[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

El Chuncho

Titre original : Quién sabe?
  • 1967
  • Tous publics
  • 1h 58min
NOTE IMDb
7,0/10
5,5 k
MA NOTE
Martine Beswick, Klaus Kinski, and Gian Maria Volontè in El Chuncho (1967)
A Spaghetti Western on a par with best of Sergio Leone's work, A BULLET FOR THE GENERAL (aka Quien Sabe?) is a radical and politically committed film directed by Damiano Damiani (A Genius, Two Partners And A Dupe; Amityville II: The Possession) from a brilliantly powerful screenplay by Oscar nominee Franco Solinas (co-writer of the award-winning The Battle Of Algiers).

Less a western and more an allegory on South American politics, A BULLET FOR THE GENERAL initiated a whole sub-genre of pro-revolutionary westerns, including Sergio Leone's own "A Fistful Of Dynamite". Scriptwriter Solinas, himself, describes the film as a more accessible version of his screenplay for "The Battle Of Algiers". Violent, stylish and with a refreshingly leftist point of view, the film wears its "Yankee go home!" message proudly on its sleeve.

Now fully restored from the original Italian negative materials this forthcoming DVD release from Argent Films is the longest and most complete version of A BULLET FOR THE GENERAL available.
Lire trailer1:40
1 Video
42 photos
Western spaghettiActionOccidental

Une bande de coureurs d'armes mexicains employés par un général révolutionnaire accepte un Américain dans leur gang, ignorant ses intentions.Une bande de coureurs d'armes mexicains employés par un général révolutionnaire accepte un Américain dans leur gang, ignorant ses intentions.Une bande de coureurs d'armes mexicains employés par un général révolutionnaire accepte un Américain dans leur gang, ignorant ses intentions.

  • Réalisation
    • Damiano Damiani
  • Scénario
    • Salvatore Laurani
    • Franco Solinas
    • Franco Solinas
  • Casting principal
    • Gian Maria Volontè
    • Klaus Kinski
    • Martine Beswick
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    5,5 k
    MA NOTE
    • Réalisation
      • Damiano Damiani
    • Scénario
      • Salvatore Laurani
      • Franco Solinas
      • Franco Solinas
    • Casting principal
      • Gian Maria Volontè
      • Klaus Kinski
      • Martine Beswick
    • 49avis d'utilisateurs
    • 68avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    A Bullet for the General
    Trailer 1:40
    A Bullet for the General

    Photos42

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 37
    Voir l'affiche

    Rôles principaux20

    Modifier
    Gian Maria Volontè
    Gian Maria Volontè
    • El Chuncho Muños
    • (as Gian Maria Volonté)
    • …
    Klaus Kinski
    Klaus Kinski
    • El Santo
    Martine Beswick
    Martine Beswick
    • Adelita
    Lou Castel
    Lou Castel
    • Bill 'Niño' Tate…
    Jaime Fernández
    Jaime Fernández
    • General Elías
    • (as Jaime Fernandez)
    Andrea Checchi
    Andrea Checchi
    • Don Felipe
    Spartaco Conversi
    • Eufemio
    Joaquín Parra
    • Picaro
    • (as Joaquin Parra)
    Aldo Sambrell
    Aldo Sambrell
    • Lt. Alvaro Ferreira
    José Manuel Martín
    José Manuel Martín
    • Raimundo
    • (as José Manuel Martin)
    Santiago Santos
    • Guapo
    Valentino Macchi
    • Train Engineer
    Sal Borgese
    Sal Borgese
    • Bandit
    • (non crédité)
    Damiano Damiani
    Damiano Damiani
    • Journalist with Gen. Elías
    • (non crédité)
    Carla Gravina
    Carla Gravina
    • Rosario
    • (non crédité)
    Guy Heron
    • Pepito
    • (non crédité)
    Rufino Inglés
    Rufino Inglés
    • Capt. Enrique Sanchez Compoy
    • (non crédité)
    Vicente Roca
    • Hotelier
    • (non crédité)
    • Réalisation
      • Damiano Damiani
    • Scénario
      • Salvatore Laurani
      • Franco Solinas
      • Franco Solinas
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs49

