Ajouter une intrigue dans votre langueIn a seaside town, local men pursue summer tourists for casual flings. Their leader, a photographer named Tinker, unexpectedly falls for a wealthy model, realizing the dynamic of exploitatio... Tout lireIn a seaside town, local men pursue summer tourists for casual flings. Their leader, a photographer named Tinker, unexpectedly falls for a wealthy model, realizing the dynamic of exploitation may be reversed.In a seaside town, local men pursue summer tourists for casual flings. Their leader, a photographer named Tinker, unexpectedly falls for a wealthy model, realizing the dynamic of exploitation may be reversed.
John Porter-Davison
- Grib
- (as John Porter Davison)
Gwendolyn Watts
- First Class Girl
- (as Gwendoline Watts)
Stephanie Beaumont
- Marianne
- (non crédité)
Victor Brooks
- Club Manager
- (non crédité)
Susan Burnet
- Jasmin
- (non crédité)
Jeremy Burnham
- Ivor
- (non crédité)
Avis à la une
I first saw this film when it was released (in 1964) and it had a profound effect on me then, imagine my surprise when I saw it in the middle of the night on TV a few days ago and it hasn't lost any of it's freshness. Oliver Reed is brilliant, as he always was before he took to the bottle, and the idea of the girl turning the tables on the cock-sure man is executed magnificently. Furthermore the quote that I remember for forty years still rang true (Harry Andrews, a photographer, says "we're here to make memories" and Oliver Reed's reply "I thought we were here to make money"). People may laugh at Michale Winner now but this was god, very good. Even today.
"The System" was both the first time director Michael Winner had ventured away from films featuring pop groups to something more serious and representative of the 60s, and the first time Oliver Reed had a lead role that wasn't in a Hammer horror. The scene where you see him for the first time in the camera range gives you some idea of what kind of screen presence he had before the booze became more important than the image. As Tinker the photographer, the leader of a randy gang in Brighton, Reed is exceptionally good, and also in the cast are John Alderton, David Hemmings, and Andrew Ray, all offering good support. The film gets under the skin of the decade and manages to be interesting to watch as well.
Whenever you question the quality of both Michael Winner and the late Oliver Reed's films in recent years don't judge them until you go back to the sixties where they both started out.
Here is a very low budget and rarely seen little movie that shows both the potential of both star and director.
Made two years before Michael Caine's ALFIE, THE SYSTEM takes a look at similar themes, having a good time while you're young and pulling birds. It is of course seen through the eyes of the male perspective as Ollie and pals Andrew Ray, John Alderton and David Hemmings go on a sexual rampage in a seaside town of Britain.
Winner helped launch the career of Oliver Reed and they worked together again several times throughout the sixties but this early piece of nostalgic British cinema is worth a look especially if you were a teenager in the early sixties.
Here is a very low budget and rarely seen little movie that shows both the potential of both star and director.
Made two years before Michael Caine's ALFIE, THE SYSTEM takes a look at similar themes, having a good time while you're young and pulling birds. It is of course seen through the eyes of the male perspective as Ollie and pals Andrew Ray, John Alderton and David Hemmings go on a sexual rampage in a seaside town of Britain.
Winner helped launch the career of Oliver Reed and they worked together again several times throughout the sixties but this early piece of nostalgic British cinema is worth a look especially if you were a teenager in the early sixties.
When I saw " The System " for the first time I was about 14 years of age,and had never heard of Oliver Reed or David Hemmings.By today's standards it is hardly very shocking or thrilling;and yet in 1964 it was rather risqué,being about young men who were essentially trying to get young ladies into bed.It is filmed in black and white,and has a young and very handsome Oliver Reed seducing young ladies,but eventually falling in love.It also has a young David Hemmings,who later goes on to make some of the more memorable films of the 60's.It has many quality performances from British character actors, such as Juliette Foster and John Alderton.It also is directed by the very underrated Michael winner,and is worth viewing for its cinematographic interest,but also for its particular take on the 1960's.
As a young man in his late teens, this film brings back fond memories of Torquay and Paignton where the film was made.
It all started on Elberry Cove, near Goodrington, with a big, all night barbecue. It was supposed to be a warm summers evening, which was not quite the case, but it was a lot of fun.
I was there as an Extra with Naomi, the daughter of the late Don Kite (Film director) Most of the activity of this film took place around Paignton Harbour and in fact Tinker's Pad or Flat was the Harbour Lights Restaurant.
For all us teens, the 400 Club in Torquay, was the place to go. In fact it was the only place that had disco type dancing. And the 400 Club played a big part in the film, with a fight and scuffle, the we had to drag Tinker across the road and throw him in the harbour, I can't actually remember whether we did or not, but I know that his camera went in.
This film was probably very close to the truth, you get the feeling that the Writer, Peter Draper had been following us about taking notes on our activities throughout the summer months, particularly as we used to go down to Elberry Cove for barbeque's and dancing at the 400 Club
I give this film 8 for the memories
It all started on Elberry Cove, near Goodrington, with a big, all night barbecue. It was supposed to be a warm summers evening, which was not quite the case, but it was a lot of fun.
I was there as an Extra with Naomi, the daughter of the late Don Kite (Film director) Most of the activity of this film took place around Paignton Harbour and in fact Tinker's Pad or Flat was the Harbour Lights Restaurant.
For all us teens, the 400 Club in Torquay, was the place to go. In fact it was the only place that had disco type dancing. And the 400 Club played a big part in the film, with a fight and scuffle, the we had to drag Tinker across the road and throw him in the harbour, I can't actually remember whether we did or not, but I know that his camera went in.
This film was probably very close to the truth, you get the feeling that the Writer, Peter Draper had been following us about taking notes on our activities throughout the summer months, particularly as we used to go down to Elberry Cove for barbeque's and dancing at the 400 Club
I give this film 8 for the memories
Le saviez-vous
- AnecdotesJane Merrow replaced Julie Christie who was unavailable.
- GaffesThe film begins with two of the main characters racing to catch a train, a 3 car DMU. They manage to board the train, but once aboard and talking to a ticket inspector, they are now in a corridor carriage and not a DMU car.
Later the train is shown at Dawlish, by the sea, hauled by a Class 42 or 43 loco. So, clearly not a DMU.
Finally the train arrives at Roxham. The train is now hauled by a Class 22. Visually quite different from a Class 42/43. And certainly not a DMU.
- ConnexionsReferenced in For the Love of Movies: The Story of American Film Criticism (2009)
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Détails
- Durée
- 1h 33min(93 min)
- Couleur
- Rapport de forme
- 1.78 : 1
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