Après sa démission, un agent secret est enlevé pour être emmené dans ce qui semble être un village idyllique, mais s'avère être une prison étrange. Son gardien veut des informations. Il ne d... Tout lireAprès sa démission, un agent secret est enlevé pour être emmené dans ce qui semble être un village idyllique, mais s'avère être une prison étrange. Son gardien veut des informations. Il ne dira rien mais va tenter de s'échapper.Après sa démission, un agent secret est enlevé pour être emmené dans ce qui semble être un village idyllique, mais s'avère être une prison étrange. Son gardien veut des informations. Il ne dira rien mais va tenter de s'échapper.
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- 1 victoire et 1 nomination au total
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'The Prisoner' is one of those things that inspires either absolute devotion or utter confusion. There are no halfway reactions to this TV series. Many consider it to be the most imaginative and original TV show ever, and I'm inclined to agree with them. Nothing until 'Twin Peaks' came close to competing with it. However unlike 'Twin Peaks', 'The Prisoner' knew when to stop. There is hardly a bad episode in the whole series, and the final show is perfect. Patrick McGoohan will always have an important place in not only television history, but pop culture as a whole, from his involvement with this stunning and unforgettable show. To me it gets better and better as the years go by. If you haven't ever seen it make sure you do so! You don't know what you're missing!
The best non-comedic TV show I've ever seen, and certainly one of the most unique TV shows of any genre. A terrific blend of Kafka's drama/satire, fantasy, and spy action/thriller. There is also a healthy dose of humour in it, but nothing over-the-top like we have in today's TV shows. Although it consists of 17 episodes, I would consider the first 12 to be the core of the series. After those 12 we have mostly filler episodes, like the dull one in the Wild West, or the one in which McGoohan barely even appears. The last two episodes, the less-than-grand double-episode finale, are a bit too abstract and quite tiresome at times even. From the last 5 episodes I would only name "The Girl Who Was Death" as being quite good.
The best/most fun episodes are "Arrival", "Dance of the Dead", "ABC", "The General", "A Change Of Mind", and "Hammer Into Anvil". From the first 12, I would only single out "Schizoid Man" as being much weaker than the others.
Several things went into making this show so much fun. First of all, the location, the Welsh village. Secondly, having McGoohan in the lead; I cannot possible imagine any other actor playing Number 6 in the excellent, off-the-wall yet controlled manner in which he plays him. McGoohan hits all the right notes; his performance is just as eccentric as it needs to be. (For the uninitiated, he was among the 2 or 3 main candidates to be the first James Bond, but refused the role.) Thirdly, the highly unusual, original scripts. Fourthly, the series was filmed in the mid-60s, and the visual quality of TV shows from that decade is superior to anything that came before or after. And fifthly, the acting from all the others was on a high level.
The best/most fun episodes are "Arrival", "Dance of the Dead", "ABC", "The General", "A Change Of Mind", and "Hammer Into Anvil". From the first 12, I would only single out "Schizoid Man" as being much weaker than the others.
Several things went into making this show so much fun. First of all, the location, the Welsh village. Secondly, having McGoohan in the lead; I cannot possible imagine any other actor playing Number 6 in the excellent, off-the-wall yet controlled manner in which he plays him. McGoohan hits all the right notes; his performance is just as eccentric as it needs to be. (For the uninitiated, he was among the 2 or 3 main candidates to be the first James Bond, but refused the role.) Thirdly, the highly unusual, original scripts. Fourthly, the series was filmed in the mid-60s, and the visual quality of TV shows from that decade is superior to anything that came before or after. And fifthly, the acting from all the others was on a high level.
Unfortunately, when you see see The Prisoner for the first time at an early age it tends to spoil television for the rest of your life. I was thirteen when I saw it in 1968, and for more than thirty years I keep hoping to find TV shows (and movies and books) that will give me the same rush of seeing vast, unexpected and unexplained vistas for the very first time. Too, too rare. Virtually non-existent. For The Prisoner didn't just present a new 'twist' (rare enough), it was a whole new world, with a wildly different culture, environment and rules, only gradually comprehended, if at all. And yet, strangely, it is more like the "real" world than any other television program, even the news, because The Prisoner doesn't explain itself, it just happens. If YOU want to know what's going on, figure it out for yourself... if you can. You might be right, you might be wrong, but if simplistic explanations are your comfort, you almost certainly WILL be wrong. Just like explorers of old. Just like real life. Though with the increasing homogenization of the world, real life is becoming, alas, more like television.
When I saw the first episode of this series, my jaw dropped in amazement. Here was a TV series that was entertaining and actually made you think. Nothing was ever what it appeared, no one had a real name, you never knew who was the good guy or the bad guy (or if they were one in the same!). The "final" episode was what could only be described as PSYCHEDELIC.
This TV series was, and still is, way ahead of its time.
As a side note, there is a "lost" first episode that is wildly different than the first one generally aired that explains some of the symbolism used in the series.
I hope the movie remake is made and distributed.
This TV series was, and still is, way ahead of its time.
As a side note, there is a "lost" first episode that is wildly different than the first one generally aired that explains some of the symbolism used in the series.
I hope the movie remake is made and distributed.
Just watched Once Upon A Time which for me is the best and most important episode in the series, the interplay between Patrick McGoohan and Leo McKern is quite simply brilliant. As for the series like many others I remember first seeing the show as a 10 year old, it left an indelible impression on me then and with time that impression hasn't faded one bit, I still consider it one of the finest television series ever created. I hope Hollywood nor anyone else attempt to remake it, it would be like a sad photocopy of the Mona Lisa, leave it alone please. To Patrick McGoohan and all those involved in creating it I'd just like to say 'THANK YOU'
For those who ask what the series is all about, I'd say watch it, and make your own mind up don't just accept my opinion on it, 'think' for yourself. Be seeing you.
For those who ask what the series is all about, I'd say watch it, and make your own mind up don't just accept my opinion on it, 'think' for yourself. Be seeing you.
Le saviez-vous
- AnecdotesThe Prisoner was filmed in the North Wales resort village of Portmeirion over the course of a year. Patrick McGoohan was inspired to film his series there after filming a couple of Destination danger (1960) episodes in the village.
- GaffesIn the opening sequence, the letter X is typed across the prisoner's photograph, but the typewriter typebar for the letter H is moving. The typebar for the letter X is at the far right of the frame.
- Crédits fousPortmeirion, Wales is not identified as the location for filming in all but the final episode. Instead the closing credits in these episodes simply say "Filmed on location."
- Versions alternativesIn the recent re-run of the series on the Horror channel in the U.K. whenever anyone is attacked by Rover, the screen simply changes to a swirling vortex. When shown originally, the victim's face was pressed into Rover's 'skin'
- ConnexionsEdited into Derrick contre Superman (1992)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Prisoner
- Lieux de tournage
- Abingdon Street, Londres, Angleterre, Royaume-Uni(underground carpark in title sequence)
- Sociétés de production
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