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Ebirah contre Godzilla

Titre original : Gojira · Ebira · Mosura Nankai no daikettô
  • 1966
  • PG
  • 1h 27min
NOTE IMDb
5,5/10
6,9 k
MA NOTE
Ebirah contre Godzilla (1966)
A teen searching for his brother stows away on a criminal's boat that shipwrecks on Letchi island, where terrorists have enslaved the Infant Island natives. Discovering Godzilla asleep, they decide to awaken him to liberate the natives.
Lire trailer2:13
1 Video
99+ photos
Dinosaur AdventureKaijuSea AdventureSupernatural FantasyAdventureFantasySci-Fi

Ajouter une intrigue dans votre langueFour men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.Four men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.Four men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.

  • Réalisation
    • Jun Fukuda
  • Scénario
    • Shin'ichi Sekizawa
  • Casting principal
    • Akira Takarada
    • Kumi Mizuno
    • Chôtarô Tôgin
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,5/10
    6,9 k
    MA NOTE
    • Réalisation
      • Jun Fukuda
    • Scénario
      • Shin'ichi Sekizawa
    • Casting principal
      • Akira Takarada
      • Kumi Mizuno
      • Chôtarô Tôgin
    • 94avis d'utilisateurs
    • 62avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:13
    Trailer

    Photos161

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    + 155
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    Rôles principaux31

    Modifier
    Akira Takarada
    Akira Takarada
    • Yoshimura
    Kumi Mizuno
    Kumi Mizuno
    • Daiyo
    Chôtarô Tôgin
    Chôtarô Tôgin
    • Ichino
    Hideo Sunazuka
    • Nita
    Tôru Ibuki
    • Yata Kane
    Akihiko Hirata
    Akihiko Hirata
    • Captain Yamoto
    Jun Tazaki
    Jun Tazaki
    • Red Bamboo Commander
    Tôru Watanabe
    Tôru Watanabe
    • Ryôta Kane
    Ikio Sawamura
    Ikio Sawamura
    • Elderly Slave
    Pair Bambi
    Pair Bambi
    • Mothra's Little Beauties
    Hideyo Amamoto
    Hideyo Amamoto
    • Red Bamboo Naval Officer
    Hisaya Itô
    Hisaya Itô
    • Red Bamboo Scientist #1
    Tadashi Okabe
    • Red Bamboo Scientist #2
    Kazuo Suzuki
    Kazuo Suzuki
    • Escaped Slave
    Shôichi Hirose
    Shôichi Hirose
    • Escaped Slave
    Noriko Honma
    Noriko Honma
    • Spiritualist
    Chieko Nakakita
    Chieko Nakakita
    • Mrs. Kane
    Seiji Ikeda
    • Farmer
    • Réalisation
      • Jun Fukuda
    • Scénario
      • Shin'ichi Sekizawa
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs94

    5,56.9K
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    Avis à la une

    7ebiros2

    Change of guard brings change of style to Godzilla

    This is the second Godzilla movie to this point that wasn't directed by Ishiro Honda (first being Godzilla Raids Again), and was directed by Jun Fukuda. Fukuda chose Masaru Sato to compose the music instead of Akira Ifukube, and overall contributes to the lighter touch. Shinichi Sekizawa's screenplay continues on the trend of humanizing the monsters, and Ebira's pose before the battle is a caricature of the then popular professional wrestler Toyonobori, and Godzilla rubbing his index finger on his nose is a caricature of Yuzo Kayama's character in Wakadaisho series which usually played at same time as the Godzilla movies as a double feature. The cinematography is noticeably brighter and the characters are also bit more easy going than Honda's version of Godzilla movies.

