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Comment voler un million de dollars

Titre original : How to Steal a Million
  • 1966
  • Tous publics
  • 2h 3min
NOTE IMDb
7,5/10
31 k
MA NOTE
Comment voler un million de dollars (1966)
TV spot trailer two
Lire trailer1:01
4 Videos
99+ photos
CâpreComédieCriminalitéRomance

Comédie romantique mettant en scène une femme qui doit voler une statuette dans un musée parisien pour conserver le secret des contrefaçons d'oeuvres d'art de son père et l'homme qui l'aide.Comédie romantique mettant en scène une femme qui doit voler une statuette dans un musée parisien pour conserver le secret des contrefaçons d'oeuvres d'art de son père et l'homme qui l'aide.Comédie romantique mettant en scène une femme qui doit voler une statuette dans un musée parisien pour conserver le secret des contrefaçons d'oeuvres d'art de son père et l'homme qui l'aide.

  • Réalisation
    • William Wyler
  • Scénario
    • George Bradshaw
    • Harry Kurnitz
  • Casting principal
    • Audrey Hepburn
    • Peter O'Toole
    • Eli Wallach
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    31 k
    MA NOTE
    • Réalisation
      • William Wyler
    • Scénario
      • George Bradshaw
      • Harry Kurnitz
    • Casting principal
      • Audrey Hepburn
      • Peter O'Toole
      • Eli Wallach
    • 150avis d'utilisateurs
    • 46avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos4

    How To Steal A Million
    Trailer 1:01
    How To Steal A Million
    How To Steal A Million
    Trailer 0:22
    How To Steal A Million
    How To Steal A Million
    Trailer 0:22
    How To Steal A Million
    How To Steal A Million
    Trailer 3:26
    How To Steal A Million
    How To Steal A Million
    Trailer 1:17
    How To Steal A Million

    Photos206

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    + 198
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    Rôles principaux18

    Modifier
    Audrey Hepburn
    Audrey Hepburn
    • Nicole Bonnet
    Peter O'Toole
    Peter O'Toole
    • Simon Dermott
    Eli Wallach
    Eli Wallach
    • Davis Leland
    Hugh Griffith
    Hugh Griffith
    • Charles Bonnet
    Charles Boyer
    Charles Boyer
    • DeSolnay
    Fernand Gravey
    Fernand Gravey
    • Grammont
    Marcel Dalio
    Marcel Dalio
    • Senor Paravideo
    Jacques Marin
    Jacques Marin
    • Chief Guard
    Moustache
    Moustache
    • Guard
    Roger Tréville
    Roger Tréville
    • Auctioneer
    • (as Roger Treville)
    Edward Malin
    • Insurance Clerk
    • (as Eddie Malin)
    Bert Bertram
    • Marcel
    Georg Stanford Brown
    Georg Stanford Brown
    • Waiter
    • (non crédité)
    Louise Chevalier
    Louise Chevalier
    • Cleaning Woman
    • (non crédité)
    Rémy Longa
    • Young Man
    • (non crédité)
    Pierre Mirat
    • Guard
    • (non crédité)
    Jacques Ramade
    • Guard
    • (non crédité)
    Olga Valéry
    Olga Valéry
    • Lady with the dog
    • (non crédité)
    • Réalisation
      • William Wyler
    • Scénario
      • George Bradshaw
      • Harry Kurnitz
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs150