    7,05.4K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    jbpott

    Another Spaghetti Western that hits the mark

    I first read about this film in a great book about Spaghetti Westerns wherein every Italian western was presented in complete detail. It was a scholarly approach to the genre and has made me a fan for years. Known in the U.S. as A BULLET FOR THE GENERAL, it has a darker mood than Sergio Leone's DOLLAR trilogy and his masterpiece, DUCK, YOU SUCKER! (a.k.a. FISTFUL OF DYNAMITE), more angst ridden than Sergio Corbucci's A PROFESSIONAL GUN (a.k.a. THE MERCENARY) and more bleak than Corbucci's masterpiece, DJANGO (which spawned countless sequels that had nothing to do with the original and the only one worth mentioning is: DJANGO KILL!) which is difficult since the western was awash in a sea of mud that was the stage where the characters ruthlessly slaughtered each other.

    I love the Italian approach to westerns because they create an atmosphere where John Wayne is not welcome. If the Duke were to enter their world, he would be shot in the back by some crazed revolutionary/bandit who wouldn't wait for a showdown in the street. Plus the Duke probably wouldn't be fast enough on the draw. A BULLET FOR THE GENERAL has plenty of mood, crazed revolutionaries/bandits, double-crossings, contempt for "gringos" (which makes me wonder about how the Italians think of us--are these films suppose to be "political statements" too?), gun fights and endless desolate landscapes that would make Sam Peckinpah drool with delight. There is no happiness to be found in this film and every fan of Spaghetti westerns would revel in it's excess.

    A BULLET FOR THE GENERAL is great on this level and should have multiple viewings (check out Klaus Kinski as the bible thumping revolutionary who spouts credo with gunfire and Lou Castel as the cold-hearted gringo who doesn't drink, smoke, look at women but LOVES money). The only Spaghetti Western regulars missing from this one are: Franco Nero and Lee Van Cleef. Director Damiano Daminani has made a Spaghetti western cult classic in his own right. I want to see his other westerns. See it and you won't be sorry.
    7ma-cortes

    Excellent Western with two typical Spaghetti actors : Gian Maria Volonte Volonte and Klaus Kinski.

    The movie centers a Yankee (Lou Castel) who joins forces with an outlaw band (whose leader is Chuncho well played by Gian Mª Volonte and his hoodlum performed by Klaus Kinski) during the Mexican revolutionary war by time of the President of Mexico Velustiano Carranza , following the overthrow of the Victoriano Huerta's dictatorial regime in the summer of 1914 . The gang allows him to join them to sell weapons to Mexican revolutionaries ignoring he is double-crossing the band , as he is a traitor working for dark forces .

    It's a magnificent western film with dazzling shootouts between the protagonists and the contenders . The spotlights of the movie result to be the confrontation on the train and the final duel . There is a special remembrance to Sergio Leone's western , because appearing : Volonte , Kinski and Aldo Sambrell who often played the master's Spaghetti films . This picture belongs to a numerous group in which is set during Mexican revolution , called ¨Zapata Western¨ , such as the Italian films : ¨Compañeros¨ , ¨The mercenary¨ , ¨Tetepa¨ and the American movies : ¨The wild bunch¨ and ¨The professionals¨ . The picture blends crossfire , violence , blood , western action and it's fast movement and that's why it is entertaining enough ; besides , there is a thoughtful dialog with a clever writing in leftist trending by Franco Solinas , screenwriter of a notorious film : ¨The battle of Algiers¨ . Colorful cinematography by Antonio Secchi , shot on location in Almeria (Spain) , as usual , and Cortijo De Frailes, Cabo De Gata , San Jose , and Guadix , Granada, Andalucía . Enjoyable musical score in Spaghetti style by Luis Enrique Bacalov , author of ¨The Postino and Pablo Neruda¨ which won an Oscar for the soundtrack and he composed lots of Spaghetti Western scores .

