La parole est au colt

As I said before I'm a great appreciator of Audie Murphy's B-Movie, even this one was one of the latest of his long career, is self-evident that Murphy already older and the film's quality is no longer were in the same level with the previous one, however this an interesting movie as well, He Plays a Sheriff Chad Lucas in charge to deliver a large amount of money carry by train to the Bank, he and his Deputy Cap (Denver Pyle) has been escorted by horses, meanwhile the Drago's gang already obstructed the railroad falling down the water reservoir, he gets up on a train's roof but he was hit by a bullet and felt down almost dying, then he settles a posse to chase Drago's gang who escape taking a his former fiancée Uvalde (Joan Staley) bringing together the newest Uvalde's lover Nate Harlan (Warren Stevens), in the way they fight with Indians until meeting a three horse's hunter leading by the fabulous Edgar Buchanan, what a character, this is the best part of the movie nearby a beauty waterfall's spot, also a little reference to Greek Nicos (Nick Demos) actually a colorful character who improve the movie widely , fine entertainment!!

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First watch: 2020 / How many: 1 / Source: DVD / Rating: 7

The old sheriff has been killed during Morgan Woodward's raid and carrying off of lots of money in gold. His deputy, Audie Murphy is appointed sheriff. He takes off with a posse.... and everyone has an axe to grind.

It's Murphy's last western in his long deal with Universal, and the problem is that the 'shaky A' western he starred in had run its course. There was a new western in town, the Spaghetti Western, where there are no good guys; if you rooted for Clint Eastwood, it's because he got done dirt at the beginning of the movie, and Eli Wallach and Lee van Cleef are worse. Murphy's west was corrupt and violent, but Murphy himself was mostly clean, and he would restore order by the end of the movie, and get the girl, here ex-Playboy centerfold Joan Staley. So he goes and gets the job done, despite Warren Stevens and Edgar Buchanan and Denver Pyle, and hooray! But people didn't want that any more.

There's a certain tiredness to the movie, despite some nice camerawork by William Margulies.

Director Earl Bellamy built a TV career, and it shows: GUNPOINT looks and sounds like a low budget TV flick - which by 1966 was still lower than a film budget - with very poor lighting that reveals electricity- rather than sun-made shadows, among other technical shortcomings. Bellamy is not shy to use archive footage to show a spectacular horse stampede down a mountain.

Although he does not extract memorable performances from the cast, Audie Murphy shows his usual steadiness, hiding the skeletons in his cupboard - he had robbed a bank but the judge gave him a chance - until lovely Joan Staley turns up as the local saloon singer and love interest to saloon owner Warren Stevens, who plays hot and cold throughout, seemingly loyal to Audie one moment and not so the next.

It is always a privilege to watch character actor Edgar Buchanan, pity that he has less than 90 seconds on screen as head of a camp of mean rawhiders who doubt Audie's status as sheriff and posse leader. Denver Pyle is also quite good as the two-faced deputy sheriff who feels so disrespected by Audie that he drops a boulder on him... thankfully, Audie's sharp reflexes have him jump to safety and his trail scout get squashed.

Bellamy and screenwriter Willingham throw everything into the script, even marauding Indians, so it is a relief to see Audie and Staley (nothing stale about her shape!) walk off into the sunset.

Watchable time killer. 6/10.

Night Passage staring Jimmy Stewart and Audie Murphy, filmed in 1957 is a far better film, acting and story line wise, than the 1966 film Gunpoint.

Gunpoint staring Audie Murphy also took film scenes from Night Passage. Although I had never seeing the film Gunpoint before, I felt like I was seeing something that I had. Right from the beginning where the train is being robbed, its identical footage, other than the gang of train robbers.

Which made it appear to be a low budget film with poor acting it became boring😴 to watch. Although neither of the films I consider the best works of either actor, far from it. Gunpoint seemed to have been screened written by a junior high student as Night Passage a much more professionalism written film perhaps a senior in college writing level.

My last Audie Murphy western. Yes readers, I've now seen every one that he made as well as a few non-oaters. Needless to say I have a real fondness for the actor, much as I have for Rory Calhoun and Randolph Scott. They were the heroes of my childhood back when they were on top and Gunpoint doesn't entirely disappoint although when it starts it looks like a budget TV western episode. When we get past the inside scenes and into wide open country it improves considerably. There follows a chase by Murphy and a ramshackle posse of villain Morgan Woodward who has stolen a saddlebag of cash from the town and Murphy is determined to catch him come hell or high water or in this case, high mountains. The chase scenes up the mountain are surprisingly well filmed and authentic. Adding to the fun are an able cast, Warren Stevens as a flashy saloon owner, The beautiful Joan Staley as his girlfriend and to add complications, previous love of old Audie, aging bumbling gang leader they come across, Edgar Buchanan and half wit Royal Dano so some familiar faces. Not a great Murphy western but OK and worth watching.