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Urutoraman: Kûsô tokusatsu shirîzu

  • Série télévisée
  • 1966–1967
  • TV-14
  • 30min
NOTE IMDb
7,9/10
1,2 k
MA NOTE
Urutoraman: Kûsô tokusatsu shirîzu (1966)
ActionAventureComédieDrameFantaisieScience-fictionThrillerInvasion extraterrestreKaijuSuper héros

Ajouter une intrigue dans votre langueA human member of a defense force is given the life and ability to change into a giant super-hero to battle the monsters that wreaks havoc on Earth.A human member of a defense force is given the life and ability to change into a giant super-hero to battle the monsters that wreaks havoc on Earth.A human member of a defense force is given the life and ability to change into a giant super-hero to battle the monsters that wreaks havoc on Earth.

  • Création
    • Eiji Tsuburaya
  • Casting principal
    • Susumu Kurobe
    • Sandayû Dokumamushi
    • Masaya Nihei
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    1,2 k
    MA NOTE
    • Création
      • Eiji Tsuburaya
    • Casting principal
      • Susumu Kurobe
      • Sandayû Dokumamushi
      • Masaya Nihei
    • 13avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Épisodes40

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    HautLes mieux notés1 saison

    Photos151

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    Rôles principaux99+

    Modifier
    Susumu Kurobe
    Susumu Kurobe
    • Shin Hayata
    • 1966–1967
    Sandayû Dokumamushi
    Sandayû Dokumamushi
    • Daisuke Arashi
    • 1966–1967
    Masaya Nihei
    • Mitsuhiro Ide
    • 1966–1967
    Bin Furuya
    • Ultraman…
    • 1966–1967
    Peter Fernandez
    Peter Fernandez
    • 1966–1967
    Earl Hammond
    • 1966–1967
    Corinne Orr
    • 1966–1967
    Hiroko Sakurai
    Hiroko Sakurai
    • Akiko Fuji
    • 1966–1967
    Akiji Kobayashi
    Akiji Kobayashi
    • Captain 'Cap' Toshio Muramatsu
    • 1966–1967
    Kôji Ishizaka
    • Narrator…
    • 1966
    Hikaru Urano
    • Narrator…
    • 1966–1967
    Teruo Aragaki
    • Alien Zarab (Kaiju)…
    • 1966–1967
    Akihide Tsuzawa
    • Isamu Hoshino
    • 1966–1967
    Kunio Suzuki
    • Gomora (Kaiju)…
    • 1966–1967
    Akihiko Hirata
    Akihiko Hirata
    • Dr. Iwamoto
    • 1966–1967
    Haruo Nakajima
    Haruo Nakajima
    • Gabora (Kaiju)…
    • 1966–1967
    Yukihiro Seino
    • Chandrah (Kaiju)…
    • 1966–1967
    Nisashi Kondo
    • Ultraman
    • 1966–1967
    • Création
      • Eiji Tsuburaya
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

    7,91.2K
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    Avis à la une

    10ChungMo

    Sublime Wacked Out Monster Show - That's a Compliment!

    The first giant robot Japanese Sci-Fi TV show has something that all the others (Ultraman sequels included) never achieved. It's set in a world of bizarre logic and weird film making that is hard to describe. Unlike American television shows, Ultraman seemed to be played for laughs, very strange laughs, but laughs none the less. Don't expect the self-conscious humor of Batman but a world where people say and do odd things, the plot lines take goofy turns and characters will suddenly turn to the camera and talk to you as if nothing strange is happening at all.

    In one episode, the main characters (members of the "Science Patrol" in the Amrican translation) are sent out to find nuclear bombs that fell off a wayward space mission (!) and sank to the bottom of the sea. Unfortunately a sea creature found one of the bombs first and mutates into a giant monster (resembling the Creature from the Black Lagoon) that sinks boats and attacks ocean resorts. All the time a nuclear bomb is stuck on the monster's shoulder. The Science Patrol has the brilliant idea to sooth the enraged beast with music so they get the Japanese Coast Guard to play classical music from a destroyer! This has the opposite effect as the monster rips up and hurls trees around. One member of the Science Patrol make the incredible observation, "The monster doesn't like music, turn it off!". The show stops as the main characters try to figure out why their plan didn't work since "all wild beasts are soothed by music"! It's decided that radiation is the cause of the monster's inability to appreciate fine music!

    If you are looking for "rational" entertainment, run far as you can from Ultraman. For the rest of us who enjoy goofy fun, you can't get better then this. The new DVD set has the original Japanese track which has increased my admiration for this show.
    10dee.reid

    "Ultraman" - This was a great show!

    I'm 24, going on 25. I know that since I can remember, I have always loved Japanese monster movies (kaiju-eiga), and the films in that genre that featured Godzilla and Gamera. I know that for much of my life, I've always had a fascination with Japan in general. As far as Japanese superheroes are concerned, Ultraman was my second favorite (behind The Guyver, created by Manga artist Yoshiki Takaya).

    "Ultraman," which debuted on television in 1966 in Japan, was one of those shows that I loved when I was a kid, but for some reason I could never watch it because it was hardly ever on, but I knew what it was about because I collected the action figures. Luckily, TV-on-DVD has worked wonders for TV shows long forgotten in the annals of showbiz history, which is how I came across "Ultraman" in all its original Japanese-language/bad-English-dubbed glory four years ago.

