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Opération Goldman

Titre original : Operazione Goldman
  • 1966
  • Not Rated
  • 1h 34min
NOTE IMDb
4,9/10
372
MA NOTE
Opération Goldman (1966)
Space Sci-FiAdventureSci-Fi

Ajouter une intrigue dans votre langueA U.S. agent goes undercover as a rich playboy to stop a madman from destroying a NASA moon project.A U.S. agent goes undercover as a rich playboy to stop a madman from destroying a NASA moon project.A U.S. agent goes undercover as a rich playboy to stop a madman from destroying a NASA moon project.

  • Réalisation
    • Antonio Margheriti
  • Scénario
    • Alfonso Balcázar
    • Ernesto Gastaldi
    • José Antonio de la Loma
  • Casting principal
    • Anthony Eisley
    • Wandisa Guida
    • Diana Lorys
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,9/10
    372
    MA NOTE
    • Réalisation
      • Antonio Margheriti
    • Scénario
      • Alfonso Balcázar
      • Ernesto Gastaldi
      • José Antonio de la Loma
    • Casting principal
      • Anthony Eisley
      • Wandisa Guida
      • Diana Lorys
    • 21avis d'utilisateurs
    • 22avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos20

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    Rôles principaux22

    Modifier
    Anthony Eisley
    Anthony Eisley
    • Lt. Harry Sennitt
    Wandisa Guida
    • Kary
    • (as Wandisa Leigh)
    Diana Lorys
    Diana Lorys
    • Captain Patricia Flanagan
    • (as Dianna Loris)
    Luisa Rivelli
    Luisa Rivelli
    • Sylvia White
    • (as Ursula Parker)
    Folco Lulli
    Folco Lulli
    • Mr. Rehte
    Francisco Sanz
    • Professor Rooney
    • (as Paco Sanz)
    José María Caffarel
    José María Caffarel
    • Archie White
    • (as J. H. Caffarel)
    Renato Montalbano
    Renato Montalbano
    • Hotel Clerk
    • (as Rene Montalban)
    Oreste Palella
    Oreste Palella
    • Fidel
    • (as O. Palely)
    Silvana Bacci
    • Dancer at Pool Party
    • (non crédité)
    Barta Barri
    Barta Barri
    • Senator Woolner
    • (non crédité)
    Aldo Canti
    Aldo Canti
    • Henchman
    • (non crédité)
    Arnaldo Dell'Acqua
    • Hitman
    • (non crédité)
    Tito García
    Tito García
    • Emanuel Garcia
    • (non crédité)
    Fernando Hilbeck
    Fernando Hilbeck
    • Truck Driver
    • (non crédité)
    Mario Lanfranchi
    • Chief of Section S
    • (non crédité)
    Luciana Petri
    • Seaplane Hostess
    • (non crédité)
    Renzo Pevarello
    Renzo Pevarello
    • Hitman
    • (non crédité)
    • Réalisation
      • Antonio Margheriti
    • Scénario
      • Alfonso Balcázar
      • Ernesto Gastaldi
      • José Antonio de la Loma
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs21

    4,9372
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    Avis à la une

    7mikecanmaybee

    Eurospy meets Sci-Fi.

    This movie is a lot of fun with multiple plot twists and a bad guy with a hilarious German accent. If you like SciFi or Eurospy take a little time and enjoy Operation Goldman.
    4zippgun

