Le ranch de l'injustice

The main reason for seeing 'The Ballad of Josie' in the first place for me was Doris Day, having been of late on a completest quest seeing all the films of hers not yet seen.

Despite being one of her lowest rated films here (along with 'Where Were You When the Lights Went Out?' and 'Caprice'), being one of her less well critically received films and being disliked by Day herself, 'The Ballad of Josie' isn't that bad. At least from respectful personal opinion, though it does have a good deal wrong with it and it was made during a rather rocky period of Day's film career. Of course it is among the weaker end of her overall films but it is better than 'Where Were You When the Lights Went Out?', 'Lucky Me', 'Starlift', 'The West Point Story' (aka 'Fine and Dandy') and 'Tunnel of Love', all but one of which rated higher.

As is the case with all her films, even her lesser ones, Day is the reason to see the film in the first place and also the best thing about it. She does a very good job, having a balance of charm and feistiness. 'The Ballad of Josie' is a good-looking film too, not exactly evocative but full of rustic attractive colours and handsomely designed production values shot beautifully.

Regarding the music, it is pretty excellent. It is cleverly orchestrated and rousing. The title song is a lovely and memorable one, though, despite Don Costa singing it well, there was a missed opportunity regarding Day not singing it. Was mixed on the supporting cast but felt that Elizabeth Fraser beguiled the screen whenever she appeared, Andy Devine clearly has fun and brought some much needed authenticity and John Fiedler is amusing.

However, not all the supporting cast come off well, suffering from characters that are not particularly interesting or used well. Peter Graves has a bland uninteresting role and plays it just as much, while George Kennedy's character is underwritten and underused (although it is a kind of role that Kennedy is perfect for and he does his best with what he's given). Having Andrew V. McLaglen on board as director promised a lot, being a veteran of the western genre. The simplicity of the direction is to be admired, but too much of the time it was a case of getting the job done but it comes over as workmanlike.

Sadly the story is often very dull, narratively it is as thin as a thin piece of tissue and in the more less than eventful parts the pace is sluggish. The script is tonally somewhat muddled, with some frequent and too often tiresome attempts at humour that never seems to fit and the more western-oriented parts lack grit. Despite looking good, 'The Ballad of Josie' never looks evocative with a lot of it looking too clean, too nice and too newly fresh.

Overall, a long way from a disaster but Day did much better in her career and deserved better as well. 5/10 Bethany Cox

Josie tackles the west in the time before women had a say. It's a good and fun movie.

A light hearted comedy based on both the range wars of the 1800's and the eternal battle between man and woman. If you're nostalgic for movies without a moral or a lesson, no violence and just plain fun, then this oldie but goo die is for you. Doris Day comes across as a spunky but humorous woman, trying to make her way in a man's world, and her antics are at times, almost classic slapstick. Peter Graves and George Kennedy offer wonderful foils against Doris Day, and even William Talman gets into the mood with more than a few bright quips. The characters of Klugg and Bratsch afford their own dry humor as they sit, observe and bet and comment on the activities of the other characters. The tone of the movie itself is upbeat and fun, and if you like light hearted family fare, then you could do a lot worse than spending an evening with this older flick.

Doris Day, in my opinion has given only two "bad performances." One was in "Do Not Disturb" and the other in "That Touch of Mink." And, it wasn't so much Doris' fault...it was the scripts and unwise directors who tried to keep her pure as the driven sunshine.

"Ballad of Josie" had spunk. It was about a woman who decided to take control of her own life after having been a battered wife. She needed to take care of her little boy and she felt that she didn't NEED A MAN to do anything FOR her. We should be applauding, not hissing this independent woman.

Day didn't want to make this film (her husband had signed for her to do it), but she felt, "a deal's a deal." She put 110% into Josie Minick and she gave a VERY professional performance. No surprise to me, because Day always gave her all, even with drivel like "Disturb" and "Mink." As an actress, she fulfilled her obligation and then some in this part. Could Shirley MacLaine or Debbie Reynolds have given a more convincing performance? I think not. Doris' approach to any scene is so natural, people forget that she's acting. Therefore, audiences and critics ignore what an incredible job she's done, despite poor scripts.

This is not among Doris Day's great films, but she was wonderful in all of her scenes. The script? It wasn't the greatest, but it wasn't the worse. I felt that her supporting cast was well-represented by some of the best character actors in the business. She got marvelous support from Andy Devine, William Talman, Peter Graves, George Kennedy, John Fiedler, Audrey Christie, David Hartman, Elizabeth Fraiser, Paul Fix, etc. And, didn't she look incredible in those jeans?!!!!!!!!

... without Dan Blocker and with Doris Day. It's basically about a Wyoming woman (Doris Day) who finds herself minus a husband who shocks the men of the town by deciding to herd sheep instead of cows and by wearing (OH THE HORROR!) mens' pants!!! You know, I haven't seen this since I was twelve and I actually remembered it fondly until I saw it today. George Kennedy plays the cattle ranch owning buffoonish bully who wants Josie's sheep dead. Peter Graves is the love interest who threatens to do endearing things like spank Josie if she doesn't shut up. Andy Devine is still playing the same character he was thirty years before. William Talman, after so many years of losing to Perry Mason, plays a district attorney who is trying to get Wyoming statehood. In the end, the lesson seems to be "who needs the vote anyways ladies, and wear a dress if you want a man!" Oh, the sexism. I guess I just didn't notice this in 1970. And what's worse, this is what passed for feminism in 1970.

This is the problem with so many 60s films. They have one foot in the 50s, one foot in the 70s, and nothing works. This thing might just reach a 5/10 mainly because of its star power, even if those stars are being badly used.