Picture Mommy Dead

Glamorous and gowned Zsa Zsa Gabor (as Jessica Flagmore) burns to death as a giggling girl removes her jeweled necklace. Three years later, sullen director's daughter Susan Gordon (as Susan Shelley) is released from a religious sanitarium and convent. The teenage young woman still seems have some mental problems, due to the shock of seeing her mother burned to death. The nuns warn father Don Ameche (as Edward Shelley) and beautiful blonde step-mother Martha Hyer (as Francene) that Ms. Gordon needs tender loving care. Since the young woman inherited everything, her parents seem more interested in getting some money...

An appropriately melodramatic and cartooning delivery help make this a fun "drive-in"-type horror movie. It also found a re-run home on TV during a time when TV movies of this type enjoyed great popularity. Bert I. Gordon's "Picture Mommy Dead" probably inspired producers to put more stories like this on their "Movie of the Week" production schedules. Just enjoy the silliness, TV movie style and snazzy score by Robert Drasnin. "The worms crawl in, the worms crawl out, in your stomach and out your mouth," is a mysterious clue. It's set in majestic Greystone Mansion. As a bonus, you get to see Zsa Zsa Gabor go up in flames.

****** Picture Mommy Dead (11/2/66) Bert I. Gordon ~ Susan Gordon, Martha Hyer, Don Ameche, Zsa Zsa Gabor

34 years have not dimmed the memory of this super low budget thriller. The special effects remind me of a Mario Bava film because maximum use is made of camera angles and light and shadow. Mind you, I only saw this shocker once at a remote air base but, along with the early Dario Argentos (Bird, Cat & Flies), What's the Matter with Helen?, Who Slew Auntie Roo?, and Romero's original Night of the Living Dead, this flick hit my funnybone and I remember its twisted plot and shocking ending as fondly as I remember those schlocky Bill Castle masterworks, Homicidal and Strait-Jacket. Seriously, the film is a fun ride and if you like Grade B thrillers, you'll get a big kick out of it. So, please, put it on DVD before the film stock dissolves!

This is one of schlock producer Bert I Gordon's best films. After watching her mother Jessica (Zsa Zsa Gabor) die in a mysterious fire, young Susan Shelley (Susan Gordon) is sent to a convent/mental hospital where she remains for three years. In the meantime, her father Edward (Don Ameche) has married Susan's former governess, Francene (Martha Hyer) who is also his former mistress. After Susan's release from the hospital, she returns with her father and stepmother to the family estate. Immediately, the familiar surroundings bring back visions of her dead mother, as well as a gnawing suspicion that it was she herself who is responsible for her mother's death. Meanwhile, the money-hungry Francene, who has exhausted her husband's share of his late wife's bequest, begins a campaign to return Susan to the hospital for good--thereby gaining the half million dollar inheritance held in trust for her. Enlisting the help of Susan's cousin Anthony (British actor Maxwell Reed and former husband of Joan Collins), Francene also seeks to learn the whereabouts of a magnificent diamond necklace she is sure Susan has hidden. An atmospheric production, filmed at the old Doheny estate in Beverly Hills, the scene of many subsequent films, an attractive musical score by Robert Drasnin, and fine acting by all (including Miss Gordon, the director's daughter) give this murder mystery spice. And the beautiful Martha Hyer gives it class. Look for screen veterans Signe Hasso (as a nun) Wendell Corey (as the family lawyer) and Anna Lee (as a friend of Jessica). A very good novelization of the screenplay was written by screenwriter Robert Sherman. Incidentally, the pressbook synopsis has a different ending!

PICTURE MOMMY DEAD had the potential to be more than a little potboiler. Photographed handsomely in Pathe color amid elaborate settings, its look is far beyond that of the average programmer.

But two things defeat it: an absurd plot and a dreadful performance by Susan Gordon in the central role as the traumatized victim of a horrible murder scene.

The adults are a little over-the-top in performing--especially Don Ameche, Martha Hyer (looking very glamorous), and Maxwell Reed. No doubt they knew the melodramatic material was so overly meller that it didn't matter much. Hyer at least is convincing as a greedy woman who has only one objective: to get her hands on as much estate money as possible after the death of the girl's wealthy mommy and especially a glittering diamond necklace.

Zsa Zsa Gabor flits about once in awhile when flashbacks permit the girl to remember a few events as they unfolded in the past. She's every bit the glamorous creature she always set out to be, and mercifully is not burdened by too much dialog.

Most surprising is that this wasn't photographed in low-budget style in B&W. Instead, the sharp color photography puts it on a higher level than the script would suggest.

The story lacks credibility as it goes along, becoming more and more improbable by the time it reaches a predictable conclusion.

Summing up: Watchable, but hurt by a central performance that is cringe worthy.

This is one of those movies I saw as a young kid back in the late 60's that always stuck with me, so creepy when I was little and now that I am older it is just plain campy!!!! Susan Gordon overacts playing the demented daughter of Don Ameche and Zsa Zsa Gabor. Seems Susan comes out of a convent or was it a mental institution? Anyway, she's got major issues since her Mom burned to death in the family mansion. Now Daddy Warbucks has married her former nanny, sleazily played to the hilt by Martha Hyer. The nanny wants all of Daddy's money and is willing to do anything and anyone in order to get it. I love the scene where the toys are coming alive, pretty creepy stuff when you are 8 years old and not too bad now that I'm 43. Lot's of fun to watch and the ending comes as somewhat of a surprise. Enjoy.