    Super-spy to stupid spy

    Shot in Rome,usually known in the English speaking world as "Lightning Bolt"(so like "Thunderball"!),this movie is an especially tacky example of the Euro-Superspy genre of the 1960's.Often these movies starred second string American actors to help US sales-and this has Anthony Eisley(best known as a lead in the TV detective series "Hawaiian Eye"),who spent a lot of his career in such Euro schlock.Handsome,tough looking and businesslike,Eisley was suitable for these kinds of roles,but here he is immersed in a distinctly third rate "Bond" caper.The story has elements from "Dr No"(villain who shoots down US moon rockets-cue the grainy stock footage of Cape Kennedy which fills the movie),but here the tale is clumsily developed and full of absurdities.The villain,vaguely resembles Goldfinger,and is-wait for it-a fiendish beer manufacturer,just like the villain in the Matt Helm movie "The Ambushers"(1967).Eisley's hero "Harry Sennet" at times acts with incredible stupidity.He drives right on to a rocket launch site to try and stop it leaving-just as it blasts off!In another unprofessional moment,Sennet,captured and surrounded by thugs,goes into a rage and tries to attack the gloating villain,when it's obvious he will fail and just gets more battering from the bad guys for his trouble-007 would be appalled!And here is a hero who more than once tries to "buy off" enemies by offering them cheques!(a wonderfully absurd scene has him doing a cheque for a gunman who's ready to shoot him!). The English dubbing is clear but often incongruous(a renowned rocket scientist who speaks in a "Barry Fitzgerald" Irish burr?).To try to make the narrative more coherent,we have Sennet providing a frequently cornball "tough guy" voice-over at certain points.

    I did quite like the villainess with an acid squirting gun,and the "underwater city" hideout has a certain threadbare pop art mid 60's charm(with its ice-chamber where the villain stores his frozen victims).The final action and destruction scenes are far better done than the rest of the movie,the director seems more at home with fighting/mayhem than other aspects of film making.

    There are a lot of better examples of 60's Eurospy out there,but "Lightning Bolt" is tolerable if you are interested in the genre.
    vjetorix

    Cheesy, mostly bad spy spoof

    This is one cheesy movie and a lot has been written about it (mostly bad) since it is widely available on the gray market but there are things (mostly bad, again) worth mentioning.

    Lightning Bolt features smart-ass hard-boiled narration by Eisley and many moments of unintentionally laughable dialog, the kind that would make Ed Wood proud. Nonsensical situations and actions abound in this movie and the special effects are as to be expected; not very special, like the old yarn-for-the-laser-beam trick made famous in Italy.

    Though the movie has a few charms they are outweighed by too much silliness, a weak villain and the sense that one's time is worth more than the budget spent in making it.
    6ma-cortes

    Spanish/Italian Euro-spy movie with lots of noisy action , thrills and a spectacular final

    Six American moon launches in a row from Cape Canaveral have ended in catastrophe in the destroy button needing to be deployed in each case as the rockets were going off course and with the high cost of the destroyed hardware of the rockets . Dr. Rooney (Francisco Sanz) , part of the scientific team behind the launches, believes it is sabotage in having detected radiation signals coming from below the water's surface in the vicinity of the cape that is most-likely the cause of the rockets' change of trajectory. When Rooney himself goes missing in his investigation of the radiation source , the FSIC (Federal Security Investigation Commission) gets involved in knowing indeed that it is sabotage. Then a U. S. agent (Anthony Eisley) is assigned the mission and he goes undercover posing as a wealthy playboy to stop a madman (Folco Lulli) from destroying a NASA moon project. Just like his English counterpart (007) , our special agent to be surrounded by some beautiful female representatives (Wandisa Guida, Diana Lorys, Luisa Rivelli) and luckily , Italian genre cinema is an almost inexhaustible breeding ground for beauties of all kinds.

