Doctor in Clover

After a stint as a prison doctor, Leslie Phillips returns to eying the lovely nurses under the watchful eye of James Robertson Justice, and the disapproving eye of the new head matron, Joan Sims. Besides lusting after the gorgeous Elizabeth Ercy -- she insists at 36, he's too old -- he hopes to be promoted to take the place of a departing senior staff. So does his cousin, John Fraser.

The sixth of the series that began with DOCTOR IN THE HOUSE shows signs of flagging with its episodic nature and broader comedy. In any case, there are some pleasant smiles available, a cast of comedy professionals that includes half of the regular players of the Carry On films, and it's always fun to watch Justice perform his signature role of Sir Lancelot Sprat.

DOCTOR IN CLOVER

This is an old British comedy that is trying it's best to be a Carry On film, but failing.

The movie is about a doctor, Dr. Grimsdyke, who gets fired from his job as a prison doctor. He gets a job being retrained at a hospital where his cousin works. The problem is, he is looking for love instead on concentrating on his studies. He is a bit of a ladies man, but when he has his heart set on a nurse that is not interested, he will do anything he can to get with her… even if it means screwing over her fiancé.

The film is funny in places, and it does have that classic British comedy feel to it, but the characters were trying too hard to copy the legendary Carry On films. The comedy and the punch lines were very similar to them and the characters even had the same characteristics. The problem is, it just wasn't as funny as the Carry Ons.

There are a few Carry On actors in it though, which makes it feel like one even more. The main character, Dr. Grimsdyke, is played by Leslie Phillips. Leslie has appeared in a couple of Carry On films before making this, but in this he has a lead role which is what I suppose attracted him to it. He did a good job, but unfortunately, he was carrying this film. The rest of the cast seemed like they were not acting in their own style. One of the main patient characters was clearly trying to be Sid James, but failing. Every time he was on the screen you could just see he was imitating Sid. Other Carry On faces that were in this were Joan Sims. Joan played the Matron of the hospital. She did a good job also, but I struggled to see her as the feisty Matron that she was playing. She has a face and personality that is better played as a nice person. Terry Scott also made a short appearance. He was funny. It was s shame that he was not in it that much. James Robertson Justice was a great actor. He was one of my favourite characters in this movie.

Some of the things Dr. Grimsdyke does to get the girl is funny… and very slapstick. They did make me laugh. I was surprised that Leslie didn't say his "ding dong" catchphrase in the film. Seeing as he was playing a ladies man I would have thought they would have put that in the script. But he did say "Hello" in his famous way. J

This film was good, but it would have been better if it was not trying too hard to be something it wasn't. This is the sixth Doctor movie in a series of films… and from what I have heard, the earlier ones are funnier. I will watch them if they are on TV, but I didn't know this was part of a series until I watched it. I do wish that I watched them in order though.

I will give this film 6 out of 10.

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The sixth movie in the long-running "Doctor" comedy series sees the format begin to show it's age. The series, which had by now ran for over twelve years has now more or less lost it's direction. In place of Dirk Bogarde's Simon Sparrow we have Leslie Phillips,who does his best with a script which abandons the wit of the earlier movies and replaces it with second-rate slapstick.

Once again James Robertson Justice's Lancalot Spratt is the main reason to watch this movie, but the sub-plot (Spratt clashes with Matron Joan Sims, over his pet parrot)is possibly the weakest of the series and JRJ has all too few scenes.

Compared to the Carry On's which were now hitting their peak, this movie seems jaded, lacking laughs as well as looking cheap. It's watchable enough, thanks to the efforts of the cast, but should have been far funnier.

Doctor in the House was released in 1954 and promptly became the start of a franchise of Brit comedy films. The quality and standard of each film, a total of seven, varies and will always be a subject of debate among fans. Clover, the 6th offering, isn't particularly great, and minus series regular Dirk Bogarde, it is often painted as the runt of the litter. Yet there are some strengths worthy of time spent with the pic to save it from sequel damnation.

Leslie Phillips fronts up as the focal point, he's a randy doctor who as he attempts to go about his fanciful Lothario ways, becomes acutely aware of his advancing years, cue his attempts at looking young. James Robertson Justice is still on hand as the boisterous Sir Lancelot Spratt, while Joan Sims, Fenella Fielding, Arthur Haynes, Shirley Anne Field and John Fraser are filing in for some daft medical shenanigans.

It's a bit "Carry On" lite, at times feeling like it's trying to be more risqué than is possible. Yet Fielding and Haynes are super as strong personality patients, Phillips carries the movie with ease, while Justice cuts lose from the gruff persona - to see him have fun courtesy of a dubious serum plot line. Nobody's idea of a British classic, for sure, but fun enough with a G&T on a Sunday afternoon. 6/10

Interestingly, this film is also known as "Carnaby M. D." without any of the characters actually bearing that name. What we do have, though, are the gently comedic hospital antics of "Gaston Grimsdike" (Leslie Philiips) as he attempts to woo nurse "Bancroft" (Shirley Anne Field) whilst simultaneously fixing up his imperious boss "Sir Lancelot Spratt" (James Robertson Justice) with the rather matronly Joan Sims. This film is too long, the jokes are predictable but amusing enough, and the scenarios recycle themselves once too often so after half an hour it is pretty indistinguishable from the other "Doctor" movies. That said, though, the story is still quite engaging in a light and fluffy, harmless, sort of fashion with the women frequently getting the better of the men folks. Probably never a film you would want to watch more than once, but emblematic of the humour that prevailed at the time and as a piece of cinema nostalgia, you could do much worse.