Les Daleks envahissent la Terre
Titre original : Daleks' Invasion Earth 2150 A.D.
- 1966
- Tous publics
- 1h 24min
NOTE IMDb
5,9/10
4,9 k
MA NOTE
Le Dr Who et ses compagnons arrivent sur Terre en l'an 2150 après JC, pour découvrir que la planète a été envahie et sa population réduite en esclavage par les redoutables Daleks.Le Dr Who et ses compagnons arrivent sur Terre en l'an 2150 après JC, pour découvrir que la planète a été envahie et sa population réduite en esclavage par les redoutables Daleks.Le Dr Who et ses compagnons arrivent sur Terre en l'an 2150 après JC, pour découvrir que la planète a été envahie et sa population réduite en esclavage par les redoutables Daleks.
- Réalisation
- Scénario
- Casting principal
Avis à la une
I sat through, and was utterly bored by, the first of the Peter Cushing/Dr Who movies, DR WHO AND THE DALEKS. It was a chore to sit through in places, a resolutely twee attempt to transfer the TV series to the big screen for children to enjoy. The good news is that this sequel is a different beast entirely, even though it brings back much of the same cast and crew (including the director).
Put simply, DALEKS INVASION EARTH: 2150 AD is an action-packed romp. If you think that scenes of Dalek war-bands patrolling the streets of a post-apocalyptic London sounds like a good time, then you'd be right. This is a film that sacrifices character set-up in favour of all out action, and it works a treat.
Cushing plays the crusty old buffoon once more, and the only reason he's not as irritating is because he's given far less screen time here. For most of the time his character is a mere observer, watching a guerrilla war between Ray Brooks (THE FLESH AND BLOOD SHOW) and his rebels and the Daleks and their goons. Bernard Cribbins contributes some comedy schtick, but he's nowhere near as irritating as Roy Castle was in the last one.
The technical effects are surprisingly decent, from the Dalek spaceships to the explosions, firefights, and large-scale destruction. Scenes of buildings collapsing are vivid and exciting and the Daleks are more of a menace here (and thankfully their voices aren't irritating anymore). There are lots of great visual moments, like the solitary Dalek rising out of the Thames or the humans vs. Dalek fight scenes. A rousing score and decent supporting cast serve as the icing on the cake here.
Put simply, DALEKS INVASION EARTH: 2150 AD is an action-packed romp. If you think that scenes of Dalek war-bands patrolling the streets of a post-apocalyptic London sounds like a good time, then you'd be right. This is a film that sacrifices character set-up in favour of all out action, and it works a treat.
Cushing plays the crusty old buffoon once more, and the only reason he's not as irritating is because he's given far less screen time here. For most of the time his character is a mere observer, watching a guerrilla war between Ray Brooks (THE FLESH AND BLOOD SHOW) and his rebels and the Daleks and their goons. Bernard Cribbins contributes some comedy schtick, but he's nowhere near as irritating as Roy Castle was in the last one.
The technical effects are surprisingly decent, from the Dalek spaceships to the explosions, firefights, and large-scale destruction. Scenes of buildings collapsing are vivid and exciting and the Daleks are more of a menace here (and thankfully their voices aren't irritating anymore). There are lots of great visual moments, like the solitary Dalek rising out of the Thames or the humans vs. Dalek fight scenes. A rousing score and decent supporting cast serve as the icing on the cake here.
Hurrah. Here come the daleks. Again.
But don't be scared. They're in fine fettle this time and while this film is just as daft as its predecessor it's far better-paced and the good guys don't have stupid eye make-up, instead resembling good old London Council Workers, circa 1955. It's a slight anachronism, but I like the idea of a sci-fi setting where the heroes are all unshaven working class 'Uncle Fred, Friend of Your Dad' types who wear jackets and caps that make them look like bin men. I suppose actually, given that the Daleks do resemble (and are referred to as) motorised dustbins, there's probably some poetry in this. Anyway, forget the title, this might as well be set in 1950 AD - it certainly feels a bit Ealing at times.
