Jerry la grande gueule

When i view this film i tend to look at it from the directors lens.In this respect it has many positives,more so then if viewed strictly on comedic pacing and storyline.The opening scene has Clamson reeling in Valentine while fishing and is told about some diamonds and where they are hidden.This is the basic plot and the comedy spins from this premise,as such it can be thin but the direction by Lewis is the high point when watching this movie.There is the opening scene which leads from the beach with Clamson and Valentine into this beautiful helicopter shot which rises and sweeps away from the beach while the credits run and comes right back to the beach and the continuation of the scene.There is a scene of Clamson being stopped by the police and an argument over the various violations and there numbers.Clamson sits in the car while this argument ensues and Lewis has him framed in the scene with his face in the background framed by a cops arm on his hip in the foreground.The direction of Lewis in this movie is the star. So when you watch this movie look at it from the view of Lewis and how he is blocking the scenes and compare it to other comedies you like.You will see the deft use of colors and sound,also his use of language to make his movies very layered beyond just the punchline of the scene.The Big Mouth is filled with these Lewis touches,all the comedy might not work but it's his attempt to experiment that must be applauded.So give this movie a second look and don't just look for the comedic payoff but look for the setup through the deft lensing by Lewis and i think you'll have a greater appreciation of this film.

A tepid, extremely mild, fairly tedious, slightly overlong comedy. The first half has some reasonably funny bits (like the one that takes place in a phone-booth), but in the second half things get pretty desperate. Jerry Lewis himself is appealing when he is playing the "straight man", but irritating when he appears disguised. And the direction has no comic timing whatsoever.

I've lost track of all the times I've seen this one from the first 16mm print at a summer camp in 1970. But I always loved it, no matter how stupid and inane it really is. The plot holes and pure unbelievability of the film must be put aside just for the sillyness. A few things stand out. A cameo by Col. Harland Sanders of KFC, and a view of early Sea World in San Diego. When I worked there in 1985, I found all the places that the film was shot. And the best of all, is Charlie Callas' totally hilarious bit when he sees the appranently dead Sid Valentine (Lewis' other role) come to life again. He comes apart, as do his other friends, but with much more panache and skill. His stuttering, eye-popping gibberish is so funny you have to watch the same dialogue over and over again. It's a classic bit, and one that actually saves the film from being a total Lewis stinker. "That's him, thats him, that's aaaahh, that's im-POSSIBLE!"

Why this Jerry Lewis comedy isn't better known or more widely available is a mystery since it's a classic and as consistently funny as anything he did. Here the slapstick verges on the surreal while its 'thriller' plot is virtually irrelevant. As well as starring, Jerry wrote, produced and directed and if it never amounts to anything more than a series of sketches they are, at least, very funny. It's certainly a movie ripe for rediscovery that, for now at least, will have to settle for ultimate cult status.

I read the reviews for this film before I tried watching and I found my reaction was somewhere in the middle. Some described it as being among Jerry Lewis' worst films, though I think films like "Which Way to the Front?", "Cracking Up", "Slapstick of Another Kind" and "Three on a Couch" are much, much worse. And, it certainly is no work of great genius like some have said. It's a decent little time-passer with a few faults.

When the film begins, Jerry is fishing and somehow hooks onto someone in a wetsuit. The guy ends up being a gangster who could be Jerry's double and he tells Jerry about some hidden loot. As for Jerry, he wants to do the right thing and tries to get police and others to listen to his account of catching the man...but no one seems willing to listen. And, as for the gangsters who shot the man Jerry caught, they are now looking for the fisherman because they think the dead man must have told him about the money. Despite this being the theme, the movie is almost plot less at times, a bit like "The Bellboy"...which isn't all bad since this earlier Lewis film is among his best. Now I am not saying all the silliness or Jerry's dressing up like the Nutty Professor work most of the time...but it is pleasant and diverting during much of the film. Overall, no bomb nor work of genius but a generally decent little film that will offer a few laughs...just a few. There certainly could have been more laughs and Charlie Callas was simply awful...but fortunately he was only used sparingly in the picture. Also awful was Lewis' embarrassingly bad imitation of Japanese folks...a definite low- point in the film...or in any film that came out that year.

By the way, look quickly and you might spot Rob Reiner in his film debut. You'll also see Colonel Sanders...though he is pretty obvious!