a full writeup in this film. And I don't know if that's necessarily a good thing.

The film has a very strange setup. Garcia plays a man looking for his wife, who has been abducted in Tangiers. He finds that she has been forced to work in a brothel, The House of Dolls. He's discovered and killed. His friend Nader then takes it upon himself to figure out what happened to Garcia. What he uncovers is a white slavery ring run by magician Price, who uses the female volunteers from his magic act to stock The House.

The odd thing about this movie is that everything is presented rather matter-of-factly. There's no surprise to anything. We find out in the first five minutes what Price is doing. We already know what happened to Garcia and his wife. It's a suspense movie with no suspense. They throw in a twist at the end, but who cares? It has so little to do with the movie that it's completely irrelevant. There's other problems. Price is billed first, but has only about 20 mins of screen time (in the second half mostly), and he doesn't appear to be having any fun. All of the actors in the movie appear to be speaking English, yet it sounds as though the whole soundtrack (which is in English) has been looped. It's never boring, but there's no action, no excitement, no nothing. Price fans may not even enjoy this one.

House of a Thousand Dolls (1967)

** 1/2 (out of 4)

Stephen Armstrong (George Nader) and his wife are on vacation in Tangiers when he runs into a friend who is searching for his wife who went missing. Before long the friend is dead and Stephen is caught up in what happened to him, which leads to a magician (Vincent Price) and his wife (Martha Hyer) as well as a house with a bunch of beautiful ladies.

HOUSE OF A THOUSAND DOLLS (its on screen title) is a film that I pretty much avoided for a couple decades because I had heard so many bad things about it. I guess if you go into it expecting some sort of horror movie then you'll be disappointed because it's certainly not that. The film is basically a mystery with some James Bond like action thrown in as the Stephen Armstrong character must outwit several bad guys that he encounters as he tries to solve the mystery.

For the most part the story itself is a rather interesting one and it's certainly entertaining enough to keep you entertained throughout the running time. The locations were a major plus and I thought the film had some nice cinematography. The film benefits from some nice direction that at least keeps the moving going at a nice pace. The weakest aspect of the film is the fact that you can tell it was rather cheaply made and there are times where I think a bit more sexuality would have helped things. There are girls running around in skimpy clothes at times but I think a tad bit more would have improved the film.

Price gets top-billing but he actually just plays a supporting player here. I thought he was fine in the part as he plays it pretty much straight and doesn't try to add any humor or camp. Nader is the real star and for the most part he is strong enough and has no problem carrying the picture. Hyer and Ann Smyrner are both good as well and you've got a nice comic performance by Herbert Fux. Maria Rohm as well as some other familiar Euro faces appear throughout.

HOUSE OF A THOUSAND DOLLS certainly isn't a masterpiece or even a good film. It doesn't even really work as a Price film since he just plays a supporting part. With that said, I thought it was entertaining enough even with its flaws.

Here in UK among the swelling amount of potty TV stations , there is one labeled Horror. It is very good at showing missing films from the 60s that are not as yet on DVD. This is not a horror film, waste of great title, just an action crime mystery.18 cert is odd too. A very bored looking Vincent Price along with equally bored all purpose actress Martha Hyer plays a famous magician who calls up pretty girls from the audience on stage to have them disappear completely, as they end up in the White Slave trade in Morocco run by a mystery mastermind.

The best thing by far in this, is lead George Nader, gay beefcake pin up of the 50s. Looking very smart in good suits as the investigator,this actor had moved to West Germany in the 60s.Here he found stardom again in a series of thrillers as Jerry Cotton. He would return to USA,to find he had been left a large money legacy from old friend Rock Hudson.He turned to being a successful author, dying at 80. No I didn't guess the mastermind, but it was so improbable like the rest of this movie. Low brow fun.

To begin with, this was yet another "Movies 4 Men" screening hampered by the usual garbled sound problems! It is also an example of a maligned Vincent Price film (Leonard Maltin says he "walks through it in a daze"!) which is actually not too bad. That said, the actor was not well served by "Euro-Cult" (this is a Spanish-German production, despite the British involvement of the writer-producer and director), as can also be gleaned from his sole Mario Bava collaboration DR. GOLDFOOT AND THE GIRL BOMBS (1966)!

Price and co-star Martha Hyer are a couple engaged in a magic act (called Manderville, so that he is later mockingly dubbed "Mandrake"!) who are involved in the trafficking of women for the purposes of prostitution (they purposefully choose lonely girls to make them disappear both on stage and in real life but, of course, they are bound to slip sometime...because otherwise there would be no film!). Considering the subject matter and Towers' resume', this is remarkably chaste; in any case, the very first victim we see here (being transported in a coffin!) is none other than Maria Rohm aka Mrs. Towers. Her boyfriend sets on her trail, which leads him to Tangier, where he seeks the help of criminal pathologist George Nader (the hero inevitably played by an ageing Hollywood presence). Hindering their progress is local photographer Herbert Fux, while the proper Police investigation is carried out by Wolfgang Kieling (who had just been a villain, served with a memorable death scene, in Alfred Hitchcock's TORN CURTAIN {1966}).

Typically, the identity of the organization's head is a mystery to all; hence, the ultimate revelation proves quite a surprise...and, though it then transpires that Price was not as villainous as had been inferred, he still gets a melodramatic demise. By the way, I was surprised to notice the Maltese name of Charles Camilleri as the film's composer; actually, I had already heard his (only other film) work on Jess Franco's THE CASTLE OF FU MANCHU (1968) and, interestingly enough, he died a couple of years back right in my home-town!

I'm actually not sure what to make of House of a Thousand Dolls. I didn't hate it, but I wasn't crazy about it either. The best thing about it is easily Vincent Price, he is not in the film much but when he is on screen he completely commands it with a durable elegance and a touch of menace. Martha Hyer and George Nader do give reasonable performances as well, but not on Price's level. There is a good score and opening credits song and some of the photography does give some effective atmosphere. On the other hand, there are a number of failings, such as the sluggish fist-fights, mind-numbing dialogue and the fact that the characters just seem to be there but with nothing to make them particularly interesting. The story never really engaged me either, the basic thrust of the story, the more mystery/thriller-like stuff, is very dull, while the deaths and floggings are bloody and nasty but with little subtlety and taste. They like the characters seem to be there but again other than for shock value little is interesting about them. The twist is irrelevant and adds nothing to the film, so overall while I have seen far worse House of A Thousand Dolls for me was a very odd film. 5/10 Bethany Cox