So, how is this rather entertaining nonsense an improvement on the cinematic war-crime that was the first film? Well, just that, it's entertaining. The Daleks are still quite funky, despite their ongoing choice of fire-extinguisher weaponry. They're also much more enthusiastic these days - we even see one going for a swim at one point (I can't think of a better explanation! You'll see what I mean...).
Anyway - the plot? Well, I suspect the title might give it away. In fact, I'm not sure it even IS the title. Maybe they just wrote the plot-summary in the wrong box. Whatever, I don't feel I'll be spoiling anything if I give you the following outline: Daleks have invaded Earth because they felt like it, and are now constructing a large Roller Disco/Cinema Multiplex/Dodgem park in Bedfordshire.
Okay, they're not, but it's entirely as likely and sensible as what they ARE doing there (or as the swimming Dalek). There are some great British actors having fun in this - Philip Madoc from Wales, Andrew Keir from Scotland, Peter Cushing from England. A truly unified effort - all silly together.
People who smashed their television set in an effort to survive the first film will be pleased to see that Roy Castle is not reprising his role as Ian (for those who didn't see it, I rather suspect George Lucas got his idea for Jar Jar Binks from Castle's performance), and has been replaced in the light relief stakes by the altogether defter and more endearing Bernard Cribbins (for non-British readers, Cribbins is one of the most highly regarded and acclaimed English actors of the last forty years, and his profound performance in The Wombles is still remembered by many people of my generation today).
For that matter, even Peter Cushing's mad professor is rather good this time round, and provided one doesn't expect more than robot monsters, rubbish flying saucers, and huge armies of (toy miniature) Daleks, not to mention quite a few laughs, then this will pass 80-odd minutes in quite an agreeable manner. Not as effectively as becoming an alcoholic, but more so than banging your head against concrete. I suppose this is the bottom line really - watch this film too many times and it remains preferable to headbutting a concrete wall, which is painful. Watch the first film too many times and you'll find the experience of headbutting a wall strangely comfy on account of all the padding it will have acquired.
But don't be scared. They're in fine fettle this time and while this film is just as daft as its predecessor it's far better-paced and the good guys don't have stupid eye make-up, instead resembling good old London Council Workers, circa 1955. It's a slight anachronism, but I like the idea of a sci-fi setting where the heroes are all unshaven working class 'Uncle Fred, Friend of Your Dad' types who wear jackets and caps that make them look like bin men. I suppose actually, given that the Daleks do resemble (and are referred to as) motorised dustbins, there's probably some poetry in this. Anyway, forget the title, this might as well be set in 1950 AD - it certainly feels a bit Ealing at times.
So, how is this rather entertaining nonsense an improvement on the cinematic war-crime that was the first film? Well, just that, it's entertaining. The Daleks are still quite funky, despite their ongoing choice of fire-extinguisher weaponry. They're also much more enthusiastic these days - we even see one going for a swim at one point (I can't think of a better explanation! You'll see what I mean...).
Anyway - the plot? Well, I suspect the title might give it away. In fact, I'm not sure it even IS the title. Maybe they just wrote the plot-summary in the wrong box. Whatever, I don't feel I'll be spoiling anything if I give you the following outline: Daleks have invaded Earth because they felt like it, and are now constructing a large Roller Disco/Cinema Multiplex/Dodgem park in Bedfordshire.
Okay, they're not, but it's entirely as likely and sensible as what they ARE doing there (or as the swimming Dalek). There are some great British actors having fun in this - Philip Madoc from Wales, Andrew Keir from Scotland, Peter Cushing from England. A truly unified effort - all silly together.
People who smashed their television set in an effort to survive the first film will be pleased to see that Roy Castle is not reprising his role as Ian (for those who didn't see it, I rather suspect George Lucas got his idea for Jar Jar Binks from Castle's performance), and has been replaced in the light relief stakes by the altogether defter and more endearing Bernard Cribbins (for non-British readers, Cribbins is one of the most highly regarded and acclaimed English actors of the last forty years, and his profound performance in The Wombles is still remembered by many people of my generation today).
