Invasion

Invasion is not a bad movie, but neither is it particularly good. I think the enthusiastic reviews are reaching. I will say, it is an awfully strange movie. The protagonists can't figure out whether the aliens are "Chinese" or "Japanese." All they know, or think they know, is that they are - "Asian" - and that apparently there is an alien Asian invasion. It seems like this component of the movie is supposed to lend some kind of air of mystery or exoticism, or perhaps mere novelty, to the story. It's muddled so you really can't ever tell what the filmmaker's intentions were. I would love to read an interview to hear what they were thinking.

In any case, as other reviewers have noted, the movie is atmospheric, has some nice B&W cinematography, and an effective, understated score. Unfortunately the heroic act of Edward Judd toward the end relies on a very weird stroke of luck, which is reflects the unevenness of the script, which is fine in parts but nonsensical in other parts. (Funnily, Judd is just as grim and sweaty in Invasion as he was in The Day the Earth Caught Fire, a far superior movie from a few years earlier.)

Being a fan of 1950s and '60s British sci-fi, it was very much worth the money. While I can't see myself watching it repeatedly the way I do classics like Village of the Damned, Day the Earth Caught Fire, and the Quatermass productions, it is worth tracking down if you like the particular temperament of the classical era of Brit sci-fi.

Fyi: I couldn't find this movie streaming anywhere so I bought a region 2 DVD for 12 bucks, including shipping, from Amazon. It's the Studiocanal edition. (I've included a few photos so you can make sure you're ordering the addition you want to order or so if you get the wrong version you can justifiably return it.) The picture is properly letterboxed at 1:66, which was the standard UK aspect ratio of the time. The picture is surprisingly good, with no blurring of grays and blacks, sharp lines between tones, with the blacks being surprisingly deep. The DVD includes a trailer, which, oddly, is narrated by the guy with an American accent, as well as the smallest photo gallery I've ever seen on a DVD, maybe six or seven pictures. Frankly, it's amazing this movie got a DVD release, so beggars can't be choosers.

This is a great movie. I love sci fi B movies, especially British ones, and this something of a classic. The story is not the most original, but it does have a few twists and turns that I wont give away here. It's very atmospheric, and the black and white photography is off a very high quality. The one complaint I would have is that there isn't really any kind of invasion in this movie. The title is a little mis-leading to say the least! But don't let that worry you. This is an entertaining movie with worthy acting and directing that gives you a glimpse into the post-war mentality of middle England. And aliens. Don't forget the Chinese aliens.

This British film is a good example of how intelligence and care can be very adequate substitutes for big budgets and endless CGI. It was made in the sixties but I can watch it again and again while bloated modern sci-fi films are seen and soon forgotten.

It is a low key film and the people in, in the face of something alien, get on with their jobs as best they can. This makes them more like real people than a lot of films do. Each one is fallible and anxious, trying to cope with the unknown. Edward Judd is his usual morose self but is a plausible doctor. Valerie Gearon as another doctor is great. The scene where she is discovered sprawling on the carpet, reading a text book and listening to music makes you warm to her instantly. She was an under used actor in British films.

The plot is simple; a strange man in a rubbery suit is knocked down in the road, taken to hospital and discovered to be an alien. Meanwhile two other aliens are searching for him. And that's it. The atmosphere of suspense is quietly conveyed by the lighting and the black and white photography.

At one point a force field is established around the hospital. There is no CGI to show this but car stops dead and kills the driver, the temperature goes up, the hospital workers react. One believes in that force field without a penny being spent on a special effect. That is good film making. There are many such interesting British films of the fifties and sixties that need re-appraisal and will be worth looking at again when we have tired of over blown under nourishing block busters

There was obviously very little money available for this movie, but despite this, everyone involved appears to have give it their best shot.In all departments, lighting, camera, acting etc its all very well done.

This is one of a cycle of low-key British Sci-Fi movies of the early to mid 1960s (see also UNEARTHLY STRANGER, NIGHT CALLER FROM OUTER SPACE and NIGHT OF THE EAGLE for other examples) which are technically unspectacular, but which establish and maintain an effectively eerie atmosphere. Its setting is a remote hospital under siege by humanoid aliens whose motives are initially unknown. The morning after I first saw it (on TV in the middle of the night), I thought I had dreamt it. An unheralded gem.