NOTE IMDb
5,7/10
991
MA NOTE
Ajouter une intrigue dans votre langueOne of six travelers who catch the bus from Casablanca airport to Marrakesh is carrying $2 million to pay a local operator to fix United Nations votes. But which one?One of six travelers who catch the bus from Casablanca airport to Marrakesh is carrying $2 million to pay a local operator to fix United Nations votes. But which one?One of six travelers who catch the bus from Casablanca airport to Marrakesh is carrying $2 million to pay a local operator to fix United Nations votes. But which one?
- Réalisation
- Scénario
- Casting principal
Wilfrid Hyde-White
- Arthur Fairbrother
- (as Wilfred Hyde White)
Grégoire Aslan
- Achmed
- (as Gregoire Aslan)
Emile Stemmler
- Hotel Clerk
- (as Emil Stemmler)
Helen Sanguinetti
- Madame Bouseny
- (as Helen Sanguineti)
Francisco Sánchez
- Martinez
- (as Sanchez Francisco)
William Sanguinetti
- Police Chief
- (as William Sanguineti)
David de Keyser
- Hotel Clerk
- (voix)
- (non crédité)
- …
Maria Rohm
- Woman in Carriage
- (non crédité)
Avis à la une
British-made film (released under a variety of different titles around the world) concerns an American hotel-builder, newly-arrived in Morocco, who becomes involved in a $2M plot to change votes at the United Nations. Despite poster art designed to look like a spy spoof (with Randall an unlikely substitute for James Bond), this minor, droll offering is more in keeping with the latter-day Hitchcock films ("North by Northwest", in particular), with the dryly-resolved star getting deeper into hot water with every plot turn. Senta Berger is a very attractive mystery woman, and she matches up surprisingly well with Randall (grounded and more affable than usual), but the supporting cast of old pros is never given anything especially exciting to do. Director Don Sharp, working from a wayward, rudderless screenplay by Peter Yeldham, does decent work, yet the finale is confusing instead of suspenseful, and the overall air of familiarity is wearing. ** from ****
One of the better Harry Alan Towers travelogues, probably because after this they just kept getting worse and worse (Towers should have retained Don Sharp to direct and commissioned half decent scripts).
Even here one's attention tends to wander during the endless scampering about exotic locations that passes for a plot. But at least it's largely played for laughs, Tony Randall & Senta Berger are attractive leads, Herbert Lom an excellent villain and even Margaret Lee (who gets an "introducing" credit despite having been busy in movies for several years, admittedly not ones anybody was likely to remember her from) is slightly more animated than in her later films.
And of course there's Terry-Thomas's amusing late guest appearance as El Caid, AKA "the oily cad".
Even here one's attention tends to wander during the endless scampering about exotic locations that passes for a plot. But at least it's largely played for laughs, Tony Randall & Senta Berger are attractive leads, Herbert Lom an excellent villain and even Margaret Lee (who gets an "introducing" credit despite having been busy in movies for several years, admittedly not ones anybody was likely to remember her from) is slightly more animated than in her later films.
And of course there's Terry-Thomas's amusing late guest appearance as El Caid, AKA "the oily cad".
BANG BANG YOU'RE DEAD aka Our Man In Marrakesh seems a low budget homage to the talents of director Alfred Hitchcock and actor Cary Grant. Imagine, if you will, a blending of THE MAN WHO KNEW TOO MUCH and NORTH BY NORTHWEST, and you might have BANG BANG.
Tony Randall is very appealing as the much harried, put upon innocent who is caught up in a series of misadventures (his character Jessel actually says something like "We're suspected of being murderers, and we're being chased by murderers"). Randall is certainly not someone you would cast as the romantic lead, but you can readily accept that he and Senta Berger will become lovers.
Ms Berger's characters is very fond and adept at telling lies, and shaping the truth as she sees fit. She does it well, and is charming, and everyone likes her, not least the wily Arab truck driver Achmed (Gregoire Aslan), who twice saves the couple.
I had mistaken Margaret Lee for another Italian starlet but apparently she was born in Wolverhampton, England in 1943. She plays the sex kitten very well, and again, has some good lines.
The script is actually very good, the dialogue especially, with more memorable lines than I expected. The line-up of character actors is also fine, though Klaus Kinski's thug is nowhere as effective as the one he displayed in GRAND SLAM.
Locations are well chosen, the action good for its day, and the music by Malcolm Lockyer (someone who doesn't seem to have worked much in film) catches the flavour of Marrakesh, Morocco.
All in all, highly recommended (If you can find it!)
Tony Randall is very appealing as the much harried, put upon innocent who is caught up in a series of misadventures (his character Jessel actually says something like "We're suspected of being murderers, and we're being chased by murderers"). Randall is certainly not someone you would cast as the romantic lead, but you can readily accept that he and Senta Berger will become lovers.
