Les Aventuriers

It is a huge basket with fruits. Dreams and games of childhood, reflected by treasure and fortress, splendid chemistry between Lino Ventura and Alain Delon, few drops of romance and great portrait of friendship, humor and extravagance, fights and deaths, a boy, guide of a local museum, a dromader with a noble name associated, bad guys.

Short, a large window opened in early morning.

This movie is indeed one of the best I have ever seen. It's magic doesn't let you loose until the last picture fades away and still you think "OH - NO!" please don't let that be the end ... Lino Ventura and Alain Delon are the perfect match for this cast! From the sixties though, but as one says, "they don't make such movies any more". Although the movie tells one of those "boy meets girl", "another boy joins them" stories, this one is different. Everything circles around her and it's getting faster and faster. They're goofing around and having lots of fun, the best time of their lives. But when they lose her, their precious toy is gone, which drags them down. That the story has a very sad ending, where our 'hero' loses everything, is obvious, must be obvious from the beginning, still it is very hard to admit - at the end. This movie is a must-see.

Wholly enjoyable. Really liked the relationship between the characters, it was shot well and incredibly picturesque; the music is wonderful too. But, it suffers from "corny" dialogue and some rough pacing. But it is decent enough :)

I saw this movie in Viet Nam in the open air. It impressed me because of the beautiful scenery, photography and story line. I followed this picture from compound to compound and saw it several times . It was an island, a bit of paradise in an otherwise brutal setting. I will never forget this movie even though I have not seen it in over 30 years.

...the first one being the unsurpassed "Au Coeur De La Vie"

Released when the nouvelle vague was à la mode and when critics did not care for the others (=who were not part of the Godard clique),"les adventurers " has stood the test of time remarkably well,so well that (God preserve us) some producers could think of a remake.

Robert Enrico had already directed "les grandes gueules" (1963) which enhanced male friendships in a Vosges Mountains sawmill and is still watchable today thanks to its good cast(Bourvil,Lino Ventura,Marie Dubois),and Enrico's effective directing.But nothing could have predicted "les adventurers" ,which seems today stronger than yesterday,when so many nouvelle vague "oeuvres " are reserved for highbrows and make too many people take to their heels when they hear about French cinema.

"Les adventurers" was based on the first part of a Jose Giovanni novel(who had written Becker's "le trou";Giovanni himself transferred the second part to the screen as "la loi du survivant").When it was released ,it was a huge popular success,but the critics were a bit condescending.

The Delon/Ventura/Shimkus threesome shines .They are true raiders ,in a way Indiana Jones is not:they have something to lose ,and they are human beings of flesh and blood.Enrico used the film sets with stunning results.He makes the scrap heap where Leatitia looks for waste material as poetic as the fort surrounded by the sea where the tragedy is resolved.François de Roubaix's extraordinary score enhances the scenes as few musicians can do.

The burial at sea is the most beautiful sequence of the sixties French cinema.I cannot think of a more haunting scene :anybody who has seen it never forgets it.Robert Enrico,who is not regarded as an "important" director in France has nothing to be jealous of his peers here.

A work to rival the best of Huston.