    The motion picture was well directed by Damiano Damiani . Damiani's nice direction is well crafted , here he's mostly cynical and inclined towards violence and too much action especially on its ending part . Damiano is an expert on all kinds of genres as Drama such as ¨Arthur's island¨ , ¨The Most Beautiful Wife" , ¨The witch¨ , ¨Empty canvas¨ based on the Alberto Moravia novel ; Terror as ¨Amytiville 2 : the possession¨ and Historical as ¨The Inquiry¨ . Damiani was specialized on crime-thriller-Subgenre or Italian cop thriller as ¨Confessions of a Police captain¨ , ¨How to kill a judge¨ and ¨The case is closed , forget it¨, and Spaghetti Western as ¨Trinity is back again¨ with Terence Hill and this prestigious ¨A bullet for the General¨ . Rating : Good . Well worth seeing .
    9Witchfinder-General-666

    Excellent Political Spaghetti Western By Damiano Damiani!

    Damiano Damiani's masterpiece "El Chuncho Quién Sabe?" aka. "A Bullet For The General" of 1967 is a very political Spaghetti Western set in the Mexican Revolution. A quite brutal tale about ideals, greed, friendship and selfishness, is not only a very entertaining Spaghetti Western, but also a unique study of an idealistic man's struggle between his greed and desire for wealth on the one hand, and his beliefs and ideals on the other hand.

    El Chuncho (Gian Maria Volontè) is a bandit and revolutionary with a strong fondness for women, alcohol and cigars. Along with his slightly insane, but religious and very idealistic brother El Santo (Klaus Kinski), he leads a gang of bandits with beliefs, who help the poor and rob the government's army to sell the weapons to the revolutionary army. When the gang is joined by Bill Tate, an American who, due to his youth, is just referred to as "El Nino" by El Chuncho and his fellow Mexican bandidos, the gang leader starts to befriend with the gringo. El Nino, however is basically almost the opposite of El Chuncho, he doesn't drink, he doesn't smoke and he doesn't waste his time with women, and neither does he believe in any causes or ideals, the only thing he is interested in is quick and good money. His friendship to the baby-faced but selfish and cold-blooded Nino, becomes a breaking test for Chuncho, who is torn between his greed and his ideals.

    Although Sergio Leone and Sergio Corbucci are two of my favorite directors of all-time, and their movies "Giù La Testa" ("Duck You Sucker", Leone) and "Il Mercenario" ("The Mercenary", Corbucci), are two awesome movies, and furthermore there are quite a few more excellent Mexican Revolution Spaghetti Westerns , I would name "A Bullet for the General" as my favorite of the Mexican-Revolution-themed Spaghetti Westerns. The acting in this movie is superb. Gian Maria Volontè played in four Spaghetti Westerns and each one of them is a masterpiece. After his excellent performances in "A Fistful Of Dollars", "For A Few Dollars More" and Sergio Sollima's "Faccia A Faccia"/"Face To Face", Volontè is superb as El Chuncho, the most lovable Spaghetti Western character he played. Klaus Kinski is great as always, the character of the rather crazy but idealistic El Santo is quite unusual, since Kinski's roles in Italian Westerns were, with a few exceptions, normally those of extremely cold blooded and selfish killers, who didn't think of anybody but themselves. Lou Castel perfectly fits into the role of baby-faced El Nino, and he manages to point out his character's cleverness and selfishness in a very good way. The directing by Damiano Damiani is brilliant and so is the cinematography. I would have rated this 10/10 if it wasn't for he one minor flaw: The score by Ennio Morricone and Louis Bavalov is good, but it is no quite as great as it could have been as it can't compete with the brilliance of other Morricone scores. Nevertheless, an excellent film!

    A brutal, witty and very political Spaghetti Western, "A Bullet For The General" is an excellent film that genre-fans, and film buffs in general should not miss!
    chaos-rampant

    A bullet for the General

    I have to admit I'm not the biggest fan of the political spaghettis revolving around the Mexican revolution that came out during the late 60's. It was a trend that coincided with the general left-ist sentiment that prevailed in Italy at that time and gave directors like Sollima and Damiani in this case a perfect opportunity to speak their views. However I'm a sucker for a good spaghetti western.