    ¨Lightning Bolt¨or ¨Operazione Goldman¨ (1966) belongs to ¨Eurospy" subgenre , under this somewhat barbaric Anglicism hides a series of films produced in Europe between 1962 and 1969 that tried to take advantage of the success of James Bond and especially : Dr No , From Russia with love and Goldfinger. One of the peculiarities of the "James Bond¨ rip-offs was wanting to imitate their model without ever having neither means , nor budget , turning to economy like most films of this sub-genre . Operation Goldman could have sunk into mediocrity or conformism , but it was without counting on this good artisan Antonio Margheriti that found the breeding ground here ideal to give us one of those uninhibited and fun movies that he had the secret of shooting with skill and professionality enough . The movie starts slowly like a conventional spy story , but once the hero is in the villain's underwater landmark , the director lets loose by recycling some ideas already exploited in his previous sci-fi movies like frozen humans , etc. The script is obviously just a pretext for Margheriti who does not hesitate to fit models and ideas of all kinds , which does not prevent him from abusing NASA stock footage , this is one of the weak points of this production, but the filmmaker once again demonstrates his incredible knowledge by integrating the explosion of models into real images. Unable the production to afford a designer of Ken Adam's importance , and the lack of budget does not prevent Margheritti from inventing some successful settings , as he cleverly uses some impressive scenarios , such as the large underwater headquarter, the villain's "high-tech" desk, protected by two giant articulated needles or the Italian Olympic team's training pool with a handful of bathing suit extras . In addition , he recreates a Florida hotel without ever leaving Spain or Italy where it was shot . Stars Anthony Eisley who was at the time one of the actors of a series that aired on ABC "Hawaiian Eye" (1959-1963). Subsequently, he also appeared in quite a few budget and genre films such as The Wasp Woman (1960), "The Navy vs. The Night Monsters" (1966), "The Mighty Gorga" (1969), The Witchmaker (1969), "Dracula vs Frankenstein" (1971) or "The Doll Squad" (1974). The film benefits itself from appearances by gorgeous young starlettes to be followed long careers in the Eurotrash genres , such as : Wandisa Guida, Diana Lorys and Luisa Rivelli . But here stands out the really gorgeous Diana Lorys , a Spanish female who has distinguished herself quite a bit in the spaghetti western: "The outlaws of Casa Grande" (1964), "I Gemelli del Texas" (1964), "The charge of the mounted police" (1964), "Murieta" ( 1965), "The border of hatred" (1965), "Django shoots first" (1966), "El texicano" (1966), "Pancho Villa" (1968), "Sonora" (1968), "Río Hondo" ( 1968), "Shoot Django First" (1971), The Four Mercenaries of El Paso (1971), "Chino" (1973), "Goodbye California" (1977), "The Cursed City" (1978) . While Wandisa Guida is a beauty who has distinguished herself in many films of the Sword and sandals genre: "The Revenge of Hercules", "The Rebellion of the Slaves", "The Revenge of Ursus", "The gladiators of Rome", "Maciste in King Solomon's mines", "The giants of Rome" ("Fort Alesia") or "Samson against all" and she will appear again in "A 077, Sfida ai Killers" and Operazione Goldman before stopping her career, making a final appearance in 1982 in "Assassinio al cimitero etrusco" ("Crime in the Etruscan Cemetery"). And being a Spain/Italy co-production showing up here and there some Spanish familiar actors , such as : Francisco Sanz , José María Caffarel , Tito Garcia , Fernando Hilbeck , Barta Barri and Italians : Folco Lulli , Aldo Canti , among others.

