Batman

For folks my age, despite the more serious Batman films that began in the 90s, this frankly is how I like my Batman. Funny, tongue in cheek, and populated by some really great players who look like they were having a ball doing this film.

The Batman series in the Sixties ran for three fun filled seasons with Adam West and Burt Ward playing the dynamic duo. They got their shot at big screen laughs and took it and ran. The three most popular Batman villains all got into the film and Frank Gorshin, Burgess Meredith and Cesar Romero all did one glorious job in overacting their characters to the max.

The plot if you can call it that involves these dastardly people having invented the ultimate dehydrating machine and they capture the nine members of the UN Security Council and hold them for ransom. Also involved is Lee Meriweather taking over for Julie Newmar as Catwoman.

And part of the plot is for Catwoman to put on some sexy street clothes and pretend to be a Russian journalist Miss Kitka for whom Bruce Wayne is ready to share stately Wayne Manor with. Not to mention getting Dick Grayson a mother figure. Of course that would compromise their alternate identities, but is there no end to the dastardly plots that this crew can think up?

Batman also marked the farewell performance of Reginald Denny as a silly English millionaire who the villains take over a submarine he owns and use it for their own evil plans. Denny looked like he was just well into the spirit of all the fun involved.

This is how Batman should be.

This movie is one of my favorite movies. And I'm only 12. The villains are so colorful and each has a great personality, especially the Joker and the Riddler. Adam West is also great as Batman and so is Burt Ward as Robin. I just wish the series still came on.

1966 was, among many other things, the year of "Batman". This campy color TV series (very) loosely based on the classic comic strip, was originally planned for a fall debut. But the ABC network which commissioned the show, had already seen several of their new programs fail dismally in the ratings. Desperate for some promising new material. they gave "Batman" the green light, and it premiered in January. Thanks to it's 'hip' humor, an eye-popping kaleidoscope of bizarre color backgrounds and a cast of "guest villains" second to none: Julie Newmar, Cesar Romero, Anne Baxter, Burgess Meredith (the list goes on and on) the show was an immediate smash. Suddenly, America became "batty" and it's popularity was so great that stars scrambled for a chance to appear on the program. Along with its ratings, success came the brilliant merchandising campaign - everything from bubble gum cards and records to underwear and cereal. Inevitably, a movie was planned, supposedly either to introduce audiences to the show (which wasn't necessary after all, because the program was picked up first) or to sell the series overseas. It's main function, of course, was to cash in on the Batmania flooding the country while it was still hot. So, with a slightly bigger budget - mainly to accommodate the construction of the batboat and the batcopter, a feature version of the show was quickly filmed between the end of the first season and the beginning of the second. By the time of the movie's release in August 1966, however, the Batman craze had already begun to fade. The critics, for the most part, dismissed the film and audiences chose to ignore it. And, in recent years, there has been some speculation as to what happened. Although it has been written that Twentieth Century-Fox did little to inform the public that this was a project made exclusively for the big screen and not (as with "The Man from Uncle") a compilation of previously seen television episodes edited into a feature. In fact, the movie was promoted both in advertising materials (trailers, posters, etc) and magazine features as being "All New, Made Especially for the Giant Motion Picture Screen". It appears that the viewing public felt that it was probably just more of the same, figuring there was no point in paying to see what they got for free at home. So, despite mass bookings in every theater available, the film came and went. But, seen today, "Batman" holds up well, capturing perfectly what was one of the biggest fads to come along in the sixties.

Adam West and Burt Ward personify the clueless but virtuous Superheroes - always ready for a challenge, and, as usual, lionized by their puny police force led by Commissioner Gordon (Neil Hamilton) and Chief O'Hara (Stafford Repp). Alfred, alter-ego Bruce Wayne's faithful butler (Alan Napier) and Harriet Cooper (Madge Blake), aunt of Robin's alter ego Dick Grayson are on hand as well. The chief delight here though, are the four Supervillains - The Catwoman (Lee Meriwether, subbing for Julie Newmar), The Penguin (a rakish Burgess Meredith), The Joker (onetime Latin lover Cesar Romero) and The Riddler (a manic Frank Gorshin). The plot, the usual nonsense involving this crew's attempt at world domination, serves as a suitable background for sight gags and pratfalls galore. Meriwether and Meredith are the Villains with the most footage, each getting to disguise themselves during the course of the story. Posing as Russian reporter Miss Kitka, and sporting a commendably convincing accent, the incredibly lovely Meriwether is (understandably) successful in a scheme to lure Bruce Wayne into a kidnapping, hoping Batman will dash to the rescue! Meredith is not quite as able, in his guise as the villain's hostage Commodore Schmidlapp, though he does manage to get into the secret Batcave. And the plot thickens...West and Ward perform their chores with appropriately deadpan dispatch, but, as usual, the devils have the best parts, with Lee Meriwether offering a deliciously different interpretation of The Catwoman, and Burgess Meredith, who was born to play The Penguin, standing out. Batman is great fun both for younger viewers (who won't pick up on the intentional parody) and older ones (who will). "Holy time capsule!" Sevaral years ago, a wide screen DVD was released. It boasts an excellent transfer, Stereo sound and many extras, including a running commentary track with West and Ward, trailers, still galleries, and new featurettes about the film, and the Batmobile, with creator George Barris. A MUST for Batfans!

Tim Burton's BATMAN is for people who take comic books seriously. The Adam West BATMAN TV series and movie is for the rest of us.

Batman is the role West was born to play. He delivers his lines with a seriousness and self-importance perhaps matched only by Steven Seagal--and Seagal isn't trying to be funny.

I can understand how comic-book fans might dislike this movie. It does, after all, treat the whole Batman concept with jokey disrespect (though really, as another reviewer pointed out, it's an over-the-top parody of the old serials). However, for those of us who see the inherent silliness in the notion of a "millionaire playboy" dressing up in a bat suit to fight "supervillains," it's fun to watch a movie that sees it as well.

Perhaps the most amusing aspect of this movie is its off-the-wall view of the United Nations; the particular ambassadors are treated as something more than bureaucrats, apparatchiks, and political cronies who could be replaced in five minutes with any of ten thousand equally capable (or incapable) people.

7/10.

If you can't appreciate the sublime glory that is the 1966 version of "Batman," I pity you, brother. There's nothing quite like Adam West dashing around a pier, holding a bomb with a ridiculously long fuse, declaring, "Some days you just can't get rid of a bomb!" There's nothing quite like Cesar Romero's refusal to shave his moustache before putting on his Joker makeup. There's nothing like Romero and Frank Gorshin getting in a cackling contest as the Joker and the Riddler. For that matter, there's nothing like the Joker and the Penguin deciding that they need to don masks in order to commit crimes...

Comic book dorks whine and complain about the 60's-era Batman - I say that such people don't recognize how great the 60's Batman really was - the best fictional characters are the ones who can stand up through the decades to dozens of different interpretations. There's room in the world for Tim Burton's Batman, Adam West's Batman...heck, maybe even Joel Shumacher's Batman. Like "The Adventures of Buckaroo Banzai," "Rocky IV" or "Flash Gordon," this version of Batman is one of the great goofy pleasures of movie-watching.