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La chambre des horreurs

Titre original : Chamber of Horrors
  • 1966
  • 12
  • 1h 20min
NOTE IMDb
6,0/10
1,6 k
MA NOTE
Patrick O'Neal in La chambre des horreurs (1966)
A one-handed madman (he lost the hand while escaping a hanging) uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.
Lire trailer3:15
2 Videos
30 photos
Films d'horreur de série BHorreur psychologiqueSlasher d’horreurThriller psychologiqueCriminalitéHorreurThriller

Ajouter une intrigue dans votre langueA one-handed madman uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.A one-handed madman uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.A one-handed madman uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.

  • Réalisation
    • Hy Averback
  • Scénario
    • Stephen Kandel
    • Ray Russell
  • Casting principal
    • Patrick O'Neal
    • Cesare Danova
    • Wilfrid Hyde-White
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    1,6 k
    MA NOTE
    • Réalisation
      • Hy Averback
    • Scénario
      • Stephen Kandel
      • Ray Russell
    • Casting principal
      • Patrick O'Neal
      • Cesare Danova
      • Wilfrid Hyde-White
    • 37avis d'utilisateurs
    • 32avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos2

    Official Trailer
    Trailer 3:15
    Official Trailer
    Chamber Of Horrors: Unholy Matrimony
    Clip 2:57
    Chamber Of Horrors: Unholy Matrimony
    Chamber Of Horrors: Unholy Matrimony
    Clip 2:57
    Chamber Of Horrors: Unholy Matrimony

    Photos30

    Voir l'affiche
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    + 23
    Voir l'affiche

    Rôles principaux66

    Modifier
    Patrick O'Neal
    Patrick O'Neal
    • Jason Cravatte
    Cesare Danova
    Cesare Danova
    • Anthony Draco
    Wilfrid Hyde-White
    Wilfrid Hyde-White
    • Harold Blount
    Laura Devon
    Laura Devon
    • Marie Champlain
    Patrice Wymore
    Patrice Wymore
    • Vivian
    Suzy Parker
    Suzy Parker
    • Barbara Dixon
    José René Ruiz
    • Senor Pepe De Reyes
    • (as Tun Tun)
    Philip Bourneuf
    Philip Bourneuf
    • Inspector Strudwick
    Jeanette Nolan
    Jeanette Nolan
    • Mrs. Ewing Perryman
    Marie Windsor
    Marie Windsor
    • Madame Corona
    Wayne Rogers
    Wayne Rogers
    • Sergeant Jim Albertson
    Vinton Hayworth
    Vinton Hayworth
    • Judge Randolph
    Richard O'Brien
    Richard O'Brien
    • Dr. Cobb
    Inger Stratton
    Inger Stratton
    • Gloria
    Berry Kroeger
    Berry Kroeger
    • Chun Sing
    Charles Seel
    Charles Seel
    • Dr. Hopewell
    Ayllene Gibbons
    Ayllene Gibbons
    • Victoria the Barmaid
    Leon Alton
    Leon Alton
    • Tour Group Member
    • (non crédité)
    • Réalisation
      • Hy Averback
    • Scénario
      • Stephen Kandel
      • Ray Russell
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs37

    6,01.5K
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    10

    Avis à la une

    7planktonrules

    A thrilling film with occasional lapses in the writing...but it's still well worth seeing.

    "Chamber of Horrors" sure reminds me of some of William Castle's films, as it begins with a prologue narrated by William Conrad. It explains how scary the film is but as a special service to the squeamish in the audience, a red light will flash and weird music will go off when one of four horrifying moments are about to begin! This is cheesy but also fills the movie with kitschy fun.

    The film begins with a truly horrifying and wonderful scene in which a total psycho (Patrick O'Neal) forces a minister to marry him....to a dead woman!! The guy is 100% nuts but clever--and manages to elude the police for some times after this. Eventually, when he is captured, he manages to escape both times--and I won't go in to detail about it, but the second time is a doozy and everyone assumes he's dead! And, from here on, the film bears a lot of similarity to the wonderful film "House of Wax" (the Vincent Price version, not the new crappy one) as well as the Dr. Phibes films--some amazingly gory murders, all in the name of revenge. This portion of the film is pretty good, albeit a bit slow at times.

