Blow-Up
- 1966
- Tous publics
- 1h 51min
Un photographe londonien tendance trouve des indices étranges dans les photos qu'il a prises d'une belle femme mystérieuse dans un parc désert.Un photographe londonien tendance trouve des indices étranges dans les photos qu'il a prises d'une belle femme mystérieuse dans un parc désert.Un photographe londonien tendance trouve des indices étranges dans les photos qu'il a prises d'une belle femme mystérieuse dans un parc désert.
- Nommé pour 2 Oscars
- 8 victoires et 9 nominations au total
Veruschka von Lehndorff
- Verushka
- (as Verushka)
Jeff Beck
- Self - The Yardbirds
- (non crédité)
Roy Beck
- Boy dancing In Ricki Tick Club
- (non crédité)
Charlie Bird
- Homeless Man
- (non crédité)
Susan Brodrick
- Antique shop owner
- (non crédité)
Robin Burns
- Homeless Man
- (non crédité)
Tsai Chin
- Thomas's receptionist
- (non crédité)
Julio Cortázar
- Homeless Man
- (non crédité)
Chris Dreja
- Self - The Yardbirds
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe film contains a rare performance of The Yardbirds during the period when Jimmy Page and Jeff Beck were both in the band. Jeff Beck would leave a few months later.
- GaffesWhen Thomas is frolicking with the two girls on the purple paper backdrop in the studio, two crew members, including a camera operator, can be seen just sitting there in the top right side of the frame.
- Versions alternativesSome of the music was rescored for the Warner DVD release, namely the latter part of the opening title music. The VHS releases' music remain intact.
- ConnexionsFeatured in Film Review: How I Learned to Live with Being a Star (1967)
- Bandes originalesMain Title (Blow-Up)
Written and Performed by Herbie Hancock
Commentaire à la une
I realize that this is a cinema classic, taught in cinema courses everywhere. And I recognize that there is some pretty remarkable stuff here. But some of it I found very off-putting.
First, to the good: the cinematography is almost constantly remarkable. The way scenes are framed, the constant variation of camera angles, the switches between close and far, etc. I almost would have preferred this without sound. There was so much of interest to watch.
There was little of interest to hear, however. The dialogue is inane. And the protagonist is an egotistical, selfish, thoroughly repugnant excuse for a man. Maybe he's alienated from his world. Why would I care? He does everything to demonstrate that he cares about nothing and no one but himself.
Just past the midpoint of this movie, it starts to become interesting when the photographer detects something in the background of one of his photos. When it turns out a man was murdered, he wants to know more. But why? He's never shown any interest in anything other than himself up until then?
And, finally, he seems to forget about it all.
Watch this once for the amazing camerawork. But as for the plot, the characters, and the rest, don't expect to be engaged. I certainly wasn't.
First, to the good: the cinematography is almost constantly remarkable. The way scenes are framed, the constant variation of camera angles, the switches between close and far, etc. I almost would have preferred this without sound. There was so much of interest to watch.
There was little of interest to hear, however. The dialogue is inane. And the protagonist is an egotistical, selfish, thoroughly repugnant excuse for a man. Maybe he's alienated from his world. Why would I care? He does everything to demonstrate that he cares about nothing and no one but himself.
Just past the midpoint of this movie, it starts to become interesting when the photographer detects something in the background of one of his photos. When it turns out a man was murdered, he wants to know more. But why? He's never shown any interest in anything other than himself up until then?
And, finally, he seems to forget about it all.
Watch this once for the amazing camerawork. But as for the plot, the characters, and the rest, don't expect to be engaged. I certainly wasn't.
- richard-1787
- 29 janv. 2023
- Permalien
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- How long is Blow-Up?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Deseo de una mañana de verano
- Lieux de tournage
- Maryon Park, Woolwich Road, Charlton, Londres, Angleterre, Royaume-Uni(scenes where Thomas first photographs Jane and where mime artists play tennis at the end)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 800 000 $US (estimé)
- Montant brut mondial
- 38 575 $US
- Durée1 heure 51 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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