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IMDbPro

À chacun son dû

Titre original : A ciascuno il suo
  • 1967
  • Tous publics
  • 1h 39min
NOTE IMDb
7,0/10
2,1 k
MA NOTE
À chacun son dû (1967)
CriminalitéDrameMystère

Ajouter une intrigue dans votre langueIn Sicily, a leftist professor investigates the "honor killings" of two friends, uncovering a tangled web involving politicians, the Mafia, the Church, and the widow of one of the victims.In Sicily, a leftist professor investigates the "honor killings" of two friends, uncovering a tangled web involving politicians, the Mafia, the Church, and the widow of one of the victims.In Sicily, a leftist professor investigates the "honor killings" of two friends, uncovering a tangled web involving politicians, the Mafia, the Church, and the widow of one of the victims.

  • Réalisation
    • Elio Petri
  • Scénario
    • Elio Petri
    • Ugo Pirro
    • Leonardo Sciascia
  • Casting principal
    • Gian Maria Volontè
    • Irene Papas
    • Gabriele Ferzetti
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    2,1 k
    MA NOTE
    • Réalisation
      • Elio Petri
    • Scénario
      • Elio Petri
      • Ugo Pirro
      • Leonardo Sciascia
    • Casting principal
      • Gian Maria Volontè
      • Irene Papas
      • Gabriele Ferzetti
    • 12avis d'utilisateurs
    • 19avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires et 2 nominations au total

    Photos19

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    Rôles principaux19

    Modifier
    Gian Maria Volontè
    Gian Maria Volontè
    • Prof. Paolo Laurana
    Irene Papas
    Irene Papas
    • Luisa Roscio
    Gabriele Ferzetti
    Gabriele Ferzetti
    • Avvocato Rosello
    Laura Nucci
    Laura Nucci
    • Madre di Paolo Laurana
    Mario Scaccia
    Mario Scaccia
    • Prete
    Luigi Pistilli
    Luigi Pistilli
    • Arturo Manno
    Leopoldo Trieste
    Leopoldo Trieste
    • Deputato Comunista
    Giovanni Pallavicino
    • Raganà
    Tanina Zappalà
    Luciana Scalise
    • Rosina - amante di Manno
    Orio Cannarozzo
    • Commissario La Marca
    Anna Rivero
    • Signora Manno
    Michele Jannucci
    Franco Tranchina
    • Dr. Antonio Roscio
    Carlo Ferro
    Carmelo Oliviero
    • Arciprete Rosello
    Valentino Macchi
    Salvo Randone
    Salvo Randone
    • Prof. Roscio
    • Réalisation
      • Elio Petri
    • Scénario
      • Elio Petri
      • Ugo Pirro
      • Leonardo Sciascia
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

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    Avis à la une

    7Bunuel1976

    We Still Kill The Old Way (Elio Petri, 1967) ***

    Goodish blend of Mafia movie (still pretty much uncharted territory at the time) and political thriller, with a hesitant romance thrown in for good measure; the result is generally absorbing, thanks largely to uniformly excellent performances, gleaming location photography (Sicily, of course) and a wonderful score by the ever-reliable Luis Enrique Bacalov. Heading the cast is Gian Maria Volonte': the film launched the political/social conscience phase of his career after a stint doing Spaghetti Westerns. His character is that of an intellectual loner who finds himself in over his head when he starts probing into the assassination of two friends – including philanderer Luigi Pistilli – which leads to his falling for the other's wife (Irene Papas). Though the identity of the villain (as ever, an eminent member of the community and far closer to the hero than he envisaged) comes as no real surprise, the investigation – involving, among other things, the hushed participation of cleric and senator alike – and the disquieting revelations that emerge from it, lends the whole a deeply cynical tone (culminating in the downbeat climax depicting Volonte''s own extreme fate) while cementing the Mafia's reputation as strictly a 'family business'. The Italian DVD includes an interesting half-hour featurette detailing the making and reception of the award-winning film (including the fact that the author of the source novel, Leonardo Sciascia, was dissatisfied with how the script turned out); the interviewees are co-scriptwriter Ugo Pirro, the wife of the late Elio Petri, and composer Bacalov (who is regretful that, given his felicitous working relationship with the director here, the opportunity never arose for another collaboration).
    8christopher-underwood