    "Ultraman" features the members of Earth's (mainly Japan's) Science Patrol, who go around investigating all sorts of bizarre scientific phenomena. One of its members, Shin Hayata (Susumu Korobe), has a lethal close encounter of the third kind with an alien being that costs him his life, but said being resurrects him and gives him its powers, thus becoming the gigantic alien superhero Ultraman. Hayata is pretty adept at keeping his super-heroics a secret from his team members, since he conveniently disappears whenever Ultraman shows up to defeat some giant monster or giant monsters (one of whom, I understand, was actually a modified Godzilla costume). (Shame that his members never pick up on Hayata's dual life, but hey, it's a kid's show, after all.)

    This is a great show, not just for those who love Japanese monster movies but those who love fantasy, science fiction, and comic books. In fact, Japan is notorious for putting sci-fi/fantasy spins on a lot of their Manga and Anime' material, so the most rabid sci-fi and fantasy fans are most likely to be pleased by "Ultraman." I know it's cheesy, the English-language dubbing is hilariously awful, and the special effects pale in comparison to today's overblown CGI effects-laden spectacles. Like most kaiju-eiga spectacles from that time, however, if you can put CGI out of your mind for 30 minutes, the fight scenes will simply take your breath away because of their "realism" and awesome displays of unparalleled monster-mashing destruction.

    I have no idea why this show only lasted one season in Japan, yet during its time it still somehow managed to spark a massive pop culture phenomenon in the country that would later spark a world-wide craze for all things related to Ultraman. That craze has lasted all the way up to the time of this writing. I'm glad that I got this show on DVD four years ago. It's been a while since I had the opportunity to watch it, but guarantee that just writing about "Ultraman" right now is making me eager to break out the DVD set right now.

    I hope that us greedy Americans don't get the idea to do an American update.

    10/10
    8TooKakkoiiforYou_321

    Magical Girl Ultraman: it starts here!

    And with that title I refer to a specific point device used in this series - I. E. the fact that the titular character seems quite a bit hellbent on losing his transformation device because reasens - that reminds me of some magical girl shows like Hime-Chan No Ribbon or Bishoujo Senshi Sailor Moon, which is quite interesting considering this is a manly men's show about a manly superhero (I'm telling it as a fan of both Majokko series). Anyway, this series is very interesting, it was clearly very influential not just on Tokusatsus on the whole but also on the whole mecha genre and animation in general, and not only because of what a certain fanboy (Hideki Anno) made out of a lot of the stuff present here in his Evangelion series. That said, some episodes drag on a bit and I would personally have developed a couple of them in another direction, but whatever. Recommended with no problems whatsoever, even to first timers of this franchise like I am.
    8okeanakid

    SCHWATCH

    Even compared to such masterpieces as Ultraseven and Ultraman Mebius, the original still holds up after all these years!

    There's great character development (especially for Ide) for the S. S. S. P. and the extras, Kunio Miayuchi's score is wonderful, the special effects are eye-popping, the designs for the kaiju are very unique and appealing, and it has some of the best episodes of the whole franchise( such as "My home is earth", "The Forbidden Words", "The Monster Graveyard", and "The Small Hero" just to name a few.

    And it all culminates in a wonderfully satisfying finale which puts the entire earth at stake!

    If you love sci-fi, old Godzilla movies, Star Wars, or if your already a fan of the franchise, i cannot recommend this show enough.
    8danial-92063

    Its A Great Classic

    No matter what people say about it...I do enjoy Ultraman series. And my favourite in Showa series is of course the first Ultraman. I dont know what makes it so good to be honest...But it just it. Every element in the show is great and suitable for family to watch especially if they love superhero movies and/or series.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The sequences of Ultraman battling monsters were so expensive to film, that the producers needed a way to limit the scenes to only a few minutes for each episode. The solution was to give the character the weakness that he can not survive in his true self for more than roughly three minutes before he runs out of energy. This is marked with his warning chest light, called the Colortimer, which begins to blink with increasing speed as his energy runs out.
    • Citations

      Narrator: Using his beta capsule, Hayata becomes Ultraman!

    • Crédits fous
      During the show's opening credits, black silhouettes of the show's various characters (Ultraman, some of the show's monsters, and the Science Patrol logo) are shown against a colorful smoky background. In the US version, most of the silhouettes are featured, sans credits.
    • Connexions
      Alternate-language version of Ultraman (1966)
    • Bandes originales
      Urutoraman no Uta
      ("The Song of Ultraman")

      Main Title Theme

      Composed by Kunio Miyauchi

      Lyrics by Hajime Tsuburaya

      Vocals by The Corro Stellar & The Misuzu Childrens' Choir

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    FAQ19

    • How many seasons does Ultraman: A Special Effects Fantasy Series have?Alimenté par Alexa
    • Is this the first Ultraman series?
    • In what episode did Ultraman's costume receive an upgrade?

    Détails

    Modifier
    • Date de sortie
      • 10 juillet 1966 (Japon)
    • Pays d’origine
      • Japon
    • Site officiel
      • Tsuburaya Productions (Japan)
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Ultraman
    • Lieux de tournage
      • Tokyo, Japon
    • Société de production
      • Tsuburaya Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      30 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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