    What intrigued me about this film was seeing Patrick O'Neal in a role totally unlike his other film and TV appearances. He was good, mind you--but NOT the typical sort of O'Neal! Also I appreciated that although the subject matter was grisly, it was not at all explicit--and the red flashing lights really weren't necessary. I am thrilled, as I think many horror films just go too far.

    Overall, I liked this film very much--O'Neal's character was great and the story quite exciting. The only serious problems were the occasional bad writing, as intended victims just acted too dumb at times--such as the cop (Wayne Rogers) who chose to look for a serial killer out to kill him TOTALLY ALONE! When this character found O'Neal, instead of shooting him on sight, he allowed him to get close to him...too close. Another case of bad writing involved the assistant, Pepe, who hears a noise and TELLS NO ONE--going to investigate it himself!! Too dumb--and sad because otherwise it was a thrilling little movie.

    By the way, the way the film ended it seemed apparent this was meant as either a TV pilot or the first in a series. Sadly, this was not to be.
    8Clarence Abernathy

    William Castle meets Jacques Tourneur at Hammer Studios

    Expecting a low-grade and low budget chiller (you know: good ol' Tony Curtis has a cameo in it...), knowing that it was originally made for TV, and having seen vintage ads of it, announcing gimmicks like the "fear flasher" and the "horror horn" to protect rabbit-hearted viewers from being shocked without warning, this one's a real surprise to watch. Sure, the gimmicks are quite ridiculous, but the rest of the movie -and that is quite a lot- provides tense and moody atmosphere, above average camerawork, gorgeous colour compositions and probably the most gripping performance Mr. Patrick O'Neal -as the demented killer- has ever delivered (well, sure, there have not been many...). It's great fun watching him do scary things with his special wooden hand stump, fitted with a variety of hooks, knives and cleavers. This almost forgotten pic can easily compete with the quality of the Vincent Price Classic "House of Wax" and it's a winner - especially considering the fun factor. The whole thing looks a bit like as if William Castle would have produced and re-edited a classic hammer movie directed by -say- Jacques Tourneur (forgive me, Jacques). Great fun to watch.
    dphelan-1

    An unsung classic

    Since they had to use the Fear Flasher and the Horror Horn to sell this failed TV pilot, one might make the incorrect assumption that this is a bad film. In fact, it is excellent within its limitations. Patrick O'Neal is superb as Jason - suave, cunning, a devil with the ladies, cruel and absolutely insane. His story is told in a very interesting fragmented style. We know little about him when he is first arrested but as Draco and his associates track him down we learn much. The subject matter and milieu are a bit seamy for television which is why this was released theatrically at first. I never saw it there though I passed a theater where it was playing. For years I had seen it only in black and white. Recently I saw a color TV print and it looks great. O"Neal is a wonderful Vincent Price stand-in with Cesare Danova, Wilfrid Hyde-White, Phillip Bourneuf,Jeanette Nolan and Jose Rene Ruiz ( as Tun Tun) doing great work. Laura Devon has the best line. As she tries to clumsily describe Jason she suddenly bursts out " What am I thinking ? He is the easiest man in the world to identify. He only has one hand!"
    7preppy-3

    Silly but enjoyable

    This takes place in the 1800s. Patrick O'Neal (having a REAL good time) plays a killer who is sentenced to jail for killing his wife and then marrying the corpse! He escapes from the train taking him to jail and is believed dead. However he's alive. He also lost his hand in the escape and has a variety of attachments (among them a hook and a meat cleaver) and sets out to kill the men who convicted him.

