Ajouter une intrigue dans votre langueAn ex model, sales girl and assistant buyer for an NYC dress store lets her hair down when sent to Paris as fashion buyer.An ex model, sales girl and assistant buyer for an NYC dress store lets her hair down when sent to Paris as fashion buyer.An ex model, sales girl and assistant buyer for an NYC dress store lets her hair down when sent to Paris as fashion buyer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Mathilda Calnan
- Cecile
- (as Matilda Calnan)
Michèle Montau
- Elise
- (as Michele Montau)
Count Basie and His Orchestra
- Count Basie and His Orchestra
- (as Count Basie and His Octet)
Mongo Santamaria
- Mongo Santamaria
- (as Mongo Santamaria and His Band)
Leon Alton
- Passerby
- (non crédité)
Don Anderson
- Nightclub Patron
- (non crédité)
Robert Banas
- Dance Partner
- (non crédité)
Majel Barrett
- Mrs. David Prentiss
- (non crédité)
Avis à la une
Ann-Margret is simply irritating trying to play a naive and coy young lady wandering into Paris for her very first time with two (2) men both trying to woo her affections. I could not help but compare it to the earlier 196 film Gidget Goes to Rome starring James Darren, and Cindy Carol which was a more genuine adorable movie for young first time lovers.
Made in Paris was a big disappointment. It also reminded me of any number of Jerry Lewis's 1960's slapstick films. So for a so called Romance genre film it tanked big time.
I give it a lowly 4 out of 10 IMD rating.
Made in Paris was a big disappointment. It also reminded me of any number of Jerry Lewis's 1960's slapstick films. So for a so called Romance genre film it tanked big time.
I give it a lowly 4 out of 10 IMD rating.
'Made in Paris' was just another flop (film-critical wise) in Ann-Margret's film career, which had started off extremely successful with 'Bye Bye Birdie' and Elvis' most entertaining movie 'Viva Las Vegas' and then kind of took a wrong turn with 'Kitten with a Whip', which she, or better her managers, took instead of 'Cat Ballou'. It was a good movie but a critical disaster. One could say the only really good movie of her early career was 'The Cincinnati Kid', although her presence makes everyone of her films quite a pleasure to watch, even 'The Swinger'.
Yes, this 'romantic comedy' here is not bad. Unfortunately I would have to lie to say it was good. You'll not be harmed by watching it but don't expect The Godfather, though. Despite being a "comedy" the film is not very funny, except maybe for Richard Crenna, who gives the best acting performance here and has the best lines (relatively speaking, this is not Woody Allen quality). Jourdan does his usual French sophisticated charm routine and he and the other supporting players are all quite good.
Of course the simple romantic story was nothing spectacular. The highlight is, as you probably expected, the No. 1 sex kitten of the Sixties, a woman I can easily call the quintessential American beauty and sex symbol of her time and perhaps even all: Ann's sexy dance numbers are energetic, she's a fine dancer and the outfits are well-chosen, showing just enough of cleavage and legs. And that's about it. No surprise: She looks absolutely stunning here and if you happen to be unmoved by her looks, you should NEVER watch it. If you're an Ann-Margret fan, you should definitely give this one a try. Her acting is quite fine (although there's not enough character in the screenplay that could allow a great performance), and her unbelievable charisma and screen presence make this a very watchable movie in the end. Watch it for her and nothing else.
Yes, this 'romantic comedy' here is not bad. Unfortunately I would have to lie to say it was good. You'll not be harmed by watching it but don't expect The Godfather, though. Despite being a "comedy" the film is not very funny, except maybe for Richard Crenna, who gives the best acting performance here and has the best lines (relatively speaking, this is not Woody Allen quality). Jourdan does his usual French sophisticated charm routine and he and the other supporting players are all quite good.
Of course the simple romantic story was nothing spectacular. The highlight is, as you probably expected, the No. 1 sex kitten of the Sixties, a woman I can easily call the quintessential American beauty and sex symbol of her time and perhaps even all: Ann's sexy dance numbers are energetic, she's a fine dancer and the outfits are well-chosen, showing just enough of cleavage and legs. And that's about it. No surprise: She looks absolutely stunning here and if you happen to be unmoved by her looks, you should NEVER watch it. If you're an Ann-Margret fan, you should definitely give this one a try. Her acting is quite fine (although there's not enough character in the screenplay that could allow a great performance), and her unbelievable charisma and screen presence make this a very watchable movie in the end. Watch it for her and nothing else.
Made In Paris is not referring to something that happens to Ann-Margret while in Paris. Not that there aren't three men willing to take on that assignment. No in fact it refers to Ann-Margret's first assignment taking over as a department store buyer in place of Edie Adams who is going to get married. No Ann's in Paris to get designer clothing for her store with that all important label in the fashion industry.
The three men in her life are designer Louis Jourdan, reporter Richard Crenna and the son of the store owner Chad Everett. Jourdan and Everett are in heat over her, Crenna just sits back and offers cynical comments hoping the other two kill each other off.