    Ryota (Tetsu Watanabe) who lost his brother in the South Pacific in a fishing boat accident believes in the prediction made by a spiritual medium in Mt. Osore that his brother is still alive. He comes out to Tokyo to look for a way to get to his brother. There he meets few college students and later a thief named Yoshimura (Akira Takarada) in a sailboat they've snuck into. While everyone's asleep, Ryota sets sail to the south pacific to search for his brother. In a stormy sea the sailboat runs aground on an island occupied by a gang who calls themselves the "Red Bamboo". Red Bamboo is kidnapping the residents of Infant Island (Mothra Island) as slave labor to further their cause. Dayo (Kumi Mizuno) a girl from Infant Island escapes into the jungle and meets Ryota and Yoshimura's crew. There they hide in a cave to escape Red Bamboo's pursuit. Unbeknownst to them, that cave contained a hibernating Godzilla. Yoshimura comes up with a novel plan to wake Godzilla and turn it against the Red Bamboo.

    In this movie, the fairies that talks to Mothra also changed from The Peanuts (Emi and Yumi Ito) to another twins Pair Bambi (Yuko and Yoko Okada - born 4/19/1944 Nagoya Japan). They were already 15 year veteran in the show business when they stared in this movie. Originally, Noriko Takahashi was to play the part of Dayo, but fell ill to appendicitis so was changed to Kumi Mizuno at the last minute. Mizuno who was 29 at the time played the role written for a 19 year old girl. Takahashi 6 month earlier played a similar role in Tsuburaya Production's Ultra Q series as a native girl who lost her brother to a giant octopus.

    In the mid to late sixties, Godzilla movie started to slide to a lighter stories. This movie took the formula one step further from the previous Godzilla move the "Monster Zero", and continues the humanization of Godzilla and the monsters. Jun Fukuda's directing isn't up to par with Honda's and the props look cheezy by comparison which took away from the story, but most likely the movie was intended for kids and this was part of their production plan. The good in this movie was Akira Takarada and Kumi Mizuno that brought character to acting. Overall the movie succeeded because these two characters kept the focus. Good entertainment from the '60s Toho studio.
    6omega0s

    Godzila gets crabs

    This is actualy a fun film if you're a kid, and i loved godzilla when i was i think back to the days of watching those chessy B movies(i havnt realy progresed that far in 10 years) and this was one of my favriotes and now somthing that angers me is it having a 4 point rating i mean kids love this and its fun and next time you get a chance pop one of these in have a good laugh and look back at you're childhood you'll have more fun then you would think.Now that thats gone ill fill you with my memories of this film the specel effects are alright and about what you would expect. Plot? we dont need no stinking plot!!! so botom line if you're a kid you'll love it and if you're with friends and older and in serch of a laugh you'll love it for its chessyness.
    6Wyrmis

    Big G was the weakest part of this movie

    Almost all Kaiju flicks involve two story lines, the story of the little guys and the story of the monsters. This is one of them where the story of the little guys is what really matters. A distinctly B movie, half-espionage and half-island-action, about a guy's search for his brother and getting caught up with a gang of various other guys and a beautiful native to stave off an organization's evil deeds in the South pacific. Pretty scenery. Pretty natives. Some fair jokes and some good 1960's style cheese action. Even Ebirah, a jumbo jumbo shrimp who guards the island, more or less, works well enough as a background piece. It is when the big piece of seafood tries to take center stage that things start slowing down.

    By the time Godzilla shows up, the movie suffers from the monsters. Not only does the original Japanese soundtrack have a habit of playing just about the most inappropriate music for all of his scenes (look, jets are coming, let's play surf rock...he's smashing a base, let's play slow horror mood music); but there is the distinct problem the director has in getting the transition from Godzilla as a monster to a potential hero down right. Too often, Godzilla's actions make no sense. He seems to like people in one scene. In the next, he is randomly destroying things again.

    The movies final problem is the Kaiju fights sort of repeat themselves. Whether it be the two monsters throwing rocks back and forth more than once, or the exact same "flip" later on, it does seem a little out of place.
    6bkoganbing

    The Red Bamboo

    Of all the Japanese monster films that came out from the mid Fifties to the mid Seventies, Godzilla Versus The Sea Monster is the only one that seems to have taken a political stand on anything. The Japanese for obvious reasons are big on nuclear disarmament. This film involves Godzilla and two other giant monsters involved with the Red Bamboo who are a group conducting nuclear experiments on a deserted south sea island. Of course there was no such a group as the Red Bamboo, but the power across the Sea of Japan did have a Red Guard who were pretty active in those days. I think that was another political statement that Godzilla Versus The Sea Monster was making.