    7,531.3K
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    Avis à la une

    7silverscreen888

    A Filmic Bon Bon; a Trend-Setting, Light-Hearted Romp

    The trio of William Wyler directing, Audrey Hepburn as a charming French woman in need of help and Peter O'Toole as the dashing fellow who agrees to commit a crime for her seemed at first glance to many film aficionados to be potentially a fine partnership for making a winning comedy. "How to Steal a Million" in fact turned out to be atmospheric, very French, very sophisticated and a great deal of fun. The clever story and screenplay by George Bradshaw and Harry Kurnitz worked almost everywhere, I suggest. Some of the film's humor seems obvious to me--the use of rotund Gallic comedian Moustache borders upon parody at times; but this is a fundamentally light-hearted romp of a film from its flimsy but serviceable premise to its satisfying romantic conclusion. It is a comedy; and it turns upon O'Toole's ability to devise a means of stealing a well-guarded art object from a major French Museum, a physical feat which he proves to be quite capable of achieving. The reason he is asked by Hepburn to plan that robbery is that the lovely statue now on display is about to be examined and authenticated by experts--and her father created the work, as he has created so many others, his charming and adroit forgeries. There are several other currents at work in the plot as well; there is a U.S. buyer after the piece, Hepburn 's belief that her champion is a crook turns out to be an unfounded assumption, and he is falling in love with her as she is with him throughout the unfolding of actions and events. The production is expensive-looking but never "heavy" in feel to my way of thinking. Givenchy did Miss Hepburn's gowns, Charles Lang was the cinematographer, and the production design by Alexander Trauner and the bubbly music by John Williams both served the story very strongly. In the cast, O'Toole and Hepburn seem perfectly mismatched; she is a bit inconsistent, I believe not knowing how "old" to play her part; O'Toole is intelligent, and plays both a crook with a sense of humor and a romantic admirer of Miss Hepburn's very successfully. Her father who proudly but inadvertently loans the piece to the Museum and misses the clause relative to its being examined by experts is Hugh Griffith, who suggests as much as he blusters. His likability is the key to the plot, because if he were not talented and likable and worth saving, the viewers would not accept the story-line'e basic premise--much ado to save him. Eli Wallach is bright as usual as the obsessed would-be buyer; others in the cast include Charles Boyer, Fernand Gravey, Marcel Dallio, Jacques Mann, the aforementioned Moustache and Roger Treville. The film is often discussed as if it were a trifle, a cinematic glass of champagne and a delightful and only a bit-overlong comedy. the attitudes expressed miss the three points of the film...It is noir, since the police cannot be brought into the case; it is comedy, which means its tone of light-heartedness and clever dialogue is very often exactly right; and its sub-plot is adventure, a very daring and ingenious combination of psychology, physical paraphernalia and enjoyable suspense. It is well-liked by many, and as a writer, I am certainly one of its admirers..

    _______________________
    8hitchcockthelegend

    You really are the smuggest and most hateful man!

    William Wyler crafts a delightfully frothy caper backed up by wonderful on screen chemistry between Peter O'Toole & Audrey Hepburn. It seems to me that Hepburn always managed to bond with her Male co-stars, and here the interplay between O'Toole and herself is wonderful. Check out a long sequence of events involving the pair hiding out in a closet, it's gold dusted cinema.

    The film's central plot involves Hepburn & O'Toole planning a daring robbery from a Paris museum to keep her art forger Father (a delightful Hugh Griffith) out of trouble, at first the couple are purely business partners with no love lost for each other, but as the story plays out the pair are forced to get along and etc.

    The burglary itself is dramatic, attention grabbing entertainment, and it's also the film's highest point, but overall the film as a whole is simply good romantic fun. Also helps that it features a very tidy shift for the finale to further reward the audience for their time spent with the movie. Throw in dapper turns from Charles Boyer & Eli Wallach too, and it's all good really.

    Open the wine, sit back and relax with Pete & Audrey. 8/10
    7elvircorhodzic

    "You don't think I'd steal something that didn't belong to me, do you?"

    HOW TO STEAL A MILLION is a romantic crime drama film which, through an illusion of fiction, merges art and fraud. A clumsy fraud, mixed with a pleasant romance, can quickly enter in our hearts.

    Charles Bonnet is well-known as an art collector, but actually he copies famous works of art. His daughter Nicole disapproves his "work" and is also afraid that he may get caught. His replica of a famed Cellini sculpture is inadvertently displayed in an art museum, and he begins to worry that he'll lose his reputation once the experts evaluate the statuette. Nicole decides to steal sculpture from the museum with the help of a mysterious burglar. However, her assistant is actually a well-known private detective who investigates frauds of her father...

    A simple story with lot flaws is enriched with a very thrilling twist. The film is full of fictional tricks, through which it develops a delicious romance. Mr. Wyler has managed to create a frivolous version of double deception. He has, through a healthy dose of humor, emphasized Mrs. Hepburn style. A scene with a key is probably one of the most memorable. I think that a key has a double meaning in this case. This is a key to the heart and the truth.

