Batman

If you can't appreciate the sublime glory that is the 1966 version of "Batman," I pity you, brother. There's nothing quite like Adam West dashing around a pier, holding a bomb with a ridiculously long fuse, declaring, "Some days you just can't get rid of a bomb!" There's nothing quite like Cesar Romero's refusal to shave his moustache before putting on his Joker makeup. There's nothing like Romero and Frank Gorshin getting in a cackling contest as the Joker and the Riddler. For that matter, there's nothing like the Joker and the Penguin deciding that they need to don masks in order to commit crimes...

Comic book dorks whine and complain about the 60's-era Batman - I say that such people don't recognize how great the 60's Batman really was - the best fictional characters are the ones who can stand up through the decades to dozens of different interpretations. There's room in the world for Tim Burton's Batman, Adam West's Batman...heck, maybe even Joel Shumacher's Batman. Like "The Adventures of Buckaroo Banzai," "Rocky IV" or "Flash Gordon," this version of Batman is one of the great goofy pleasures of movie-watching.

Having, losing, gaining... to a generation of kids this WAS Batman. Only when Tim Burton reinvented the big screen perception of the "caped crusader" did it become outdated.

The third of the new films, Batman Forever parodied this film and the series with a "holy" joke. Unfortunately the movie in question was the first to be directed by Joel Schumacher, and so was consequently brash and bereft of wit. Yes, thanks to ShoeMaker this version of Gotham has suddenly become the coolest yet again.

It's all such brilliant fun, awash with the irony so gloriously absent from Batman & Robin. Michael Keaton was a wonderfully dark Batman, but the other two were planks. Adam West is knowingly hammy as the title role, and relishes the deliberately cheesy lines. He has a potbelly and a costume that looks like it was made out of an old binliner. Anyone who cannot see the genius of that is beyond help. Burt Ward's brilliantly overacted Robin is also hilarious, and far less irritating than the asinine Chris O'Donnell version.

The Batmobile is ace, too. I remember having a chunky Corgi model of the car that shot out matchsticks across the room. Much better than a CGI-enhanced penile extension. Even the rubbish filmed backdrops are fun. Everything's a bat-something in this film, a rope ladder having a large "Bat Ladder" sign tied to the end.

This is a fantastic movie, how could anyone not love it? Some hilarious scenes include the shark fight, the trap door spring and Batman with the biggest (and longest-fused) bomb in history. Look at this dialogue exchange where they try to work out which supervillain is behind the mayhem: "But wait! It happened at sea. See? C for Catwoman." "An exploding shark ... was pulling my leg." "The Joker! It all led to a sinister riddle. Riddle -er. Riddler?"

Fortunately, it turns out they're all involved, along with Burgess Meredith as the Penguin. The scenes set on the villains' hideout are shot with the camera at slanted angles, an inspired touch. All the poor things about this film work in its favour - Cesar Romero as the Joker looks about 80 and clearly hasn't bothered to shave off his moustache, but it works, as does the full-bore "acting" of Meredith and Merriwether. Only Frank Gorshin as the Riddler slightly disappoints; though that's because he's nowhere near as over the top. He is, of course, infinitely preferable to Jim Carrey. Anyway, they all work superbly together and the film doesn't feel top-heavy. A huge flaw of the new series, where more than one villain never quite clicked, can you imagine Nicholson, Pfeiffer, Carrey and DeVito all in the same movie? Of course it'd be impossible not just in budget but in egos, so having modest TV actors here serves the story well. One strange element of characterisation is seeing the Joker getting bossed around by the Penguin, something that would never happen in the comics.

Some of it's so wilfully silly it almost goes too far. If you put your tongue into your cheek you may choke, and seeing a Pentagon head playing tiddlywinks eggs the joke a little, though the whole thing is so well-meaning that you simply can't hold it against the movie. The plot, though, really isn't up to much at all, something I never noticed as a child (but then I never realised it was a comedy when I was a child, either). A repetitious sequence of events that sees the villains constantly trying to destroy Batman and Robin from afar, the heroes trying to locate their secret base. It goes round in circles, but a glorious "Biff! Pow!" fight on a submarine and a sideways swipe at eugenics make sure it all ends in style.

Lastly, look out for the scene where Ward and West run up and down on the spot ("Luckily we're in tip-top condition!") while a film background of a street and the theme tune play - a classic. Simple, silly fun and almost relentlessly appealing. So much so I nearly added another point to the total... 6/10.

For folks my age, despite the more serious Batman films that began in the 90s, this frankly is how I like my Batman. Funny, tongue in cheek, and populated by some really great players who look like they were having a ball doing this film.

The Batman series in the Sixties ran for three fun filled seasons with Adam West and Burt Ward playing the dynamic duo. They got their shot at big screen laughs and took it and ran. The three most popular Batman villains all got into the film and Frank Gorshin, Burgess Meredith and Cesar Romero all did one glorious job in overacting their characters to the max.

The plot if you can call it that involves these dastardly people having invented the ultimate dehydrating machine and they capture the nine members of the UN Security Council and hold them for ransom. Also involved is Lee Meriweather taking over for Julie Newmar as Catwoman.

And part of the plot is for Catwoman to put on some sexy street clothes and pretend to be a Russian journalist Miss Kitka for whom Bruce Wayne is ready to share stately Wayne Manor with. Not to mention getting Dick Grayson a mother figure. Of course that would compromise their alternate identities, but is there no end to the dastardly plots that this crew can think up?

Batman also marked the farewell performance of Reginald Denny as a silly English millionaire who the villains take over a submarine he owns and use it for their own evil plans. Denny looked like he was just well into the spirit of all the fun involved.

This is how Batman should be.

Tim Burton's BATMAN is for people who take comic books seriously. The Adam West BATMAN TV series and movie is for the rest of us.

Batman is the role West was born to play. He delivers his lines with a seriousness and self-importance perhaps matched only by Steven Seagal--and Seagal isn't trying to be funny.

I can understand how comic-book fans might dislike this movie. It does, after all, treat the whole Batman concept with jokey disrespect (though really, as another reviewer pointed out, it's an over-the-top parody of the old serials). However, for those of us who see the inherent silliness in the notion of a "millionaire playboy" dressing up in a bat suit to fight "supervillains," it's fun to watch a movie that sees it as well.

Perhaps the most amusing aspect of this movie is its off-the-wall view of the United Nations; the particular ambassadors are treated as something more than bureaucrats, apparatchiks, and political cronies who could be replaced in five minutes with any of ten thousand equally capable (or incapable) people.

7/10.

This movie is one of my favorite movies. And I'm only 12. The villains are so colorful and each has a great personality, especially the Joker and the Riddler. Adam West is also great as Batman and so is Burt Ward as Robin. I just wish the series still came on.