    Anyway some 20 somethings who were involved in a dance marathon which opened the film, commandeer a boat that was to be the getaway vehicle of a bank robber to search for the brother of one of them who set sail southeast and was not heard from.

    It's there that a storm washes them ashore on the island of the Red Bamboo. These dastardly folks are not only conducting nuclear experiments, they're making heavy water to use as nuclear fuel, but are using slave labor. The slaves are being taken from the island that Mothra resides, but he's sleeping and the natives are doing their best to arouse their friend and protector.

    To discourage escape in the meantime, the island is guarded by Ebirah a giant lobster monster. The Red Bamboo controls him by means of the nectar of some exotic tropical fruit that acts as a tranquilizer.

    When our heroes arrive, they discover that Godzilla is in some kind of coma asleep on the island. Needing an ally they look to get him awake to start doing his thing. Of course all three monsters battle it out in the end.

    This particular all star monster spectacular is a cut above the others for its political statement wrapped up in the dopey way these films play. But I have to admit a soft spot in my heart for them.
    michaelRokeefe

    Godzilla vs a creature of the sea.

    This is a most unusual Godzilla flick. To be exact a low budget affair with no big city to destroy with Godzilla doing his battle on an island. The story line is a little James Bond-ish, but we know Godzilla is the reason we are watching. The story line is of no real concern as long as Godzilla does his thing.

    A group of young men take out on a sailboat in attempts to find a long lost brother shipwrecked and thought lost at sea. The would be rescue party ends up shipwrecked themselves on an island that is guarded by Ebirah, a giant mutant lobster-like creature, thus GODZILLA vs THE SEA MONSTER(USA title).Also on the island is a militia base that is producing nuclear bombs to overtake the world with. Godzilla is awakened from his nap in a cave to take on the sea monster and destroy the evil soldiers and their bomb factory.

    My favorite scene is where Godzilla and Ebirah appear to be playing ping pong with a boulder during their showdown. Actually this is one of Godzilla's easiest foes to whip. Maybe to help in cutting production costs.

    The low budget was due to the fact that at the time TV viewers were lowering movie theater attendance. This did not seem to effect the popularity of this particular Godzilla outing.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film was originally written to star King Kong, as Rankin/Bass Productions had provided Toho with the license to the character in order to produce a tie-in film for Toei's animated TV series King Kong (1966), which they co-produced. However, Rankin/Bass rejected the original treatment, as they wanted director Ishirô Honda to helm the film. Toho insisted on Jun Fukuda and after Rankin/Bass backed out, Toho decided to replace King Kong with Godzilla. Toho and Rankin/Bass would then go on to co-produce La Revanche de King Kong (1967), a film that was more in line with what Rankin/Bass wanted.
    • Gaffes
      At the end of the film, as Mothra flies back to Infant Island, the large net she is carrying with her feet with the humans inside it is missing.
    • Citations

      Daiyo: Mothra... Awaken, hear us.

    • Crédits fous
      For the Columbia/Tri-Star U.S. DVD release of the film, which uses the original uncut Japanese version of it, its English-language credits list the noted composer Masaru Satô as "Mararu Sato."
    • Versions alternatives
      The Mystery Science Theater 3000 version of the film featured a Film Ventures-lensed print of it that used a different title sequence made up of clips from the next film in the Godzilla series, La Planète des monstres (1967).
    • Connexions
      Edited into La Revanche de Godzilla (1969)
    • Bandes originales
      Samashite Mosura
      (Mothra Awake)

      Written and Arranged by Masaru Satô

      Performed by Pair Bambi

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    FAQ15

    • How long is Ebirah, Horror of the Deep?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 décembre 1966 (Japon)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Godzilla, Ebirah et Mothra : Duel dans les mers du sud
    • Société de production
      • Toho
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 200 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 27 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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