Ms Berger's characters is very fond and adept at telling lies, and shaping the truth as she sees fit. She does it well, and is charming, and everyone likes her, not least the wily Arab truck driver Achmed (Gregoire Aslan), who twice saves the couple.
I had mistaken Margaret Lee for another Italian starlet but apparently she was born in Wolverhampton, England in 1943. She plays the sex kitten very well, and again, has some good lines.
The script is actually very good, the dialogue especially, with more memorable lines than I expected. The line-up of character actors is also fine, though Klaus Kinski's thug is nowhere as effective as the one he displayed in GRAND SLAM.
Locations are well chosen, the action good for its day, and the music by Malcolm Lockyer (someone who doesn't seem to have worked much in film) catches the flavour of Marrakesh, Morocco.
All in all, highly recommended (If you can find it!)
So..... Andrew Jessel (T. Randall) checks into a hotel in Marrakesh, and we see a (dead) body fall out of his closet. Some chick barges into his room, and talks him out of calling the cops. Kyra Stanovy (Senta Berger) is involved in this somehow, and we have to figure out how. For Randall, this was still a couple years before Odd Couple. Also in here is Herb Lom, you will recognize as Commissioner Dreyfus from all the Pink Panther films. Look for Brit actors Wilfrid Hyde-White and Terry Thomas (from the hilarious Mad Mad World....). A lot of talking and posturing, but not a lot of action for the first half. SOMEONE here has two million dollars in a suitcase to buy a vote. Jessel seems to be caught up in some spy trap. When confronted by the bad guys, we see him in one of the more "tough" roles he played. The fancy hotel at which he stays also seems to be the same hotel that Patsy & Eddy stay at in Ab-Fab. More dead bodies. And for a while, we can't tell who are the good guys and who are the bad guys. Pretty entertaining film. Dr. No and Russia with Love had already been made into movies, so this was kind of a knock off of those. Randall had just made all those films with Doris Day & Rock Hudson. Written by Harry Towers, who had produced and written the screen plays for Agatha Christie's "Ten Little Indians".
Our Man in Marrakesh is a comedy spy adventure. It is less a spoof of Bond and more of a homage to Hitchcock.
It is the wrong man adventure. American Andrew Jessel (Tony Randall) arrives in Marrakech for business purposes and finds a dead body in his wardrobe. Luckily mysterious femme fatale spy Kyra Stanovy (Senta Berger) is on hand to help him hide the body. She also helps Andrew get away from henchman Jonquil (Klaus Kinski) sent by well connected criminal kingpin Casimir (Herbert Lom.)
Casimir thinks Andrew could be one of the travellers who has arrived to Marrakech on the bus carrying a suitcase full of money to fix a UN vote.
Despite the location shooting in Morocco. This is a low budget film with a mundane script and a lack of thrills.
It does have plenty of back projection. Kinski and Casimir are effective villains. There are a couple of beautiful ladies, several familiar British character actors. Randall gamely does his best but he is no Cary Grant.
It is the wrong man adventure. American Andrew Jessel (Tony Randall) arrives in Marrakech for business purposes and finds a dead body in his wardrobe. Luckily mysterious femme fatale spy Kyra Stanovy (Senta Berger) is on hand to help him hide the body. She also helps Andrew get away from henchman Jonquil (Klaus Kinski) sent by well connected criminal kingpin Casimir (Herbert Lom.)
Casimir thinks Andrew could be one of the travellers who has arrived to Marrakech on the bus carrying a suitcase full of money to fix a UN vote.
Despite the location shooting in Morocco. This is a low budget film with a mundane script and a lack of thrills.
It does have plenty of back projection. Kinski and Casimir are effective villains. There are a couple of beautiful ladies, several familiar British character actors. Randall gamely does his best but he is no Cary Grant.
Le saviez-vous
- AnecdotesThe picture has been called an amalgam of Alfred Hitchcock's La Mort aux trousses (1959) and L'homme qui en savait trop (1956).
- GaffesDuring the climactic scene in the camel market Tony Randall's shirt changes from being open-necked to done up with a tie, then back to open-necked again.
- Citations
Andrew Jessel: ...and put him in my closet?
Kyra Stanovy: It's *my* closet.
Andrew Jessel: Your closet; my closet. What difference does it make?
- Crédits fousand introducing Margaret Lee
- ConnexionsFeatured in The Unforgettable John Le Mesurier (2001)
- Bandes originalesThe Eton Boating Song
(uncredited)
Lyrics by William Johnson and music by Algernon Drummond
Hummed by El Caid on his way to the prison rendezvous
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- How long is Bang! Bang! You're Dead!?Alimenté par Alexa
Détails
- Durée1 heure 34 minutes
- Rapport de forme
- 1.85 : 1
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