NOTE IMDb
5,4/10
173
MA NOTE
Ajouter une intrigue dans votre langueVincent, the framer, get a job as an apprentice, but really wants to steel Mona Lisa...Vincent, the framer, get a job as an apprentice, but really wants to steel Mona Lisa...Vincent, the framer, get a job as an apprentice, but really wants to steel Mona Lisa...
- Réalisation
- Scénario
- Casting principal
Mino Doro
- Deuxième voleur
- (as Mino d'Oro)
Avis à la une
Diffuse, meandering and overlong comedic period caper (without many laughs) that relies on Marina Vlady's great charm to carry it through. This is one case where Hollywood did this sort of thing much better, with "Pink Panther" and the likes. Margaret Lee fans beware: she has a very very small part. ** out of 4.
Michel Deville is perhaps the most underrated French filmmaker alive today. His films are marked by a deft, intelligent style; the editing and transition scenes in his films is often stunning: dialogue scenes are always zippy and fresh, especially in La Lectrice (1988) and the superb, Death in a French Garden (1986).
On a Vole La Joconde, as the film is known in France (The Mona Lisa Has Been Stolen in English-speaking nations) is a light a breezy caper film in the best tradition of the subgenre, which was very popular in the late 50s and early 60s, with hits like Big Deal on Madonna Street and It's a Mad, Mad, Mad, Mad World (1963) springing first to mind.
What makes the film so appealing is Chakiris' laconic, confident performance which sits well with the overall tone of the film; danger is never present, yet one is intrigued as to how and when the famous portrait will be stolen and who will finally get their hands on it. Slapstick abounds once things get going, but it never becomes overbearing.
Marina Vlady gives a coy but sexy performance and her rapport with Chakiris is delightful.
Even with fluff, Deville's style is invigorating and The Mona Lisa Has Been Stolen is a fun, sexy caper, beautifully shot in scope by Massimo Dallamano; this was his last film; he shot Leone's A Fistful of Dollars and For a Few Dollars More.
Available on DVD in the UK in anamorphic widescreen.
On a Vole La Joconde, as the film is known in France (The Mona Lisa Has Been Stolen in English-speaking nations) is a light a breezy caper film in the best tradition of the subgenre, which was very popular in the late 50s and early 60s, with hits like Big Deal on Madonna Street and It's a Mad, Mad, Mad, Mad World (1963) springing first to mind.
What makes the film so appealing is Chakiris' laconic, confident performance which sits well with the overall tone of the film; danger is never present, yet one is intrigued as to how and when the famous portrait will be stolen and who will finally get their hands on it. Slapstick abounds once things get going, but it never becomes overbearing.
Marina Vlady gives a coy but sexy performance and her rapport with Chakiris is delightful.
Even with fluff, Deville's style is invigorating and The Mona Lisa Has Been Stolen is a fun, sexy caper, beautifully shot in scope by Massimo Dallamano; this was his last film; he shot Leone's A Fistful of Dollars and For a Few Dollars More.
Available on DVD in the UK in anamorphic widescreen.
Le saviez-vous
- ConnexionsRemake of Der Raub der Mona Lisa (1931)
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Détails
- Durée1 heure 44 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was On a volé la Joconde (1966) officially released in Canada in English?
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