Bravo Django

The first Django sequel has very little Django in it. While the main character is mostly called Regan, he is sometimes credited as Regan/Django due to the movie's title, and the fact that the actor plays Django in many sequels. But this film is much worse than the first, because it is very cliche and there's very little interesting about it. Regan/Django lacks the cool yet intense personality he donned in the first film back when he was played by Franco Nero. It's not a terrible film, but it pales in comparison to the original and there just isn't anything memorable about it.

The film takes a standard western plot in a very boring and uninteresting direction. There are hints of entertaining moments, but they are sadly overcome by the overall mediocrity of the movie. Not worth watching unless you are a fan of Django.

Spaghetti and Tortilla Western , co-produced between Spain and Italy and starred by two ordinary Spaghetti actors as the Italian Anthony Steffen and American Frank Wolff and dealing with a confrontation between cattlemen and homesteaders. This is not an actual Django outing , it's a Spaghetti with Chorizo Western crammed with action , shootouts and lots of violence . The film follows the American Western models but also in Spaghetti style . An Italian-Spanish co-production with outdoor sequences filmed in Colmenar Viejo , La Pedriza and Manzanares Del Real , Madrid . It's a medium budget film with usual actors , good technicians, passable production values and acceptable results . 1877 year , Reagan (Anthony Steffen) is a bounty hunter hired by the National Mining Company to recover $ 100,000 stolen by the gang of Jim Norton . Norton and his band are wanted ¨Dead or Alive¨ . After killing three of them , his investigations lead him to Mile City , a cattle town in Montana, land primarily for grazing , there lives Jim's twin brother, the peaceful Trevor (Frank Wolff who a few years later committed suicide) with a niece (Gloria Osuna) , and in which, after posing as a sheriff , he is in the midst of the war between the settlers with their cattle fences and cattlemen led by a nasty baron land (Alfonso Rojas who played thirty five Spaghetti) who advocate for open range needed to feed their cows . Gunmen were hired for a time to keep submitted the settle men and their barbed wire . Meantime the rowdy, free-spending cowboys attracted saloon keepers, gamblers , brothels and all types of frontier riff-raff , the town became notorious for its lawlessness but the new but impostor sheriff puts peace and order .

It appears as director the Spanish/Argentinean Leon Klimovsky , but actually, for the most part of its filming by the disagreements arising with Klimovsky was realized by Enzo G. Castellari, which this film was his directorial debut in a sub-genre that became one of its greatest representatives . In fact if you compare the beginning of "7 Winchester for a massacre" which would direct the next year and the end this one seem to be similar direction . It's full of action , exaggerated characters, shootouts and loads of violence . ¨Alambradas de Violencia¨ or ¨Pochi Dollari per Django¨ is an exciting western with breathtaking showdown between the protagonist a bounty hunter gunfighter , Anthony Steffen , and a band's leader , Alfonso Rojas , and his hoodlums as Ennio Girolami . Anthony Steffen is fine , he ravages the screen, kills , shoots , hits and runs . There is plenty of thrills and action in the movie , guaranteeing some shoot'em up or stunts every few minutes . The film blends violence , high body-count and it's fast moving and quite entertaining . Nice score by Carlo Savina , including an enjoyable leitmotif and catching song . There is a very odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , as in the ending gunfights and the customary showdown conclusion .

This Western all'Italiana was produced by Marino Girolami , father of Enzo G. Castellari and Ennio Girolami, being middlingly directed by Leon Klimovsky . Leon was a craftsman who directed all kind of genres , as Terror for Paul Naschy (Marshall of hell, Rebellion of dead one , Orgy of vampires , Werewolf shadow, Dr Jekill vs. the werewolf) , Warlike (June 44 attack force Normandy , A bullet for Rommel , Bridge over Elba) and Western (Badland drifter , Reverend Colt , Torrejon city , Death knows no time , Two thousand dollars for Coyote , A dollar for Sartana) . Rating: 5 ; regular but entertaining .

And what's the difference?

Bounty hunter Anthony Steffan is sent to Montana to investigate a bank robbery. It's supposed to have been done by a man who has been dead for some time. However, his brother, Frank Woolf, is farming in the area with his dead brother's daughter, Gloria Osuna. On the way, Steffan finds a dead man with a sheriff's badge and papers. He pockets them and heads to town, where he is acclaimed as the sheriff. Unfortunately for him, the ranchers are fighting with the homesteaders.

Clearly it's meant to be the Johnson County War, except that it's about fifteen years early. Ignoring that, it's a nicely told story, with some beautiful wide-screen cinematography by DP Aldo Pinelli -- he knows how to recompose the frame with miscellaneous items -- and a very nice, swaggering performance by Wolff. The title of the movie and the opening sequence may make you think you're in another Man With No Name ripoff. However, everyone seems to have at least two names. While the body count is impressively high, it's a nice little spaghetti western.

This bravura, bullet-blasted B-Western's Euro-cult credentials are impeccable, co-directed by Argentinian Horror master León Klimovsky, and Euro-crime tzar Enzo G. Castellari, with a darkly charismatic performance by urbane Giallo gent Anthony Steffen as the enigmatic outlaw Django turned hardline Sheriff! Plus a Bobby Dazzler of a score by maestro Carlo Savina! The quick-draw savagery in 'Few Dollars For Django' is served up hotter than spaghetti all'assassina! When this tall, cheroot chewing coffin filler rides into town, beware the distracting gleam of sheriff Regan's Golden Star which is no less dazzling than this iconic gunslinger's deadly facility with a six-shooter!

Steffen's stoical Django is a swarthy, skull-perforating Pistolero of few words, but his fast-talkin' Colt proves to be a most eloquent companion! So, you better PRAY you never meet this bloodthirsty bounty killer on the business end of his lightning-fast pistol, as a duel with Django is a date with your own death!!!! In the misbegotten, deeply corrupted town of Mile City Django is the new law, and with a lawman like that who needs enemies!!! This rewardingly rumbustious Spanish-Italian co-production makes good use of the dynamically versatile character actor Frank Wolff who is on epic, twin-fisted form as burly, sharp-shooting farmer big Jim Norton, with his beautiful daughter enticingly played by dusky Spanish beauty Gloria Osuna. With long-fulminating tensions rising to fever pitch between murderous Amos Brownsberg (Alfonso Rojas), Jim Norton, and sheriff Regan, 'A Few Dollars For Django' delivers a barnstorming barrage of ballistic mayhem, climaxing energetically in an enjoyably explosive six-gun showdown!

Sent to Montana to hunt down bank robbers, bounty killer Anthony Steffen takes the star off a replacement sheriff who didn't reach his destination and steps right into a range war between farmers and cattlemen that has turned a small town into a tinderbox, with suspected fugitive Frank Wolff trying (not hard enough) to stay on the right side of the law.

One thing this has going for it is the lack of comic relief, which sort of overtook a lot of European westerns in the years following this one's release. Other than that, it's rather ordinary, though always watchable and never boring, with story and execution more resembling a typical Hollywood western than the usual spaghetti offering. Some good action and locations are a plus.

Fans of Anthony Steffen and his hard-edged performances probably won't be disappointed.

Though officially credited to Spanish director Leon Klimovsky, the prolific Enzo G. Castellari claims to be the real director. I tend to believe him, as his style fits the proceedings more so than Klimovsky.