For that matter, even Peter Cushing's mad professor is rather good this time round, and provided one doesn't expect more than robot monsters, rubbish flying saucers, and huge armies of (toy miniature) Daleks, not to mention quite a few laughs, then this will pass 80-odd minutes in quite an agreeable manner. Not as effectively as becoming an alcoholic, but more so than banging your head against concrete. I suppose this is the bottom line really - watch this film too many times and it remains preferable to headbutting a concrete wall, which is painful. Watch the first film too many times and you'll find the experience of headbutting a wall strangely comfy on account of all the padding it will have acquired.
I am a fan of the Doctor Who TV show, both in its original incarnation and in modern dress. I've also seen the two earlier movies and thought them odd and sad. I was therefore shocked and pleased to find this movie version of "The Dalek Invasion of the Earth" serial to be excellent. The pacing is better, the color photography by John Wilcox has its moments of beauty -- even the Technicolor Daleks have a peculiar beauty.
Working with only minor variations from the television serial, this demonstrates something I have long maintained: the writing on the TV DOCTOR WHO was often first rate. It was the cripplingly tiny budgets that often made it seem ridiculous, with its impossible shooting schedules, cardboard sets and monsters that frequently seemed to be a man lurking under a cast-off shag rug.
The memories of children often play them false in later years. People report on seeing a particular favorite DOCTOR WHO serial from childhood and being shocked at how much better it is in memory than looking at it as adults. Children assume the lovely details that the adult mind demands. How very pleasant for this adult to see them filled in here!
Working with only minor variations from the television serial, this demonstrates something I have long maintained: the writing on the TV DOCTOR WHO was often first rate. It was the cripplingly tiny budgets that often made it seem ridiculous, with its impossible shooting schedules, cardboard sets and monsters that frequently seemed to be a man lurking under a cast-off shag rug.
The memories of children often play them false in later years. People report on seeing a particular favorite DOCTOR WHO serial from childhood and being shocked at how much better it is in memory than looking at it as adults. Children assume the lovely details that the adult mind demands. How very pleasant for this adult to see them filled in here!
Daleks-Invasion-Earth:2150 AD, is an enormous improval on the preceeding film. It is more exciting and enjoyable and there is an impending sense of fear throughout the movie wich was evident in the Television series around this time. Peter Cushing gets to grips with his role as The Doctor in this movie. Bernard Cribbins comes on board and is fantastic. Ray Brooks and Jill Curzon enhance the swinging sixties fell apparent in the previous film, and the action never gives up. The multi coloured Daleks are a more frightening sight in a future decaying London thatn on there own planet, and the set designs and designs of the vicious Robomen are again superb. This is a juvenile movie, but enjoyable at that. For a new Doctor Who movie, someone like Tim Burton or Steven Spielberg should remake this, and they would have an absolute goldmine on their hands.
I first saw this movie as a kid back in the 70's.It was screened as a saturday morning feature during the easter holidays.In those days it was the only 'repeat' you were likely to get.I can never understand the general disdain shown to it by Dr Who fans.The production values are high and there's plenty to keep you entertained.I think fans are critical of it because of its comical element.Yes it's cheap,ham-acted at times and the special effects not-very-special,but so was the tv series.I love this movie because of,not despite,its cheesiness.
Le saviez-vous
- AnecdotesPeter Cushing only committed to the project if Roberta Tovey returned as his grand-daughter Susan alongside him, having built up a rapport on previous film Dr Who contre les Daleks (1965).
- GaffesThe Dalek in the Thames does not flash its lights when addressing the Robomen, as the casing did not contain an operator.
- Versions alternativesSome versions of the film open with the credits sequence before switching to Tom's night-time street patrol. The original version opens with the raid, then the titles, then Tom's awakening in TARDIS.
- ConnexionsFeatured in Movie 4: Invasion Earth, 2150 A.D. (1972)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Dr. Who: Daleks Invasion Earth 2150 A.D.
- Lieux de tournage
- Slipway, Battersea Church Road, Battersea, London, Greater London, Angleterre, Royaume-Uni(Dalek rising out of the river)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 286 000 £GB (estimé)
- Montant brut mondial
- 115 $US
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