    This was originally made for TV but was considered too gruesome (at the time) and released to theatres. It was also put on with a VERY fun gimmick--the Fear Flasher and Horror Horn. When the supposedly gruesome parts were coming the frame froze, flashed red and a horn sounded to warn people! The "gruesome" parts are ridiculously tame by todays standards and wouldn't scare a child. In fact I originally saw this on TV uncut during the afternoon in the 1970s when I was in grade school! Didn't scare me at all. Still the acting is good, the atmosphere is spooky and it moves at a fast clip. Silly but fun. I give it a 7.
    7BaronBl00d

    Horror Delight Despite the Fear Flasher and Horror Horn

    This is above all a fun horror film about two criminologists in the late 19th century Baltimore area(one decidedly English - Wilfred Hyde-White and the other decidedly Italian - Cesare Danova)working in a wax museum and uncovering crimes for/with the police. Apparently it was to be a pilot for a television series, and it is very unfortunate it never progressed that far. Hyde-White is always a treat and Danova is rather good too. This story deals with capturing Jason Cravatte - a local aristocrat with a fetish for girls in wedding gowns - dead or alive. Patrick O'Neal gives one of his best screen performances in the role of this psychotic, deranged killer who loses his hand and replaces it with all kinds of cutlery(ax, sword, scalpel, etc...) The film also boast the two gimmicks of the Fear Flasher when the screen will flash with green to let the viewer know something terrifying is about to happen and is preceded by the Horror Horn announcing its arrival. We are told in the beginning of the film that this will occur four times and none of those times are scary in the least bit. What makes this film work is the acting by Hyde-White, Danova, O'Neal, and people like Wayne Rogers as a constable, Jose Rene Ruiz as Pepe the dwarfish assistant, a cameo by Tony Curtis helps out, and all the acting is workmanlike and credible. Hy Averback , a television director of repute and ability, gives the film a very stylish feel with its Victorian-like atmosphere, swirling fogs, and seedy locales when needed. The wax museum itself is indeed impressive as well as is the denouement of the film. This "little" film - judging by its limited audience - is much better than one might at first expect given the gimmicks and story.

    Centres d’intérêt connexes

    Bridget Hoffman in Evil Dead (1981)
    Films d'horreur de série B
    Daniel Kaluuya in Get Out (2017)
    Horreur psychologique
    Roger Jackson in Scream (1996)
    Slasher d’horreur
    Rosamund Pike in Gone Girl (2014)
    Thriller psychologique
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Criminalité
    Mia Farrow in Rosemary's Baby (1968)
    Horreur
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      According to an article in the 9/28/66 edition of "Variety", this film was the second-most profitable film in release at the time.
    • Gaffes
      At the police department, on the door to room 112 it states it is the Exhibits Room, but in the hall outside, room 112 is indicated as the District Attorney's office.
    • Citations

      Anthony Draco: Can you describe him?

      Marie Champlain: He's... he's tall and uh... he's dark and um... uh... soft-spoken. He moves very quietly. What's wrong me? He's the easiest man in the world to identify. His right hand is missing.

    • Crédits fous
      Before the studio emblem or opening credits, the following message is narrated as well as seen on screen: "Ladies and gentlemen, the motion picture you are about to see contains seen so terrifying the public must be given grave warning. Therefore, the management has instituted visual and audible warning at the beginning of each of the Four Supreme Fright Points."

      " The Fear Flasher is the visual warning."

      " The Horror Horn is the audible warning."

      " Turn away when you see the FEAR FLASHER!"

      "Close your eyes when you hear the HORROR HORN!"
    • Versions alternatives
      Produced as a TV series pilot, this film was determined to be too violent for the small screen and given theatrical distribution instead. Added for this release was an exploitation device called the "Fear Flasher/Horror Horn", ostensibly to warn the audience of the "Four Supreme Fright Points" (although it was not applied to the picture's most explicitly violent moment, the climactic fate of the villain). This device was explained in an introductory sequence narrated by William Conrad. Upon first showing on US network television, both the device and its explanation were deleted, but in subsequent syndication to local stations in the 1970s and '80s, some such prints were seen.
    • Connexions
      Featured in Deadly Earnest's Spooky Colour Marathon (1975)
    • Bandes originales
      An der schönen, blauen Donau, Op. 314 (On the Beautiful Blue Danube)
      (uncredited)

      Music by Johann Strauss

      Played at the party

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    FAQ13

    • How long is Chamber of Horrors?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 octobre 1966 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Chamber of Horrors
    • Lieux de tournage
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Californie, États-Unis(Studio)
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 20min(80 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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