Le retour des sept

One of my all-time favourite music scores is Elmer Bernstein's thrilling theme from 'The Magnificent Seven'. I was practically dancing in my seat when I got to hear it again during the opening sequence in 'Return Of The Seven', the first of 3 sequels to John Sturges' classic western. My enthusiasm was short-lived. Bernstein and star Yul Brynner are the only major players to return for this 1966 rehashing of the first picture. Their work is solid---even though they just do the same things they did in Sturges' film---but writer Larry Cohen and director Burt Kennedy don't have any new ideas of their own.

It's impossible to replace actors like Steve McQueen, Eli Wallach, James Coburn, and Charles Bronson with Warren Oates, Fernando Rey and a slew of unknowns, but that must have been the best they could do. It's just as foolish to remake the remake (let's not forget that 'Magnificent' was a redo of Kurosawa's 'The Seven Samurai'). A completely different story might have worked better. Since only 3 of the original 7 survived---and neither McQueen or Horst Buchholz return as Vin or Chico)---you can't help noticing that the B team is just not good enough to match what the A team did with Brynner in 1960.

So brace yourself as Chris Adams (Brynner) and company ride into battle against Mexican bandits all over again. This time they've got to save Chico and the other male villagers they saved years before. Same result? Not telling, but there are 1 or 2 fun moments along the way. Any excuse to hear Bernstein's music is a good excuse, especially when the movie is on free TV. All the same, I think I'll skip the other sequels. 'Return Of The Seven' isn't horsepoo, but it's certainly not worthy of riding with 'The Magnificent Seven' either.

Living up to expectations is hard, this movie was the sequel to John Sturges´ classic The Magnificent Seven, it stars the three living part of the original posse; Chris ( Yul Brynner ), Vin ( newly appointed Robert Fuller to original Steve McQueen ), Chico ( new Julian Mateos to original Horst Bucholz ).

Although the story is very similar to the original ( seven guys fighting off a Mexican forajido ) the pacing is awful in comparison. As a stand-alone this movie would have been a decent one, but living in the shadow of its predecessor is devastating. Maybe this isn't fair but the hype of the first one was still buzzing and this sequel was but a poor copy of the original...

In some ways, it almost seems unfair to compare a sequel to the original, that we should judge it on it's own merits. However, usually the only reason we are watching a sequel is because of the original, so my review consists primarily in comparison.

The most interesting thing about Return is how hard the makers tried to make it like the original. They were largely successful. Burt Kennedy's direction is good and recreates the visual feel of the original. Of course, Bernstein's score highlights the film. The story, different in particulars, is goes through essentially the same stages: armed men attack the village, the call for help, the gathering of the seven, traveling to the village, defying the villain, the first attack beaten off, a pause where we get to know the characters and their motivations better, the final attack. The only difference is that the villagers do not 'betray' their protectors, as in the Magnificent Seven. A character even sneaks into the enemy camp in much the same fashion as in the earlier movie.

The real weakness of the sequel is the script. Along with the excellent acting and music, the dialogue in the first film was very well written and something of a departure from earlier westerns. It was terse, oftentimes funny, filled with meaning. In Return the delivery and the tone is the same, but the words spoken so solemnly are utterly commonplace and with no humor. Robert Fuller would have been a good replacement for McQueen, but the character is written completely differently and is far less interesting.

The acting, also, is inferior to the first film.

Another problem with the film is the portrayal of the peasants. They are a not characters, as in The Magnificent Seven, but a mass. This film is solely about the 7 Americans riding to the rescue to the rescue of defenseless peasants and at times seems to have a pro-intervention (pro-Vietnam?) political subtext that the in first film, which was a translation of Seven Samurai to the New World, was either absent or more subtle.

All this said and out of the way, film has lots of action, a good score, and Yul Brynner, who is always fun to watch in a western whether it is The Magnificent Seven or Adios, Sabata. Fans of westerns and action films will probably find it entertaining.

Familiar face Emilio Fernandez, who played Lorca, acted in over 70 films, starting in Mexico, and wrote and directed many of them. The relationship between his character, his dead sons, and Chris could have made a very compelling film. Unfortunately it was not expanded on.

Though not as good as the original, The Return Of The Seven brings back Yul Brynner for another appealing turn as black-clad anti-hero Chris Adams, with Claude Akins and Warren Oates providing memorable support. However, the rest of the seven are kind of bland, but alright.

Burt Kennedy was one of the best and least heralded directors that the western genre has to offer. Here, he doesn't disappoint, filling the screen with the type of excellent screen composition that his old collaborator Budd Boetticher was known for and from whom he no doubt learned to direct.

The afore mentioned direction, good production values, and exciting action sequences, as well as the performances of Brynner, Oates, Akins and Emilio Fernandez all help make up for the slow spots in the script.

Speaking of Warren Oates, the same year he also starred in the art-house/drive-in western The Shooting. Such a great actor he is, that Oates doesn't even seem like the same person in both movies! Three years later, he and villain Fernandez were opposite each other again in The Wild Bunch.

This was really a disappointment after watching The Magnificent Seven. I know sequels are usually disappointing, but this one had nothing going for it compared to the original. The only character returning was Yul Brenner. he looked as if he was going through the motions to collect a check to pay the rent. The outstanding cast that made The Magnificent Seven what it was was not equaled in any measure by the replacements. Even the addition of Steve McQueen couldn't have saved this film. And the bad guy? Give me a break! Eli Wallach was a consummate outlaw and I don't even know the name of the baddie in this film - he is so forgettable.

This film should not have been made. It shames the memory of The Magnificent Seven.