Blood of Dracula's Castle

BLOOD OF DRACULA'S CASTLE opens with a woman being abducted by Mango the monster-man (Ray Young) while the world's grooviest theme song plays (Next Train Out- yeah!).

Next, we're off to Sea World for a photoshoot featuring a beautiful model with the universe's most incredible beehive hairdo, ever! Ever!

We're eventually introduced to Count and Countess Townsend (the inimitable Alex D'Arcy and Paula Raymond). Their decrepit butler is played by the one and only John Carradine. In order to keep their blood supply flowing in the castle, the Townsends have a dungeon full of tender, young lasses.

By now we should be catching on that this is indeed another opus from Director Al Adamson.

Enter Johnny, an escaped convict with a love for all things homicide. Need proof? Well, within minutes he kills a bikini-clad sunbather. He then kills a motorist, steals his car, and mows down a hitchhiker for good measure. All, while ultra-dramatic music blares.

By the time Johnny arrives at the castle it seems like this is going to be an action-packed, insanely entertaining movie. We almost forget who created it.

Then, all action simply dies. The non-plot implodes, leaving the nonsensical remains to plod on to the end. At this point, many viewers have been rumored to have removed their own brains with salad tongs!

Meister Adamson has once again concocted a magnificently screwy, senseless, idiot masterwork of dunderheaded filmmaking!

Hallelujah!...

1966's "Blood of Dracula's Castle" was not Al Adamson's debut behind the camera but was the first to achieve wide distribution, picked up in early 1969 by Crown International Pictures with Cameron Mitchell's "Nightmare in Wax" since both were attached to producer Rex Carlton, a May 1968 suicide (both duly included among the 16 Crown titles in Gold Key's Scream Theater television package). Losing this potential money spinner was enough for Adamson and new partner Samuel M. Sherman to form their own company, Independent-International Pictures Corporation, at just the right moment when his unissued backlog already included "Five Bloody Graves," "Blood of Ghastly Horror," "Horror of the Blood Monsters," "Hell's Bloody Devils," and his most recent opus "Satan's Sadists," successes that launched both men into a decade long career of pure hustling showmanship. This was the director's very first collaboration with John Carradine (6 more to follow), its completion in Aug. 1966 confirmed by a shot of the date on a telegram, well before the November shoot for its theatrical cofeature. Promotional gimmicks would abound to lower costs, such as hiring Colonel Harland Sanders for a cameo to provide free chicken for one film shoot, Marineland receiving an early plug here, following the lengthy opening drive featuring session player and recording artist Gil Bernal rendering "The Next Train Out" a year before receiving an Academy Award nomination for his theme from Universal's 1967 release "Banning." The real coup on this picture was securing permission to use a genuine desert location 70 miles north of Hollywood owned by Walter Gaynor, Shea's Castle or Sky Castle still located in Lancaster with its own airstrip for small planes (built in 1924, it remains a private residence). Sherman was delighted to secure the services of top billed Carradine (interiors filmed at the same Ray Dorn studios where he had just finished "Gallery of Horror"), then dismayed to find him cast as butler George rather than Dracula, played by a decidedly unmenacing Alex D'Arcy, Paula Raymond ("The Beast from 20,000 Fathoms," "Hand of Death") replacing Jayne Mansfield as the Countess, Rex Carlton's feeble script allowing for little but camp performances. Robert Dix's psychotic excon was the subject for new additions shot only for the expanded TV version, 7 minutes of silent footage accompanied only by electronic music and heavy breathing, endless outdoor running as his character suddenly becomes a werewolf in cheap Don Post head mask that could be worn by anyone, a lone female extra to be chased if not chaste. With over 17 minutes screen time, Carradine brings an enviable level of seriousness to the silliness, though not above a sardonic remark here and there, essentially present for exposition and the need to provide nubile female sacrifices to 'the great god Luna of the moon,' severely depleting the stock of human blood in the dungeon as the girls get to check in yet never check out. There's the germ of a good idea floating around with vampires growing accustomed to modern life by having their nourishing blood served up in a glass, a cozy domesticity perhaps inspired by THE MUNSTERS, in which Carradine twice played the role of Fred Gwynne's employer at the mortuary of Gateman, Goodbury and Graves.

Anyone looking for a fittingly horrendous Al Adamson film, look no further. While this film is not the usual paste-up job that Adamson specialized in, BLOOD OF DRACULA'S CASTLE is pure bad cinema, which is Adamson's true field.

D'Arcy and Raymond play Mr. and Mrs. Dracula, looking stiff and embarrassed (who can blame them?) The Draculas feed on the blood of the young women they have chained in their dungeon (including Adamson regular Vicki Volante). Carradine plays the Dracula's butler, a wasted opportunity for this horror screen legend to do his Dracula bit (get the pun?) A psycho shows up at the castle, and a stupid couple stay there.

