The Big Shave

Big Shave, The (1967)

**** (out of 4)

Six-minute short from the now legendary director feature a lot of his trademark even though this is basically just a student film. A young man goes in front of the mirror to shave and it goes fine until he decides to do it again and this time he butchers his face with the razor, which sends blood all down the sink. I've heard this was an anti-Vietnam film but I really didn't see it as such, although I guess you could draw a message out of what happens here. To me this is a wonderful little black comedy that's certainly going to hit home to anyone who has ever cut themselves shaving. The film doesn't go for minor little cuts but instead it's a real bloodbath and I might even go as far as to say this contains some of the most blood ever put on film during this time. You have the H.G. Lewis films of course and I can't help but wonder if Scorsese was a fan of those since there's a lot of the same humor here. The movie has a nice music score, great editing and in the end is just painfully funny.

The Big Shave (1967) D: Martin Scorsese. Peter Bernuth. Excellent Martin Scorsese short film about a young man who is shaving and cuts himself, with the results symbolic of the Vietnam War, which Scorsese was opposed to. The camerawork is fluid and flawless, the scene very bloody, but wonderfully done, one of the best short films I've seen. RATING: 9 out of 10.

This is six minutes of introduction to the world of Martin Scorsese. You may anticipate a story but it is only portrait of an obsessive shaver who shaves until he makes a bloodbath out of his face. A gruesome sight to average spectator ,and in one shot even to a more sophisticated one when the man pulls the blade from one end of his neck to another and acts very convincingly, this short film is an unblinking portrait of violence and especially personal violence for that matter, with a strong streak of masochism familiar to the fans of Scorsese. A man shaves or punishes himself for no apparent reason but cleansing(his face or his soul?). Also you can see the making of a director infatuated with the montage who will use its techniques for years to come.

The Big Shave also displays an effective use of two colors in jarring contrast for an aesthetic purpose: white of the bathroom and red of the blood. White and Red devour the character and the viewer and signal the world of a director in love with radical shifts and juxtapositions. overall a student film from Scorsese in retrospect is a lesson in film history. Experiment is the prerequisite of perfection. The jazz song which accompanies the whole film and unites its images has been wonderfully used.

So I'm not the only person who's had this particular spooky dream! Plainly influenced by Kenneth Anger, this eye-watering short looks more like an early work by David Lynch than Martin Scorsese.

The ritual of shaving and it's risks is explored by a young Scorsese. Surely every man has felt the fear/temptation of cutting one's self with a razor. A typical outlet for his self-loathing Catholic guilt, the gore is contrapuntally balanced by incongruous music on the soundtrack. Bunny Berigan's "I Can't Get Started" recalls the blackly comic ending to "Dr. Strangelove" with "We'll Meet Again" accompanying images of nuclear holocaust. Strangely, the young man in the feature is not in need of a shave in the slightest. And he shaves a second time in a row, the second time with bloody consequences. As other reviewers have posted, there may be some symbolic significance to this short film. Knowing Scorsese, it undoubtedly operates on many levels. It is to his credit as a filmmaker that he is able to make a solitary, mundane task so attention-grabbing.