Ajouter une intrigue dans votre langueAn impassive young girl is taken from her suicidal big-city life back to a city in the North of England on a bizarre bus trip. Seen through the poetic eye of the camera, this is a commentary... Tout lireAn impassive young girl is taken from her suicidal big-city life back to a city in the North of England on a bizarre bus trip. Seen through the poetic eye of the camera, this is a commentary of doomed British morbidity.An impassive young girl is taken from her suicidal big-city life back to a city in the North of England on a bizarre bus trip. Seen through the poetic eye of the camera, this is a commentary of doomed British morbidity.
- Réalisation
- Scénario
- Casting principal
Allan O'Keefe
- Supporter
- (as Alan O'Keefe)
Dennis Alaba Peters
- Mr. Wombe
- (as Alaba Peters)
Avis à la une
A strange, moody, yet captivating film that captures the atmosphere at a certain time in Britain. I love the images of the terrace houses, the back alleyways and bombed out areas. I grew up just off Holderness Road in Hull and the images gave me a flashback to that time. The air is heavy with coal smoke, the roads have few cars and kids are playing in the streets, whilst the people all look gray like in a Lowry painting. The silent parts are the best as the images speak for themselves.
The humour is nicely understated. My particular favorite is the scene with the lift and the security guard.
I not sure what messages the film is seeking to convey, but as an observation piece it is superb.
The humour is nicely understated. My particular favorite is the scene with the lift and the security guard.
I not sure what messages the film is seeking to convey, but as an observation piece it is superb.
Interesting 47 minute short from a Shelagh Delaney short story. A girl quits her dull job, and goes on a surrealistic bus tour of a dilapidated Manchester. Along for the ride are a strange mix, including a lascivious vicar, lord mayor (Arthur Lowe, always great), etc. Many of the techniques that became part of 'If' and 'O Lucky Man' first show up here.(e.g. mixing color and B+W). It also follows 'O Lucky Man' in being a surreal journey of a somewhat passive, young lead character traveling through a world where they have little power. Enigmatic, sure, but it's interesting and entertaining in a Brechtian/Anderson sort of dark humored politically satirical way. Cleary it's making fun of the pathetic nature of modern society and our desperate need to justify all the glories of 'progress that really sap our humanity. Some terrific and haunting images. Anthony Hopkins appears very briefly singing in German (?!?).
This is a rather confusing situation in that generally it is held that Red White and Zero was a three part film with the involvement of Peter Brook, Lindsay Anderson and Tony Richardson as directors with only Anderson's White Bus segment being completed. Yet here we have a BFI release claiming discovery of the completed portmanteau film yet there are clearly three senate films complete with individual credits. Be all that as may be the Brook segment featuring Zero Mostel is a very 60s slapstick/surreal effort that barely succeeds and the luscious looking short film featuring Vanessa Redgrave (sort of) singing and cavorting about is not terrible but cries out for the participation of Jeanne Moreau, for whom it was originally intended, before Richardson switched ladies. The White Bus remains the most competent and fine looking film displaying the wonders of industrial Manchester in a jokey visitor tour that ironically probably does take place today. As might be expected, as well as the splendid photography we get social comment and politics mixed in with a fondness for the English rural landscape and a humane picture of life of the common man (or woman as rather surprisingly here presented).
This film had a big impact on me. Saw first saw it on BBC2 in the 70's as part of a Anderson Retro. Originally based on Delaney's book Red, White & Zero it was a three director/stories feature film. Although the other two parts were never finished. That's why the film doesn't have titles.
The reason why I loved this film was because I grew up in a slum clearance area of Liverpool. The film's landscape was exactly the same. Everything demolished - except for the pubs. I'd never seen anything like it on TV before.
I recently got another chance to see it and loved it. The story follows a girl who is fed up with working in London. The shot opens with her at a desk while the legs of a hanged fellow worker dangle from the celling. She leaves London - tired and fed up - and goes home to Manchester (although parts of the film were filmed in Birmigham). She stands at a desolate bus stop in the middle of demolished terraces. When along comes the white bus - it's a tour guided ride which shows the best of the city. What makes it even more special is that the bus is on it's maiden voyage. The Lord Mayor (Arthur Lowe) and other dignitaries ride the bus on a tour of factories, libraries and even a civil defence demo. At the end of the tour the girl winds up in a small cafe watching, inside what look like married couple. Thier love and passion for the small things in life mesmerises and charms the girl - reminding her what life's all about.
For Delaney it's like Charlie Bubbles - dealing with leaving your home town and looking at the effect it has on you. For Anderson it's yet another example of his cinematic poetry - like If... and Sporting Life. This film is a very special film by very special people. Oh thank you for making it.
The reason why I loved this film was because I grew up in a slum clearance area of Liverpool. The film's landscape was exactly the same. Everything demolished - except for the pubs. I'd never seen anything like it on TV before.
I recently got another chance to see it and loved it. The story follows a girl who is fed up with working in London. The shot opens with her at a desk while the legs of a hanged fellow worker dangle from the celling. She leaves London - tired and fed up - and goes home to Manchester (although parts of the film were filmed in Birmigham). She stands at a desolate bus stop in the middle of demolished terraces. When along comes the white bus - it's a tour guided ride which shows the best of the city. What makes it even more special is that the bus is on it's maiden voyage. The Lord Mayor (Arthur Lowe) and other dignitaries ride the bus on a tour of factories, libraries and even a civil defence demo. At the end of the tour the girl winds up in a small cafe watching, inside what look like married couple. Thier love and passion for the small things in life mesmerises and charms the girl - reminding her what life's all about.
For Delaney it's like Charlie Bubbles - dealing with leaving your home town and looking at the effect it has on you. For Anderson it's yet another example of his cinematic poetry - like If... and Sporting Life. This film is a very special film by very special people. Oh thank you for making it.
The short film, The White Bus, wanted to be an odd film instead turned into a tourist film. Honestly not much happens in the film. I have seen short films with better story lines and character development than the White Bus.
Though it was beautifully filmed.
If you are interested to see a film about Britain in the late 1960's then this film is for you.
Though it was beautifully filmed.
If you are interested to see a film about Britain in the late 1960's then this film is for you.
Le saviez-vous
- AnecdotesTheatrical movie debut of Sir Anthony Hopkins (Brechtian).
- ConnexionsFollowed by Red and Blue (1967)
- Bandes originalesResolution der Kommunarden
Performed by Anthony Hopkins
Lyrics by Bertolt Brecht / Music by Hanns Eisler
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- How long is The White Bus?Alimenté par Alexa
Détails
- Durée46 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was The White Bus (1967) officially released in Canada in English?
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