BLOOD is boring, with only a few laughs produced from the bad acting and flimsy-looking props. Adamson made more hilarious films than this (like DRACULA VS FRANKENSTEIN), and it was unintentional (of course). Adamson, however, deserves the credit to having gotten anything on film for the tight budgets he was given.

Still, BLOOD is bad, and more mediocre than entertaining.

Blood of Dracula's Castle (1969)

** (out of 4)

Let me start off by saying the horror dork inside of me almost shed a tear when I received this screener and realized that this Al Adamson film was included. Back when I was around ten or so I had the pleasure of my dad buying me Adamson's Blood of Ghastly Horror and Dracula vs. Frankenstein, both which lived up to their reputation of being among the worst films ever made. However, they fell into that "so bad they're good" category so I set out to locate this flick. After five years of searching I finally found a copy at a mom and pop store and they took pity on me and gave me the tape for free. Went on, put it in the VCR, the film started and smoke came from my VCR, which was eating my tape. My young heart was broken but I kept on until nearly ten years later when the postman dropped this disc off at my house.

Okay, enough dork talk and on to the movie….

A young couple inherits an old castle and to their shock they soon learn that Count Dracula and his wife are living there. With the assistance of a hunchback and caretaker (John Carradine), the Count and his wife keep the basement full of women so that the blood supply is never low. The young couple wants them out of the castle but Dracula will do whatever it takes to remain there even if it means making the new couple partners.

After a while I soon realized that Blood of Dracula's Castle is to Al Adamson what Jail Bait was to Ed Wood and that is the director's best made film, which means we aren't going to get as many laughs that we might expect. I was also disappointed to see John Carradine wasn't making a return to Dracula but even with that the film is campy enough to enjoy on many levels but just don't expect the goodness of say Dracula vs. Frankenstein.

The biggest flaw with the film is that Dracula and his wife just aren't very interesting and they're overshadowed by Carradine, the hunchback assistant and the werewolf, who never actually transforms. Perhaps Adamson was wanting to make a straight and serious film and while doing that, this one here comes off a bit boring and never reaches its potential of becoming an outrageously funny film. The silly music score and wooden acting brings some charm and minor laughs as done Carradine who chews up the scenery like he always does. But again, what in the hell was Adamson thinking not using the great as Dracula? It's also interesting to note that the cinematographer was Laszlo Kovacs who would later go on to do Easy Rider, Targets, Paper Moon, Shampoo and more recently doing a couple Sandra Bullock films.

This movie opens with a woman (Vicki Volante, a Joan Baez lookalike) driving along listening to her car radio. The song, "The Next Train Out" is so catchy I went around singing it for days after I had first seen this movie. Amazingly John Carradine does not play Count Dracula, even though he had recently done the role in "One Shot" Beaudine's BILLY THE KID VS. Dracula in 1966; he is George the family butler. Dracula is played by Egyptian actor Alex D'Arcy whom you can also see in HORRORS OF SPIDER ISLAND and FANNY HILL. Countess Dracula is Paula Raymond who costarred in BEAST FROM 20,000 FATHOMS and the newly rediscovered HAND OF DEATH. It seems everyone has relationship problems eventually and after 400+ years Dracula has been reduced to the henpecked husband of a domineering wife! (Hmmmm, maybe that is why John did not want to play The Count this time.)

Hiding behind the names Count and Countess Townsend the vampires live in a castle in the Arizona desert. Victims (all of them female of course) are brought to them by their cretinous henchman Mango (just where do movie villains go to finds all these hunchbacked lumbering brutes that scary movies seem to abound in?) and drained of their blood by George. They drink blood from martini glasses and wonder if they will ever be accepted in polite society. The Draculas have also got religion in this film. Thanks to George they are devoted worshipers of the Great God Luna and occasionally burn a victim alive at the stake as a sacrifice to him(her? it?).

When the new owner of the castle (Gene O'Shane) turns up with his fiancée (Barbara Bishop) the Unholy Three (I'm not counting Mango among the conspirators) try to get him to sell the castle. When he refuses all Heck breaks loose . . . well, as much as director Al Adamson's budget will allow!

Watch for Robert Dix, son of silent film leading man Richard Dix, playing family friend Johnny. He is usually a likable guy but when the moon turns full he becomes a psycho killer. TV prints splice in a quick shot of some guy wearing a Don Post werewolf mask in an attempt to make the plot more interesting but theatrical prints do not have this embelishment. Robert also appears in FORBIDDEN PLANET and FRANKENSTEIN'S DAUGHTER.

63 year old John Carradine looks younger than his years with his hair dyed black once again. He even does his own stunts for his death scene. Speaking of death scenes, Mango (Ray Young) goes through enough to kill 10 men; shot, hit with an axe and set on fire he just keeps coming back! Whew!

Is this film a classic? Gosh no! But it IS a lot of fun! Just seeing Long John stomping around a dusty old castle like it was still the 1940's at Universal makes it worthwhile. Besides, you just might find yourself singing along with "The Next Train Out" after more than one viewing.