Ann-Margret was just a wee bit too innocent for this comedy with pretensions of sophistication. Not the best films for any of her leading man for that matter either. But entertaining and pleasant enough for a Saturday afternoon.
The three men in her life are designer Louis Jourdan, reporter Richard Crenna and the son of the store owner Chad Everett. Jourdan and Everett are in heat over her, Crenna just sits back and offers cynical comments hoping the other two kill each other off.
Ann-Margret was just a wee bit too innocent for this comedy with pretensions of sophistication. Not the best films for any of her leading man for that matter either. But entertaining and pleasant enough for a Saturday afternoon.
This thing was made in 1966, there were social changes a' coming. Heck, the Beatles and dozens of other Brit bands were here; fashions/makeup and social mores were changing fast. And here is our darling young gorgeous naive Ann Margret in the Gay Paree fashion world, fending off several inexplicably straight men dying to get into her lacy undies. Everyone wearing already dated huge Dairy Queen ice-cream-cone hairdos. An eye-goggling endless fashion shows of amazing, though already dated, 'Paris Fashions' (including a hideous hideous wedding gown at the end of the fashion show). And enough dead skinned animal fur to taint the Seine blood red for a year. Every other gown/coat/pantsuit was festooned with fur. Everyone smoking like MAD (and all that fur and expensive clothes worn in nightclubs so thick with nicotine you could hardly see them). Lots of I'm-not-that-kind-of-girl slap and tickle, lots of groovy and not dancing, some OK music of the time - this was made for ladies like my aunt, about 40, and still in love with Elvis years after he peaked. Long gloves, lots of up-do hair, amazing colors, exquisite set decorations (her hotel room - to. die. for.) Just watch this silly dated thing for the eye candy. It plays, and sounds, exactly like something Doris Day would have starred in (she turned it down, wisely, being a bit long in the tooth to play a beautiful young naive virgin being solicited by the three straight men in all of the fashion world.). A lovely Sunday afternoon time-filler. Not good, but not horrible.
Beautiful fashion model, salesgirl and assistant buyer Ann-Margret (as Maggie Scott) dates handsome boss' son Chad Everett (as Ted Barclay). When it's time to make out on the sofa, Ann-Margret hits Mr. Everett violently on the head with an "Objet d'art". Everett survives, but with a bandaged head. After the credits, Ann-Margret learns she is being transferred to Paris, where she'll work as a fashion consultant. It's a glamorous and exciting job. Ann-Margret is courted by famous fashion designer Louis Jourdan (as Marc Fontaine) and playboy reporter Richard Crenna (as Herb Stone). Everett also goes to Paris, probably because he regrets asking Mr. Crenna to look after Ann-Margret. Co-worker Edie Adams (as Irene Chase) tries to explain Mr. Jourdan needs sexual satisfaction, but Ann-Margret doesn't seem to understand...
Ann-Margret is an amazing beautiful woman, and director Boris Sagal provides opportunities to see her underclothing. Dressing and undressing scenes are a highlight of "Made in Paris". One standout moment has the leading lady flashing a sexy glimpse of upper thighs while getting up and going to do something impossible to remember unless you're not looking up her short nightie. You could almost see France, but all of this story was done in the US. Of course, you see nothing, but it's Ann-Margret. The actual story is incredibly dull. There is a dreadful "fashion show" segment with stuff Mr. Jourdan's character admits no woman is going to wear. Ann-Margret has a lively dance segment, but this film otherwise wastes its star. The question, "Will her virginity remain intact until just after the closing credits?" is answered.
*** Made in Paris (1966-02-09) Boris Sagal ~ Ann-Margret, Chad Everett, Louis Jourdan, Richard Crenna
Ann-Margret is an amazing beautiful woman, and director Boris Sagal provides opportunities to see her underclothing. Dressing and undressing scenes are a highlight of "Made in Paris". One standout moment has the leading lady flashing a sexy glimpse of upper thighs while getting up and going to do something impossible to remember unless you're not looking up her short nightie. You could almost see France, but all of this story was done in the US. Of course, you see nothing, but it's Ann-Margret. The actual story is incredibly dull. There is a dreadful "fashion show" segment with stuff Mr. Jourdan's character admits no woman is going to wear. Ann-Margret has a lively dance segment, but this film otherwise wastes its star. The question, "Will her virginity remain intact until just after the closing credits?" is answered.
*** Made in Paris (1966-02-09) Boris Sagal ~ Ann-Margret, Chad Everett, Louis Jourdan, Richard Crenna
Le saviez-vous
- AnecdotesAnn-Margret got to keep whatever she wanted of the wardrobe created for her by Helen Rose as part of her contract to do the movie.
- GaffesGlass of water appears and disappears during Paris bedroom scene.
- Citations
Ted Barclay: That was sent to Lilly LaRue for her strip tease act at the Body Shop.
- ConnexionsFeatured in Made in Paris (1966)
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- How long is Made in Paris?Alimenté par Alexa
Détails
- Durée
- 1h 43min(103 min)
- Rapport de forme
- 2.35 : 1
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