    Audrey Hepburn as Nicole Bonnet is, as always, a magic woman, this time in the role of a romantic rich girl and morally sensitive daughter at the same time. Peter O'Toole as Simon Dermott is a calm seducer, between an eccentric detective and inexperienced burglar. All for love. There's good chemistry between the two of them.

    Hugh Griffith as Charles Bonnet is funny an art counterfeiter. Eli Wallach as Davis Leland is crazed collector, who effectively shows the characteristics of a sexual perversion.

    Every art is a kind of deception!? Each theft is a form of art!? However, it is very difficult to mislead or steal one's heart.
    8blanche-2

    Pure delight

    Peter O'Toole shows Audrey Hepburn "How to Steal a Million" in this 1966 caper film directed by William Wyler. The film also stars Eli Wallach, Hugh Griffith, Charles Boyer, and Fernand Gravey.

    Hepburn plays Nicole, the daughter of a renowned art collector, Bonnet (Griffith), who in fact is not a collector but an expert forger. He has lent his famous Cellini Venus to the Paris Art Museum, only to find out that before it can be insured, there will be a technical test to assure its authenticity.

    Since it's a sculpture, and the chemical makeup was different from the material in the 14th century, the forgery will be easy to detect.

    In order to help her father, Nicole Bonnet contacts Simon Dermott {O'Toole) whom she caught when he broke into the house she shares with her father, and asks him to steal the Venus from the museum.

    In the '60s, caper films were all the rage, and it would be hard to miss with two such beautiful and sophisticated stars as Hepburn and O'Toole. Their chemistry is great, the caper is clever, and the dialogue is witty.

    The supporting cast is excellent; someone said Eli Wallach was miscast as an obsessive collector. Originally Wyler cast George G. Scott, but he was replaced when he arrived on the set late. Scott would have been more tycoon-like.

    Like bubbly champagne, "How to Steal a Million" tickles and delights throughout.

    Highly recommended.
    9kdude12

    Charming

    A charming adventure comedy. It revolves around good-hearted art forgery and the need to set thing right. The basic plot is rather implausible, but it hardly matters. There is a great chemistry between the primary characters and the story is pleasantly devoid of attributes that would prevent the film from being enjoyed by anybody from 10 years-old and up. The blend of mild suspense, gentle comedy and a bit of romance is not too intellectually provocative, but it makes for great fun. It's a film I can sit down an watch with my teenage daughter, my younger son, my wife and my mother, and everybody has a good time and comes away feeling better than when they sat down.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Walter Matthau was the first choice for the Eli Wallach part but was asking $200,000, so the producers opted for the less expensive George C. Scott. Scott had been on the set for a few weeks before shooting began. However, on his first day of shooting, he didn't show up until after lunch, and director William Wyler decided to fire him. He was already finding it difficult to handle two heavy drinkers, Peter O'Toole and Hugh Griffith, and the prospect of a third was just too overwhelming. On hearing of Scott's removal from the production, Audrey Hepburn became quite inconsolable.
    • Gaffes
      When Bonnet gives the curator the statue, the curator touches the white marble with his bare hands. A real curator would never touch a marble work of art with bare hands, as the oils from the skin can stain the marble, turning it yellow. Curators always wear white gloves before touching any work of art.
    • Citations

      [Nicole describes the burglar to her Papa]

      Nicole Bonnet: Well, it was pitch dark and there he was. Tall, blue eyes, slim, quite good-looking... in a brutal, mean way, Papa. A terrible man!

    • Connexions
      Featured in Star Wars: Music by John Williams (1980)
    • Bandes originales
      La Marseillaise
      (1792) (uncredited)

      Written by Claude Joseph Rouget de Lisle

      In the score when the statue is transported to the museum

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    FAQ17

    • How long is How to Steal a Million?Alimenté par Alexa
    • Bonnet house location?

    Détails

    Modifier
    • Date de sortie
      • 31 août 1966 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • Cómo robar un millón de dólares
    • Lieux de tournage
      • Neuilly-sur-Seine, Hauts-de-Seine, France(Bonnet's house at junction Rue Parmentier & Boulevard Bineau, now demolished)
    • Société de production
      • World Wide Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 6 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 2h 3min(123 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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