    A Bullet for the General starts out fantastic with a train hold up by the Mexican bandit El Chucho (Gian Maria Volonte). The whole setting and the moral dilemma the captain of the train faces is just right on the money. For the next hour though the movie takes a sudden downturn in quality. There's plenty of shooting action, but it's uninteresting for the most part. We watch El Chucho's gang as they attack different posts to steal arms for a revolutionary general called Elias. There's a running sociopolitical commentary throughout the movie, but what really takes it down a notch is the heavy handed dialogue. The English dubbing is absolutely awful and the translations probably don't do justice to the original material. Some of them are so cringe-worthy that the ideas they're supposed to convey become caricatures.

    The good thing is that the second hour is better as it focuses more on character drama and conflict. The last 20 minutes in particular elevate the movie from just OK and are worth the price of admission. The cinematography by Damiani is excellent, the desolate terrain becoming another character in the movie. The performances are solid for the most part, with Volonte stealing every scene he's in as the greasy Mexican bandito with a heart of gold. His change of heart during the end is a joy to behold.

    Overall if it weren't for the atrocious dubbing and occasionally silly dialogue, this would be a classic. As far as political spaghettis go, Sollima's Faccia a Faccia is still the undisputed king. In the Mexican revolution-era adventure department, it doesn't top Corbucci's Companeros. However it's still very good as it is, combining bits and pieces from both worlds into an entertaining story. Recommended viewing for fans of the genre.
    9sayvar44

    volanti on fire!

    One of the most underrated spaghetti westerns of all time, easily in my top ten. Volanti and Klinski dominate this tale of greed, poverty, racism, rich vs poor, great action sequences and a genuine heart to match, volanti was only behind Eastwood, Van Cleef and Nero as the greatest spaghetti western star of all time! any die hard fan of the genre must have this movie in their collection! pure brilliance!. A great starting point for new fans as it blends all the elements of the genre, violence, redemption and revenge as well as one of the greatest performances from an Italian western actor he was taken from us too soon , long live Gian Marie Volanti!.

    Vous aimerez aussi

    Colorado
    7,4
    Colorado
    Le dernier jour de la colère
    7,0
    Le dernier jour de la colère
    Le Dernier Face à face
    7,1
    Le Dernier Face à face
    Compañeros
    7,2
    Compañeros
    Le mercenaire
    7,1
    Le mercenaire
    Keoma
    7,0
    Keoma
    La mort était au rendez-vous
    7,0
    La mort était au rendez-vous
    Saludos, hombre
    6,8
    Saludos, hombre
    Le temps du massacre
    6,5
    Le temps du massacre
    Blindman, le justicier aveugle
    6,2
    Blindman, le justicier aveugle
    Le Grand Silence
    7,7
    Le Grand Silence
    Sartana
    6,3
    Sartana

    Centres d’intérêt connexes

    Clint Eastwood in Le Bon, la Brute et le Truand (1966)
    Western spaghetti
    Bruce Willis in Piège de cristal (1988)
    Action
    John Wayne and Harry Carey Jr. in La Prisonnière du désert (1956)
    Occidental

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      It is rumored --to the point of almost being a legend--that director Damiano Damiani became so frustrated with Gian Maria Volontè and Klaus Kinski, two actors who were notorious for being difficult to work with, that one day they pushed him so hard that he beat them and whipped them on the set until they finally behaved and did as they were told.
    • Gaffes
      When the bolt action rifle are being used they never eject the spent cartridge upon being reloaded, showing them to be empty.
    • Citations

      [last lines]

      El Chuncho: [to a beggar he gave money to earlier] Don't buy bread with your money! No, hombre! Buy dynamite! Dynamite! Dynamite! Dynamite!

    • Connexions
      Edited into On m'appelle King (1971)
    • Bandes originales
      Ya Me Voy
      (uncredited)

      Written by Luis Bacalov

      Performed by Ramon Mereles

      Courtesy of EMI General Music srl

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ14

    • How long is A Bullet for the General?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 juillet 1968 (France)
    • Pays d’origine
      • Italie
      • Espagne
    • Langues
      • Italien
      • Espagnol
      • Anglais
    • Aussi connu sous le nom de
      • A Bullet for the General
    • Lieux de tournage
      • Guadix, Granada, Andalucía, Espagne(train station)
    • Société de production
      • M. C. M.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 58min(118 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.