    My misfortune was to pick this film to watch the night after watching, Illustrious Corpses

    This is a good, solid, beautifully photographed crime thriller. My misfortune was to pick this film to watch the night after watching, Illustrious Corpses. Now that Italian political crime thriller made in 1976 and based upon a book by Leonardo Sciascia is a near faultless classic with deep undertones and a broad scope that is simply a joy to watch. This, it turns out, is another film based upon another book by Leonardo Sciascia from 1967. How much more sensible it would have been to watch this one first. The thing is there is nothing wrong with this film except it is also about too easily explained killings that the lead character sets out to investigate and in the process overturns a hornets' nest, but there is much less action, intrigue and politics. Gian Maria Velonte is excellent as the professor who takes it upon himself to get involved when most people seem not to care. Interestingly this was the film that helped to lift this actor into more 'serious' films, after having made many spaghetti westerns, one of the last being face to Face also from 1967 when he also played a professor.
    8cezy_ur

    Uconventional detective story under the scorching Sicilian sun

    "A Ciascuno il suo" is based on the homonymous book by Leonardo Sciascia, and just like many of the author's books is an unconventional detective story aimed at unveiling the hypocrisy and immorality of Sicilian society. The story begins with a man showing his friends a few threat letters. A few days later he gets shot together with one of his friends, a chemist. The murder is filed under "honour crime" (delitto d'onore) a murder committed out of passion and jealousy, and a peasant is convicted for it. Gian Maria Volonté is an awkward school professor who believes in the peasant's innocence, and decides to investigate the crime. His infatuation with the beautiful wife of the victim also plays a part in his decision to solve the mystery. As the story unveils, he will discover unpleasant truths, but will continue with the investigation despite all dangers. Volonté is as formidable as always, changing his accent and posture to fit the part. But the real protagonist is the Sicilian landscape in all its harsh brightness. The cinematography is such that we can almost feel the wind, the sun and the dryness of the air. When I first watched this film I wondered whether anyone who was not Sicilian or familiar with Sciascia's writing would understand all its complexity, but Elio Petri does a masterful job in transposing the book.
    6JuguAbraham

    Unimpressive Cannes winner

    The Elio Petri film is unimpressive though it won the Best Screenplay Award at Cannes. Guess the subject and the story telling were interesting in 1967, Interesting to see Irene Papas in a negative role.
    10VanDerGraafCamel

    A subtle and clever intrigue of fear, power and clamming-up

    At the beginning of the movie a pharmacist receives an anonymous letter that threatens him of death. And the murder actually happens. Seems very simple but nothing is what it seems and the journey to the truth will be long and difficult. The book is excellent and the movie is at par with it and very faithful to the romance. Great direction. Incredible cast with Gabriele Ferzetti in his best interpretation together with the one in "C'era una volta il West" and Gianmaria Volonté simply beyond reach as always. Many other great actors. Yes I am an enthusiast 'cause there's not a word or a shot out of place in this movie and the plot is ingenious. Who is going to see this film for the first time will be taken away by the developments (the pace seems to be calm but looking in between the kinks you may realize that many things are going rapidly on). Trying to figure out what is the kernel of the happenings and the "reasons" for the murder is a very interesting exercise but it's highly unlikely for the spectator not to experience a big surprise at the end. In my opinion Elio Petri at his best (I mean at the same level of his other masterwork: La classe operaia va in Paradiso).

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Film debut and only film performance of Anna Rivero.
    • Connexions
      Edited into Lo schermo a tre punte (1995)
    • Bandes originales
      Pour rêve l'hiver
      ("A Dream for Winter") (uncredited)

      Lyrics by Arthur Rimbaud

      Music by Luis Bacalov

      Sung by Léo Ferré

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    FAQ

    • How long is We Still Kill the Old Way?Alimenté par Alexa
    • Watch the trailer online

    Détails

    Modifier
    • Date de sortie
      • 31 mai 1968 (France)
    • Pays d’origine
      • Italie
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • We Still Kill the Old Way
    • Lieux de tournage
      • Cefalù, Palerme, Sicile, Italie
    • Société de production
      • Cemo Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 39 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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