    It contains a colorful cinematography by cameraman Riccardo Pallottini , though a perfect remastering being really necessary . Displaying a thrilling and moving musical score by Riz Ortalani. The motion picture was well produced by Alfonso Balcazar and professional but regularly directed by terror expert Antonio Margheritti or Anthony M. Dawson , though it displays some failures and shortcomings . Expert filmmaker Margheriti could not escape to shot Euro-spy films : after a series of science films fiction that will considerably strengthen his reputation over time, he continued with this spy genre : an adventure of Agent 077 aka Bob Fleming "A 077, Sfida ai Killers" with Richard Harrison and ¨Operazione Goldman¨, the latter largely inspired by Dr. No and Goldfinger. ¨Lightning Bolt¨ was directed by Stakhanovist Antonio Margheritti, who was responsible for one of the most bizarre and insane space operas ever made : ¨Wild, Wild Planet¨. He was one of the great Italian directors of the era, and has really attracted a cult following, but he made more than his share of half-way decent films in a number of different genres, and a few which are actually goofy enough to overcome their limitations. Antonio Margheritti was a good but uneven craftsman , expert on terror and exploitation films. Being a prestigious filmmaker of Spaghetti Westerns, terror , adventures Peplum and anything else . Notorious Antonio Margheritti directed with skillness and aplomb from 1956 to his death in 2002 . Antonio was a former university engineering student who began shooting in 1956. He made all kinds of genres , some of them splendidly directed and others mediocre or flops . As he realized wartime movies , such as : ¨The Last Hunter¨, ¨Tornado¨, ¨Codename Wild Geese¨, ¨Der Commander¨ , ¨Command Leopard¨ . Sci-Fi : ¨War of Planets¨, Planet of the Prowl¨ , ¨Criminal of the Galaxy¨ , ¨Yor the Hunter from the future¨ , ¨Treasure Planet¨ . Spaghetti Western : ¨Joko¨, ¨Dynamite Joe¨, ¨The Stranger and the Gunfighter¨, ¨Take a Hard Ride¨ , ¨Ghosts go West¨ , ¨Joe implacable¨, ¨God Said to Cain¨. And Terror : Virgin of Nuremberg , Cannibal Apocalypse , Alien From Deep , ¨Flesh for Dracula¨ , ¨Flesh for Frankenstein¨, among others. Rating 5.5/10. Mediocre but passable for the enjoyable cast and adequate direction . The picture will appeal to Euro-spy aficionados.
    4kevinolzak

    Shown on Pittsburgh's Chiller Theater only in 1970

    1965's Italian-Spanish "Lightning Bolt" (Operazione Goldman) was picked up by Woolner Brothers for a double bill with Stewart Granger's "Red Dragon," TV veteran Anthony Eisley popping up mostly in low budget features like "The Wasp Woman," "The Navy vs. The Night Monsters," "The Mighty Gorga," and Al Adamson's "Dracula vs. Frankenstein." FSIC (Federal Security Investigation Commission) is assigned the case of American rockets drawn off course by radiation on their way to the moon, an obvious echo of the debut James Bond feature of 1962, "Dr. No" (the original title and Florida settings also recall "Goldfinger"), Eisley's Lt. Harry Sennett posing as a frivolous American playboy with checkbook always ready, his smarmy narration of every little detail quickly wearing out its welcome. Folco Lulli plays the villain Mr. Rehte, whose likeness adorns his own brand of beer, safely hidden near Cape Kennedy in a subterranean stronghold, one that the Bond series would adopt a decade later for "The Spy Who Loved Me." A science fiction element is added with hibernation chambers keeping his enemies in a state of suspended animation, all reduced to skeletons during the explosive climax, an impressive display of set design and special effects for director Antonio Margheriti. An unlikely chase scene at the halfway mark finds our hero trying to prevent the latest launch by driving headfirst toward the site, reminding one of Robert Loggia in 1957's "The Lost Missile." Eisley just doesn't look the part of suave secret agent, and for once the girls aren't much help, though brunette captain Diana Lorys scored a 1961 triumph with Jesus Franco's "The Awful Dr. Orlof," later appearing in Amando de Ossorio's "Fangs of the Living Dead," Christopher Lee's "The Bloody Judge," and Paul Naschy's "The Blue Eyes of the Broken Doll."

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Played at Quentin Tarantino's annual Film Festival (QT Fest 4) in 2000 at the Alamo Drafthouse, in Austin, Texas.
    • Citations

      Mr. Rehte: I've never killed anyone until now, Mr. Sennitt, but you may be the first.

      Lt. Harry Sennitt: I'll decline the honor.

    • Connexions
      Edited into Operation: Secret Agents, Spies & Thighs (2007)

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    Détails

    Modifier
    • Date de sortie
      • 15 février 1967 (France)
    • Pays d’origine
      • Italie
      • Espagne
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Lightning Bolt
    • Lieux de tournage
      • Studio Incir - De Paolis, Rome, Lazio, Italie(Studio, as De Paolis - Rome)
    • Sociétés de production
      • Seven Film
      • Balcázar Producciones Cinematográficas
      • BGA
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 34 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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